This little building, unless Father Pitt’s correspondents and his own conclusions are mistaken, was the Bottoms branch of the First National Bank of McKees Rocks, and it was a late work of the firm of Alden, Harlow & Jones. Whether the identification is correct or not, however, it is a fine piece of work, and another demonstration of the remarkable architectural riches of the McKees Rocks Bottoms.
The beehive, symbolic of industry and thrift, would be a good emblem for a bank. It is a bit odd for the business that has occupied the building for decades now, which is an undertaker’s establishment.
The main business streets of Coraopolis are Fifth Avenue, Fourth Avenue, and Mill Street, a very narrow street that crosses the other two. (There is also a Main Street in Coraopolis, but, in Pittsburghish fashion, it is not the main street.) Let’s take a stroll down Mill Street together. We’ll take two cameras with us, one digital and the other loaded with black-and-white film.
We’ll start at the Coraopolis Savings and Trust Company building, a splendid bank designed by Press C. Dowler, who gave us a number of grand classical banks. Right across Fifth Avenue is…
This plain but dignified doorway leads to the upstairs offices, which were a prestigious address for local businessmen. The architect W. E. Laughner had his office here.
Across the street is a substantial commercial block with a corner entrance.
Now we come to a building with tangled layers of history, but enough remains to show us the style of the original.
This bricked-in arch has a terra-cotta head for a keystone. Note that the original building was faced with Roman brick—the long, narrow bricks you see outside the arch—and not just Roman, but yellow Kittanning Roman brick.
This building next door used similar Kittanning Roman brick. The storefront has been altered, but long enough ago that it has an inset entrance to keep the door from hitting pedestrians in the face.
At the intersection with Fourth Avenue we meet the old Hotel Helm,1 with its distinctive shingled turret. It probably bore a cap when it was built.
From here Mill Street leads past the train station and the Fingeret building, both of which we’ve seen before. At Second Avenue—as far as we’ll go for now—we come to…
…the Hotel Belvedere, which was probably a cheaper place to stay than the Hotel Helm. It still preserves its shingled gable, though the rest has been sheathed in three colors of fake siding.
The bank for the little mining town of Imperial occupied a building that accomplished its architectural mission perfectly. It was small, but it gave the impression of being respectable and substantial—a place where your money would be safe.
Press C. Dowler, prolific architect of schools, banks, and telephone exchanges, designed this solid-looking classical bank, and the Pittsburgh Daily Post tells us that the opening (October 10, 1921) was a gala occasion.
The building no longer houses a bank, but almost nothing about the exterior has changed since that opening day, except that the big windows may not originally have been filled in with glass block.
A small but very rich classical bank still in use as a bank.
The clock suggests that the bankers will consult an astrologer before investing your money.
Stock-photo sites will charge you good money for patently metaphorical pictures like these. Yet old Pa Pitt gives them to you for free, released with a CC0 public-domain donation, so there are no restrictions on what you can do with them.
One of several round banks Mellon Bank built in the modernist era. It is still a bank, now belonging to Citizens Bank, Mellon’s successor in retail banking.
The Penn Avenue front is now a restaurant, but it would not be hard to guess from the Ninth Street side that this used to be a bank: the National Bank of Western Pennsylvania. Addendum: The architects were George S. Orth & Brother; the bank was built in about 1897.1
Source: Pittsburg Post, May 22, 1896, p. 9. “D. H. Wallace yesterday broke ground at Sheridan, Center and Highland avenues for a $50,000 building. George S. Orth is the architect. The building will be three-storied, and on the first floor will be storerooms, with flats on the other floors.” ↩︎
A rich-looking little bank dripping with terra-cotta ornaments on the façade. It later became the headquarters of the Pan-Icarian Brotherhood, a fraternal society whose membership “is open to anyone over 18 years of age (or their spouse) whose ancestry can be traced to the eastern Aegean Greek islands of Icaria or Fournoi.” These two islands made up an independent country, the Free State of Icaria, for a few months in 1912—which, by an odd coincidence, is the year this bank was built. The Pan-Icarian Brotherhood was founded in Verona; it now has a number of other chapters around the country.
This building originally housed a bank, and was still a PNC branch until a few years ago. It was built in 1926, and it straddles the line between classical and Art Deco.
You know it’s a bank because it has a vomiting lion at the top of the building.
As with many banks, the elaborate stone front hides a building mostly clad in cheaper and more prosaic brick.
This building, put up in 1930–1931, was a branch of the Federal Reserve Bank of Cleveland, and the Clevelanders Walker & Weeks were the architects—but with Henry Hornbostel and Eric Fisher Wood as “consulting architects.”1 Old Pa Pitt doesn’t know exactly how far the consulting went. At any rate, the architects chose sculptor Henry Hering, who had done several prominent decorations in Cleveland, to create the cast-aluminum reliefs for this building. The picture below is from 2015, but it will serve to show the placement of the reliefs:
The three main figures are obviously allegorical; they seem to represent industry, agriculture, and the professions.
Source: Walter Kidney, Henry Hornbostel: An Architect’s Master Touch, where this building is no. 137 in the List of Works. ↩︎
