Tag: Apartment Buildings

  • Herford Apartments, Shadyside

    Herford Apartments

    When our local historians speak of the early adopters of modernism among Pittsburgh’s architects, they usually mention Titus de Bobula, Frederick Scheibler, and Kiehnel & Elliott. Old Pa Pitt would propose to add Charles Bier to that short list. His work is not as imaginative as the best work of Scheibler, but that is about the worst that can be said for him. In the early twentieth century, Bier gave us a large number of buildings influenced by German trends in Art Nouveau, and he developed a distinctive style of his own—one that put an Art Nouveau spin on Jacobean forms. This apartment building is a good sample of his work. It was built in 1910 with six luxurious units.1

    Herford Apartments
    Entrance to the Herford Apartments

    The entrance especially looks like something from a magazine like Deutsche Kunst und Dekoration. (We know those German and Austrian art magazines circulated among our architects in Pittsburgh; one of them actually took notice of Frederick Scheibler.) The oversized classical brackets are a whimsical touch.

    Lantern

    These lanterns seem to be modern replacements, since ghosts of gaslights are visible behind them.

    Ornament on the Herford Apartments
    Herford Apartments
    Fujifilm FinePix HS10; Samsung Galaxy A15 5G.

    Update: Our correspondent David Schwing sends this photograph of the Herford from the Press article, showing the building when it was new.

    Pittsburg Press, February 13, 1910.

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  • A Simple Apartment Building in Dormont

    2912 Glenmore Avenue

    There’s something pleasingly simple about this little apartment building just off the Potomac Avenue business district in Dormont. There are almost no decorative details, but the simple pilasters that frame the front give the building enough texture to carry itself with dignity. The stone lintels over the windows on the side of the building are a clue to its history: the front is probably a later addition, replacing open balconies with extra rooms. But the matching white brick makes the change hard to detect without some concentration.

    2912 Glenmore Avenue
    Entrance to 2912 Glenmore Avenue
    Nikon COOLPIX P100.

    The entrance (we are able to peer into the shadows by combining three different exposures in one picture) surprises us with classical woodwork and ornamental leaded glass—another clue that this building is older than we would have thought from a glance at the front.

    2912 Glenmore Avenue

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  • The St. Regis, Shadyside

    Face on the St. Regis

    Here is another of those apartment buildings that stare back at you when you stare at them.

    The St. Regis

    The St. Regis was built in 1908; the architects were the Chicago firm of Perry & Thomas, who designed several other apartment buildings in Shadyside and Squirrel Hill.

    Entrance
    Entrance
    Entrance in perspective

    Perry & Thomas seem to have absorbed an eclectic assortment of styles from Beaux Arts through Art Nouveau to Prairie Style. These entrances have the graceful and almost decadent curves we associate with Art Nouveau. They are very similar to the entrance to the Emerson, an apartment building put up two years earlier. That building is attributed to Samuel Crowen, another Chicagoan; but Crowen was associated with Perry & Thomas, and there is certainly a more-than-coincidental resemblance—not only in the entrances, but also in the balconies, which in both buildings are framed by supports ending in decorative faces. The ones on the Emerson are much more abstract, but the idea is the same.

    Face on the Emerson

    Face on the Emerson.

    Faces on the St. Regis

    Faces on the St. Regis.

    While taking these pictures, Father Pitt had a short conversation with the maintenance man, who tells us that the apartments were originally big and luxurious, but have been cut down to one and two bedrooms by the present owners. Expensive materials like marble abound inside the building.

    The St. Regis
    Fujifilm FinePix HS10.

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  • Relics on Walnut Street, Shadyside

    House at Walnut and Copeland

    The business strip along Walnut Street developed fairly late in the history of Shadyside; much of it was still residential a century ago. If we raise our eyes above ground-floor level, we can see that these little shops are built around a much older house, dating from the 1880s to judge by old maps.

    Rear of the house

    A few blocks eastward on Walnut Street we find a different kind of conversion.

    Walnut and Negley

    Here is a Second Empire mansion, built in the 1870s, converted to an apartment building, probably in the 1920s. The stucco addition on the front, with its cartoonish half-timbering that looks like a ten-year-old’s idea of Tudor architecture, fits better than it deserves to with the original house thanks to the simple expedient of painting everything white and matching the trim color.


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  • Bellefonte Apartments, Shadyside

    Bellefonte Apartments

    Georgian details applied to a pair of mirror-image apartment buildings on Elmer Street. The huge sunny bays might be described as exceptionally tall oriels, since they do not reach the ground, but instead terminate in surprisingly folksy carved wooden brackets.

    Bracket
    Bellefonte Apartments
    Pillar
    “Bellefonte”
    “Apartments”
    Entrance
    Nikon COOLPIX P100.

