Tag: Giammartini (Achille)

  • Allegheny High School

    Allegheny High School

    Allegheny High School, now the Allegheny Traditional Academy, has a complicated architectural history involving two notable architects at three very different times.

    Original Allegheny High School from 1893
    From Art work of Pittsburgh, part 3 (Chicago: W. H. Parish, 1893), with thanks to “Camerafiend” for making the picture available.

    The original 1893 Allegheny High School on this site was designed by Frederick Osterling in his most florid Richardsonian Romanesque manner. This building no longer exists, but the photograph above gives us a good notion of the impression it made. The huge entrance arch is particularly striking, and particularly Osterling; compare it with the Third Avenue entrance of the Times Building, also by Osterling.

    Allegheny High School Annex

    In 1904, the school needed a major addition. Again Osterling was called on, but by this time Richardsonian Romanesque had passed out of fashion, and Osterling’s own tastes had changed. The Allegheny High School Annex still stands, and Osterling pulled off a remarkable feat: he made a building in modified Georgian style that matched current classical tastes while still being a good fit with, and echoing the lines of, the original Romanesque school.

    Entrance
    Ornament

    The carved ornaments on the original school were executed by Achille Giammartini, and we would guess that he was brought back for the work on the Annex as well.

    War memorial

    A war memorial on the front of the Annex. Twenty-two names are inscribed. Everyone who went to Allegheny High in those years knew someone who was killed in the Great War.

    Allegheny High School Annex
    Allegheny High School Annex
    Side of the Annex
    1936 Allegheny High School

    By the 1930s, the school was too small again. The original school was torn down, and Marion Steen, house architect for Pittsburgh Public Schools (and son of the Pittsburgh titan James T. Steen) designed a new Art Deco palace nothing like the remaining Annex. The two buildings do not clash, however, because there are very few vantage points from which we can see both at once.

    Allegheny High School
    Inscription: AHS 1936
    Grilles and reliefs
    Wave pattern
    Decorative grilles
    Relief
    Auditorium exit

    The auditorium has three exits, each one with one of the three traditional masks of Greek drama above it: Comedy, Meh, and Tragedy.

    Comedy
    Meh
    Tragedy
    The pictures of the masks were taken in 2014 with a Kodak EasyShare Z1485.
    Auditorium Exit
    Nikon COOLPIX P100.

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  • Evangelische Imanuel’s Kirche, Dutchtown

    Evangelische Imanuel’s Kirche

    Built for a German Reformed congregation, Imanuel Evangelical Church later became a Methodist church, and then an art gallery. This is another city church with the sanctuary upstairs.

    Front entrance with inscription

    The inscription on the front tells us that the church was built in 1859 and rebuilt in 1889. Father Pitt does not know how extensive the rebuilding was, but he might guess that the ground-floor windows on the side, with their angular Gothic arches, were from the 1859 building. The carved stonework ornaments probably date from 1889.

    Dragon in Romanesque foliage

    Whenever old Pa Pitt looks into Romanesque foliage and sees somebody looking back at him, he suspects our master of Romanesque grotesqueries, Achille Giammartini.

    Dragon carving
    View across the Tripoli Street bridge
    Canon PowerShot SX150 IS.

    The Parkway North just missed this building when it tore Dutchtown in two.


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  • Stony Romanesque in the Mexican War Streets

    208 West North Avenue

    This stone-fronted Romanesque house on North Avenue is decorated with intricate carvings, and Father Pitt would guess that they were probably by Achille Giammartini, who was responsible for most of the best Romanesque decoration in Pittsburgh, and who also decorated the Masonic Hall just up the street.

    Romanesque capital
    Romanesque capital
    Romanesque capital
    Carved ornament and volute
    Kodak EasyShare Z981.

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  • Masonic Hall, North Side

    Masonic Hall

    Bartberger & East were the architects of this Masonic Hall, which sat derelict and in danger of demolition for many years. (The Bartberger of the partnership was Charles M. Barberger, the younger of the two Charles Bartbergers.)1 Now it is beautifully restored as a center of literary culture, which teaches us not to lose hope.

    Inscription: “Masonic Hall”

    The building was put up in 1893, as you can tell by reading the super-secret Masonic code in terra cotta on the front: “A. L. 5893.” “A. L.” stands for anno lucis, “in the year of light,” a Masonic dating system that takes the creation of the world as its starting point. At the risk of suffering the fate of William Morgan, old Pa Pitt will reveal the secret calculation that converts A. L. dates to our Gregorian calendar: subtract 4000.

    A. L.
    58
    93
    Reddour Street entrance

    Like most lodge buildings of the time, this one had the main assembly hall upstairs, leaving rentable storefronts on the ground floor. The side entrance on Reddour Street, which led up to the main hall, is festooned with carvings by Achille Giammartini.

