Fort Pitt was the biggest beer brand in Pennsylvania in 1952. Then there was a big brewery strike, which affected the big three in Pittsburgh—Fort Pitt, Duquesne, and Iron City. When the strike ended, Fort Pitt rushed to be the first back on the market by shipping the past-its-prime beer that had been sitting around in its warehouse. Drinkers could tell. People with functioning olfactory senses in the vicinity of the drinkers could tell. The famous slogan “Fort Pitt—That’s It” was passed around with a slurred sibilant, and the brand declined precipitously.
Pittsburghers of an older generation still have this slogan on their lips, using it to mean “I’m done with this.”
As you can see, the brewery still stands in Sharpsburg. Much of it has been turned into apartments; one of the buildings now houses the Hitchhiker Brewing Co.
The office is a fine example of late Art Deco.
The Blockhouse was an obvious choice for an emblem.
The Gulf Tower is one of those buildings of the style old Pa Pitt calls “Mausoleum-on-a-stick,” where a skyscraper ends in a top modeled after the Mausoleum at Halicarnassus. Trowbridge and Livingston, who designed the Gulf Tower (with Edward Mellon as local architect of record), were the originators of the style, as far as Father Pitt can determine: the Gulf Tower is a Moderne reimagining of their original Mausoleum-on-a-Stick, the Bankers Trust Company Building on Wall Street, New York.
The South Vocational High School was designed by Marion M. Steen, who gave us many impressive schools around here. His father, James T. Steen, was a distinguished architect as well; Marion followed in his father’s classicist footsteps, but gradually adopted more and more Moderne mannerisms until he became one of our leading Art Deco architects. This school was a kind of vocational annex for the South High School across the street. Construction began in 1939, and it opened in 1940, just in time to be adapted to round-the-clock wartime training for mechanical trades.
This is Steen’s most aggressively modern design. He seems to have imagined a building that would look like a cross between school and factory.
This composite picture is huge: if you click on it, expect more than 18 megabytes of data.
Here is the Sarah Street front. As in all Steen’s other schools, the decorative details are imaginative and appropriate. These suggest a new world of technological wonder.
Now let’s walk around to the Tenth Street entrance, where we’ll find a remarkable decorative aluminum panel in the transom.
We have many public buildings with inscriptions in Latin. But is this the only school in North America with a cuneiform inscription over the entrance? Father Pitt would love to have any others pointed out to him.
Do not suppose, by the way, that old Pa Pitt is fluent in Akkadian, much as he would like to be able to read the adventures of Gilgamesh without a translation. It was, however, easy to trace the character and feed it into an image search, and although Google did not come up with the exact character at the top of the list, it took only a bit of scrolling to find the character we were looking for. Father Pitt wishes he could say he had thought of that solution to the problem himself, but, having recognized that this was a cuneiform character, he got no further until a cleverer friend suggested the way forward.
The building is in use as the Pittsburgh Online Academy (which needs a building for some reason; perhaps our school board has only a fuzzy notion of what “online” means), so for the moment it is well kept and externally in original condition.
This little memorial sits at the corner of Carson and Tenth Streets, the intersection that is more or less the gateway to the South Side proper. Most people pass by without noticing it, so old Pa Pitt decided to document it in detail.
Frank Aretz, best known for his ecclesiastical art, did the small Art Deco relief, according to a plaque installed by the city on this memorial. The architect was Stanley Roush, the king of public works in Pittsburgh in the 1920s and 1930s. Donatelli Granite, still in the memorial business, did the stonework.
The left and right steles bear the names of battlefields where Americans fought.
Many war memorials display the names of those who served, but this one sealed the names in stone for future generations to discover.
The relief has been eroding and perhaps vandalized, but the streamlined Art Deco style is still distinctive.
This is Father Pitt’s favorite newspaper building anywhere, without exception. It looks more like a newspaper building than any other newspaper building on earth.
In fact, with its stark horizontals in black and white, it looks like the front page of the Daily News. In its heyday, the Daily News had a distinctive style: well into the 1990s it looked like a very modern paper for 1936, and it usually had one big headline striped across the front page in thick black gothic caps.
In these photographs we have used a red filter (simulated in the GIMP), which has the interesting side effect of making the red light in the intersection almost pure white.