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  • Some Details of Highland Towers, Shadyside

    Lunette with “Highland Towers” and address

    We’ll have to wait till the leaves are off the trees to get anything like a complete picture of the front of Highland Towers, one of Frederick Scheibler’s most famous buildings. But this collection of details should be enough to demonstrate why architectural historians drool over it. The building brings a fresh breath of Art Nouveau to Highland Avenue.

    Entrance
    Courtyard
    Balconies

    As built in 1914, the apartments were luxurious residences. Each had a living room, dining room, solarium, kitchen, library or guest room, two bedrooms, bathroom, and servant’s chamber. There were garages in back with gardens on the roofs.

    Mosaic and windows

    Scheibler took the idea for these mosaic patterns from the German graphic designer, architect, industrial designer, type designer, and artist Peter Behrens.

    Mosaic
    Grille
    Front wall
    Nikon COOLPIX P100.

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  • Moderne Apartment Building in Shadyside

    Apartment building with Moderne details
    Composite of two photographs from a Fujifilm FinePix HS10.

    Probably built in about 1940, this was the science-fiction apartment building of the future. Except for newer windows, it has not changed much.


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  • Apartment Building with Storefronts by William E. Snaman in Dormont

    2895–2899 West Liberty Avenue

    It would have been a better composition with the original ground floor, but even so the upper two-thirds are attractive. We attribute this building to William E. Snaman because it is the only apartment building in the vicinity built at the right time to match this listing:

    The Construction Record, October 30, 1915. “George E. McKee, Alger street, was awarded the contract for erecting a three-story brick store and apartment building on West Liberty avenue, Dormont, for Mrs. Mary Ivol, 6268 West Liberty avenue, Dormont. Plans by Architect W. E. Snaman, Empire building. Cost $10,000.”

    Wreath in stained glass
    Apartment building at Tennessee and West Liberty Avenues
    Fujifilm FinePix HS10.

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  • Apartment Buildings by W. A. Thomas on Friendship Park, Bloomfield

    Apartment building at 4901 Friendship Avenue

    This striking building, which dates from about 1906, was designed by W. A. (for William Arthur) Thomas, a prolific architect and developer who is almost forgotten today. It’s time for a Thomas revival, Father Pitt thinks, because wherever he went, Thomas left the city more beautiful and more interesting.

    Apartment building at 4901 Friendship Avenue

    The most attention-getting part of this building is the tower of half-round balconies in the front, and here the design is amazingly eclectic. Corinthian capitals on the pilasters and abstract cubical capitals on the columns—and then, on the third floor, tapered Craftsman-style pillars. But we don’t see a disordered mess. It all fits together in one composition.

    Apartment building at 4901 Friendship Avenue
    Apartment building at 4901 Friendship Avenue

    Now, it’s possible that the interesting mixture of styles was the product of later revisions. But we are inclined to attribute an experimental spirit to Mr. Thomas. At the other end of the block…

    Apartment building at 4925 Friendship Avenue

    This building is so similar that we are certainly justified in attributing it to Thomas as well unless strong evidence to the contrary comes in. But it is not identical. Here the columns go all the way up, and they terminate in striking Art Nouveau interpretations of classical capitals.

    Balcony

    Volutes and acanthus leaves are standard decorations for classical capitals, but the proportions and the arrangement are original.

    Apartment building at 4925 Friendship Avenue
    Apartment building at 4925 Friendship Avenue
    Olympus E-20N.

    A fourth floor of cheaper modern materials has been added, but the addition was deliberately arranged to be unobtrusive, or indeed almost invisible from the street. Most passers-by will never even notice it.


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  • Crafton Ingram Apartments, Ingram

    Crafton Ingram Apartments

    Philip Friedman was busy in the years after the Second World War. He designed an incredible number of apartment buildings, and he seems to have owed his success to two things (in addition, of course, to hard work and skill in managing projects): a knack for combining modern design with more traditional elements to attract a wide range of renters, and a willingness to compromise. When the July, 1950, issue of the Charette, the magazine of the Pittsburgh Architectural Club, published a layman’s criticism of Friedman’s work, Friedman replied that he was at the mercy of his clients, and sometimes they really did throw out his drawings and stick classical columns on a modernist building. However, he did what he could. “He contends…that while his buildings are admittedly far less esthetic achievements than economic realities, many other new multiple dwellings in this area reflect no concern for esthetics whatever.”

    Crafton Ingram Apartments

    The Crafton Ingram Apartments, originally called the Crafton Ingram Arms, are typical of Friedman’s work. They were built in about 1950. The buildings are square brick modernist boxes. But they have quoins and pediments and other Georgian details to convince the rubes that this is a high-class establishment. Originally there were four identical groups—three in Crafton and one in Ingram. Two of them have disappeared: this is the one that still stands in Ingram.

    Crafton Ingram Apartments
    Crafton Ingram Apartments
    Crafton Ingram Apartments
    Olympus E-20N; Canon PowerShot SX150 IS.

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