    Stonecarving by Achille Giammartini
    Perspective view
    Front of the hall
    Kodak EasyShare Z981; Kodak EasyShare Z1285; Sony Alpha 3000; FujiFilm FinePix HS10.

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  • Niches on the College of Fine Arts Building, Carnegie Mellon University

    Henry Hornbostel designed the front of the Fine Arts Building with niches that display all styles of architectural decoration, and more practically give students a place to sit between classes. The niches have continued to accumulate sculpture in styles from all over the world. The whimsical figures in the Gothic niche may have been done by Achille Giammartini.

    Figure in first niche
    Figure in first niche
    Foliage with critters in first niche
    Lion eating an unfortunate Gothic figure
    Figure in first niche
    Figure in first niche
    Second niche

    In the classical niche, the three orders of Greek architecture: Corinthian, Doric, Ionic, demonstrated with correct proportions.

    Third niche
    Fourth niche
    Sculpture in Indian style, with Egyptian column
  • Decorations on the Maginn Building

    Arch on the Maginn Building

    Father Pitt is fairly certain that the ornamental stonecarving on the Maginn Building was done by Achille Giammartini, Pittsburgh’s master of Romanesque whimsies. The style is Giammartini’s, and the building was designed by Charles Bickel, who is known to have brought in Giammartini for the German National Bank (now the Granite Building) around the corner, as we see in this advertisement:

    Advertisement for Achille Giammartini

    But, you say, speculation is not enough for you. You want the artist’s signature. Well, to old Pa Pitt, this looks like a signature:

    Face with mustache in the corner of the arch

    In fact, Father Pitt has formed the hypothesis that Giammartini littered the city with self-caricatures in Romanesque grotesque. Several other buildings bear carved faces similar to these two in the corners of the arch on the seventh floor of the Maginn Building.

    Grotesque face

    The rest of the ornaments are also in Giammartini’s trademark style: lush Romanesque foliage with slightly cartoonish faces peering out from the leaves.

    Capital
    Capital with face
    Fujifilm FinePix HS10.
  • College of Fine Arts, Carnegie Mellon University

    Creare over the entrance

    The front of the College of Fine Arts in sunset light. Above, the word CREARE (“to create”) inscribed above the entrance by decorative sculptor Achille Giammartini.

    College of Fine Arts, Carnegie Mellon University
    Entrance
    Entrance decoration
    Ratio

    Reason.

    Cogitatio

    Design.

  • Third Avenue Front of the Times Building

    Third Avenue front of the Times Building

    The Times Building, designed by Frederick Osterling in his Richardsonian Romanesque period, is a block deep, so it has fronts on both Fourth Avenue and Third Avenue. The Fourth Avenue front is narrower; the Third Avenue front has one more bay, and a single grand arch in the middle. The decorative carving is probably by Achille Giammartini, who is known to have worked with Osterling on the Marine Bank and the Bell Telephone Building, and all his trademark whimsy is on display here.

    Face
    Face
    Foliage
    Face in profile
    Corner of the arch
    Fujifilm FinePix HS10.
  • A Stony Row on Liverpool Street, Manchester

    Row at Liverpool and Fulton Streets
    Kodak EasyShare Z1285.

    This row of stone-fronted houses is a good example of late-Victorian eclecticism. The heavy rustic stone and elaborate foliage decorations say “Romanesque,” but the porch columns have “modern Ionic” capitals typical of the Renaissance. And it all works together just fine, though it might give an architectural pedant hives.

    Modern Ionic capital
    Nikon COOLPIX P100.
    Foliage

    The stonecarving was probably done by Achille Giammartini, who lived a few blocks away on Page Street.

    Achille Giammartini advertising his services

    Hiding in the shadows is a whimsical grotesque face that may remind us of somebody we know.

    Grotesque foliage face
    Row of stone houses
    Front door

    Note the old address, 185, carved in stone beside the door to what is now 1305 Liverpool Street. The addresses in Manchester changed at about the time Allegheny was taken into Pittsburgh.

    1301–1309 Liverpool Street, Manchester
  • Decorations by Achille Giammartini on the German National Bank

    Romanesqu apital with face

    The German National Bank—now the Granite Building—is one of the most ornately Romanesque constructions ever put up in a city that was wild for Romanesque. The architect was Charles Bickel, but much of the effect of the building comes from the lavish and infinitely varied stonecarving of Achille Giammartini, Pittsburgh’s favorite decorator of Romanesque buildings.

    We have sixteen more pictures in this article, and this is only a beginning. Old Pa Pitt will have to return several more times with his long lens to document Giammartini’s work on this building.

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