The Daily News was owned and edited by the powerful Mansfield family for many years, and it might be hard to say whether it exposed or enabled more political corruption in the Mon Valley. It was, in the words of its masthead, “More than a Newspaper—a Community Institution.” In 2007, it was swallowed by Richard Mellon Scaife, the Charles Foster Kane of southwestern Pennsylvania, joining every other paper in the Pittsburgh area that was not the Post-Gazette. When Scaife died and his news empire was revealed to have been built on a rickety financial foundation (he had burned up $450,000,000 from a trust fund to keep the empire going), the Daily News was one of the casualties. It closed in 2015.
The exterior of this building is still in good shape. Trib Total Media donated it to the city after the Daily News closed, and it has been kept from falling into a pile of bricks, unlike some other buildings we could mention.
Addendum: The architects were Hunting, Larsen & Dunnells, who were also responsible for the remodeling of the Pittsburgh Press building.
In some cities, when spring rolls around, people start to think about their gardens. In McKeesport, the headline is “Spring Demolition Projects Underway.” The story comes from the Tube City Almanac, one of the best local-news sites old Pa Pitt has ever seen, and a worthy successor to the lamented Daily News.
The old Theatre Bar, with its splendid Art Deco ground floor and its eclectic museum of brickwork above, is not on the list to be demolished, but Mikell’s Barber Shop is. “Contrary to rumors, the building did not collapse, but it is being demolished by hand, slowly, to avoid damage to neighboring structures,” the Almanac reports, citing “A.J. Tedesco, city community development director.” If you ever wanted to know what “community development” looks like, here is a picture. The work is being done very slowly: the Almanac article was dated June 5, and this picture was taken three weeks later, but they show the building in the same state, including that pile of bricks coming through the window, which were, we presume, each carefully laid in place by hand, slowly, to avoid damaging neighboring structures.
For many years, old Pa Pitt has admired the front of the Theatre Bar, but each time he was whizzing by on Walnut Street and did not stop to take a picture. This time, with the golden afternoon sun at the right angle, and the half-destroyed state of the building next door making him wonder how many more opportunities there might be before the bar was replaced by a vacant lot, he stopped.
This will not be the last time Father Pitt praises the Tube City Almanac. It has been going for many years now, even longer than Father Pitt’s own site, beginning as a cheeky blog that covered the news the Daily News ignored, and gradually growing to a journalistic institution that employs real reporters and covers the news better than most local papers. It really is “Worthy of All Yohogania,” in the words of its longtime motto—a parody of the Tribune-Review’s “Worthy of Western Pennsylvania.” Its other motto, “More Than a Website—It’s a Community Instigation,” pays tribute to the Daily News, and we’ll talk about the Daily News soon.
This picture is very large: if you click or tap on it, expect 12 megabytes of data and about 50 megapixels.
It is not possible to get a straight-on picture of the whole front of this Art Deco skyscraper hospital. But old Pa Pitt enjoys attempting the impossible once in a while, so here you go. The architect was Raymond Marlier, who also designed several of the buildings at Kennywood. (Kennywood, Western Psych—pretty much the same thing.) The building was completed in 1940.
Below, we see a side view made possible by the demolition of two Brutalist buildings on O’Hara Street. It shows how much Pitt has added to the original building. The whole thing is now called Thomas Detre Hall.
The front of this building, which was originally constructed a little before 1910, has been perfectly pickled in the middle twentieth century. It is now an antique store advertising “useful junk,” and if you enlarge the picture, you will see how much of that junk is a perfect match for the era of the storefront itself.
A streamlined Art Deco classicism makes this building stand out on its corner of Wood Street and Forbes Avenue. Its decorative flourishes, though minimal, were nevertheless too embarrassing for the modernist age, and for many years the building was wrapped in an orange metal shell. The metal panels came off in 2012, “to the spontaneous applause of passers-by,” according to the Pittsburgh History and Landmarks Foundation (PDF).
The building was put up in 1929; the architects were Hunting, Davis & Dunnells, whose successors, LLI Engineering, are still in business.
Italian Renaissance architecture filtered through an Art Deco lens makes an extraordinarily rich little building on Brownsville Road. The storefronts have been modernized; they would almost certainly not have had doors that open right into pedestrians’ faces when this building was put up in 1928. But the overall impression the building makes is still dignified, with a touch of Venetian fantasy that reminds us of a Pandro S. Berman production.
