Tag: Apartment Buildings

  • The Royalton, Mount Lebanon

    Royalton
    Royalton plaque

    Le Corbusier introduced the world to the idea of the cruciform apartment building. He regarded the form as so perfect, in fact, that he proposed demolishing Paris and replacing it with a sea of cross-shaped towers.

    In Pittsburgh, cruciform buildings were a bit of a fad in the late 1940s and early 1950s, probably encouraged by the national attention lavished on Gateway Center. They do have certain advantages. A cross-shaped building can give every apartment cross-ventilation and a view of open spaces, while still putting quite a bit of building on a small lot.

    Tennyson and Van Wart were among the architects who picked up on the idea. Alfred Tennyson was a Mount Lebanon architect who would continue with a very prosperous career in the second half of the twentieth century. John Van Wart, as half of the partnership of Van Wart & Wein, had been responsible for some big projects in New York in the 1920s and early 1930s; in the middle 1930s, he moved to Pittsburgh to work for Westinghouse, and then formed a promising partnership with Tennyson. His unexpected death in 1950, probably while this building was under construction, put an end to the partnership, and Tennyson went on alone.

    Royalton apartments

    The style is typical postwar modernism, but not pure modernism. A few little decorative details, like the subtle quoins, give the modernism a slight Georgian flavor.

    Entrance
    Entrance
    200

    The scalloped woodwork, if it is not a later addition, must have been one of those details added to persuade prospective tenants that this building was, after all, respectably Colonial enough not to embarrass them.

    Royalton apartments
    Entrance
    From the garage end

    As with many Pittsburgh buildings, the question of how many floors this one has is a complicated one. The answer varies between three and six, depending on how you look at it.

    From the lower end

    Cameras: Konica Minolta DiMAGE Z6; Canon PowerShot SX150.

  • The Berkshire, Mount Lebanon

    The Berkshire

    We have seen the Berkshire before, but those pictures weren’t very good, so old Pa Pitt went back and got better ones. It’s a courtyard apartment building in the Mount Lebanon Historic District; as Father Pitt said the first time he visited, this building is in a simple but attractive Jacobean style, where a few effective details carry all the thematic weight.

    Gate and entrance
    Front door
    Lantern and gatepost

    Cameras: Kodak EasyShare Z1285; Nikon COOLPIX P100.

  • The Lionhead, Shadyside

    Lion’s head

    Originally the Kent and the Howe, this pair of attached buildings was renamed for its most prominent decorative feature—the lion’s heads that preside over each entrance. The architects were the Chicago firm of Perry & Thomas, who were responsible for a number of apartment buildings in Shadyside and Oakland; they were especial favorites of the developer John McSorley.

    The Lionhead
    Entrance
    Balconies
    Nikon COOLPIX P100.
  • The Chesapeake and the Chamberlin, Shadyside

    The Chesapeake and the Chamberlin

    A pair of identical apartment buildings, now known by their addresses (5758 Howe and 5754 Howe). They were built in 1908; the architect was C. J. Rieger. Though they have lost their cornices (which, to judge by the size of the scars, must have been elaborate), the rest of the details are well preserved, showing a Renaissance or Baroque style flavored with Art Nouveau.

    Entrance
    Entrance, closer
    Ornament
    Lion’s head
    Female cameo
    Male cameo
    Chesapeake and Chamberlin
    Nikon COOLPIX P100.
  • The Embassy, Mount Lebanon

    The Embassy

    A simple and dignified modernistic apartment building with tasteful Art Deco ornamentation. It is now an assisted-living facility.

    Brickwork
    Perspective view
  • The P. W. Hamilton Apartments on Bailey Avenue

    312–318 Bailey Avenue

    If you walk along Bailey Avenue on Mount Washington (a pleasant walk, by the way), you may notice some similar-looking apartment buildings scattered along the south side of the street. The double duplex above is one of them; we see it head on below.

    312–318

    You might also notice a distinctive ornament at the peak of the roofline:

    312–318

    Old Pa Pitt noticed it and made a not-too-outrageous guess that it was the initial of the owner. That turns out to be correct. These buildings were all owned by P. W. Hamilton, as we see on a 1923 plat map:

    P. W. Hamilton Apts. on a plat map

    Here are two of them a few doors apart—the one we saw above, and this one:

    292–298 Bailey Avenue

    These buildings have recently had a lot of spiffing up, and they look like very attractive places to live.

    Open doors and stairways

    With these two doors open, we can see how, as is usual with Pittsburgh duplexes, the doors to the upstairs units lead straight to a stairway.

    There are three of these double duplexes, all the same design. Then, as we come to the eastern end of the street, opposite Grandview Park, we find the same design on a larger scale:

    446–460 Bailey Avenue

    It’s a double double duplex.

    454–460
    446–452
    Wreath ornament

    The H ornament is not here; instead we get little lunettes, one of them blank and one with a wreath ornament. But the building was owned by P. W. Hamilton, and its outline on the plat map shows how it is made by smashing two of the double duplexes together.

    P. W. Hamilton apartments on a plat map
    446–460
  • The Master of the Jumbled Bricks

    Jumbled bricks

    Father Pitt has not yet identified the architect of these four apartment buildings in Mount Lebanon, but the style is so distinctive that we can confidently attribute them to the same hand. Adopting the practice of art scholars who name unidentified artists after the most distinctive features of their style, we call this architect the Master of the Jumbled Bricks. Perhaps some reader knows the architect’s real name.

    The buildings all share patches of bricks and brick pieces laid in a jumble, as you see above. They also all use irregular (sometimes multicolored) roof slates and ornamental half-timbering, and even the bricks laid in regular courses are given as irregular a texture as possible. They are all in the exaggerated historicist manner that old Pa Pitt calls the Fairy-Tale Style.

    Half-timbering, slates, and bricks

    We’ll begin with this building on Central Square. The bricks here have had some repair, but we can still see the effort and patient professional work that went into making the building look as though it was built by gnomes.

    119 Central Square
    199 Central Square
    Window
    Jumbled bricks
    Brickwork

    Not far away, on the other side of uptown Mount Lebanon, another of these apartment buildings stands on Florida Avenue:

    688 Florida Avenue

    Here the jumbling of the bricks is more patterned.

    Entrance
    Jumbled bricks
    688 Florida Avenue
    Entrance in perspective
    Roof slates in different colors

    The polychrome irregular roof slates add to the fairy-tale atmosphere.

    Entrance to no. 688

    The next one, on Bower Hill Road, has fewer jumbles; they are placed up at the top among the irregular roof slates as a kind of billboard for the style.

    6 Bower Hill Road
    Jumbles and slates

    Though the shades are more muted, these roof slates are also different colors.

    6 Bower Hill Road
    6
    The Stratford

    Finally, the Stratford on Beverly Road.

    “The Stratford” on a bronze plaque
    Entrance
    Jumbled bricks
    Roof slates
    The Stratford
    The Stratford

    So far, Father Pitt has found these four apartment buildings in Mount Lebanon designed by this unusually whimsical artist. There are probably others lurking in plain sight. Does anyone know the architect’s real name?

    Father Pitt will add that he has some reason for suspecting that it might have been Theodore Eichholz, who was known to work in the fairy-tale style, and who designed an extraordinary whimsy in Highland Park, the Bendet house on Cordova Road, which uses jumbled bricks across the entire front. But this is only a vague suspicion. Anyone with better information is earnestly desired to inform us.

    (Update: More and more evidence is pointing to Charles Geisler, resident of Beechview and architect of numerous apartment buildings in Mount Lebanon and Dormont, as well as Squirrel Hill, as the Master of the Jumbled Bricks. This is what the television reporters call a developing story, and old Pa Pitt will update this article with any more certain conclusions.)

  • Shirley and Neighbor, Mount Lebanon

    Shirley and Her Neighbor

    Here we have two apartment buildings on more or less the same plan, but differing in their details.

    Shirley inscription
    Shirley apartments

    The Shirley has two immediately striking features. First, the broad round arch at the entrance:

    Entrance to the Shirley

    Second, the two-storey window (interrupted by inscription) in the stairwell, which also terminates with an arch.

    Windows of the stairwell

    Its neighbor (originally named Harmon: see below) uses contrasts in color to create a striking appearance.

    680 Florida Avenue
    680 Florida Avenue

    The entrance is more classical, and instead of one tall window, the stairwell has two arched windows filled with colorful art glass.

    Window with art glass

    Addendum: A 1934 plat map shows that the building on the left was originally called “Harmon.”

  • Rose Court, Mount Lebanon

    Rose Court

    The Rose Court apartments were built in about 1928 or 1929, and they have hardly changed at all externally. They are a complex of seven buildings in the Central Square area of Mount Lebanon, built in a subdued Georgian style around pleasant garden courts, so that one side of each building faces a garden.

    Panorama of Rose Court
    Rose Court with weeping cherries
    Weeping cherries again
    Rose Court
    Rose Court
    Rose Court
    Entrance
  • Hampton Hall, Oakland

    Hampton Hall

    We have seen this Tudor palace before, but there is no reason we should not see it again, with some different details this time.

    Entrance and light well
    Lobby

    The entrance lobby. The interior is filled with richly colored tiles, some with decorative figures like this griffin.

    Griffin tile
    Stairway