This building has been neglected for decades, but it was solidly constructed and has suffered less than we might think from that neglect. It’s for sale right now, and it would be a splendid meeting hall for your lodge. All you have to do is found a lodge, and make sure to invite people with money to be your charter members.
Addendum: The architect was C. G. Mentel; the building was put up in 1904.1
Father Pitt took some pictures of this building back in 1999, and it is surprising how little it has changed since then—either for the better or for the worse.
It is never pleasant, but old Pa Pitt feels as though he has a duty to document things that might be gone soon. Sometimes miracles happen, and we can always hope, but without a miracle we can only turn to the photographs to remember what has vanished.
“Berg Place,” a group of three apartment buildings along Brownsville Road in Carrick, probably cannot be saved. It’s a pity, because the buildings, in a pleasant Arts-and-Crafts style flavored with German Art Nouveau, have a commanding position along the street, and their absence will be felt. They were abandoned a few years ago, probably declared unsafe, and since then they have rotted quickly.
Some of the simple but effective Art Nouveau decorations in brick and stone.
These two buildings across the street from Berg Place, damaged by a fire, may possibly still be saved. At present one of them is condemned, but that is not a death sentence, and it looks as though prompt action was taken to secure the one on the corner after the fire. They are typical of the Mission-style commercial buildings that were popular in Carrick and other South Hills neighborhoods, and they ought to be preserved if at all possible. Carrick is not a prosperous neighborhood, but much of the commercial district is still lively, and with the increase in city property values the repairs might be a good investment.
For his entire career, Louis A. S. Bellinger was the only Black registered architect in western Pennsylvania. His most famous work today is the Pythian Temple, later the New Granada Theater, on the Hill. This is a much smaller project—a six-room house built in 1929 for a middle-class client.1 But the client got his money’s worth. It’s not a work of towering genius: it’s just the best house you could get for the money, designed by a man who knew how to take the ordinary Pittsburgh house and make it a little bit special.
The house is abandoned and overgrown, and it will probably not last much longer. It would take a miracle to save it—a miracle that made the location suddenly valuable, since it will require a nearly complete gutting to put the house back in livable shape. All we can do, therefore, is document that it exists now, so that future historians will know that Louis Bellinger made it.
It appears that the house originally had an open porch with an arched entrance; later most of the porch was closed in to make another room. The large window opening in front was a good bit larger when it was an open porch, as we can tell by the slight difference in mortar in the bricks to either side of the window.
Source: The Charette, January, 1929, p. 12. “602. Architect: Louis A. S. Bellinger, 525 Fifth Ave., Pittsburgh, Pa. Owner: Robert T. Smith. Title: One family dwelling, six rooms and bath. Location: 85 Sylvania Ave. Contract awarded to Vincent Mingers. Contract price: $8700.00.” ↩︎
Perched on the side of a steep hill, this tiny schoolhouse was built in 1874.1 After Allegheny was conquered by Pittsburgh, this was known as the Milroy School (after Milroy Street, which passes on the right side of the school). After it closed as a school in 1938, it was used as community center called Milroy House, and then a preschool; and now it is abandoned and waiting for its next life.
The school appears to have had three classrooms: left, right, and rear.
A picture taken in 1923, when the building was already half a century old, shows how the school looked with its belfry and its real windows.
St. Henry Church has been abandoned for years, and it is slowly rotting away. Yet the neighborhood still remembers it as a point of pride: when Father Pitt was taking pictures along Arlington Avenue the other day, some locals stopped to talk and immediately asked, “Did you see our church?”
And, of course, our utility cables.
St. Henry was designed by Marlier & Johnstone and built in 1952, when the neighborhood was thriving.
Each of those squares had a symbolic relief at its center, with a big metal cross in the middle of the façade. Those have all been taken away, because when Catholics abandon a building, they generally preserve whatever is unique and valuable about it and place it in another parish if possible. It does leave the building looking stripped, but we can understand the impulse.
The entrance is sharply drawn in a style that flavors modern with just a bit of late Art Deco.
An abstract cross-topped cupola.
An exhibition of utility cables.
The rectory is older than the church; it is hard to guess the age of it, and it has been added to in various eras and various styles.
The school next to the church has been abandoned twice. It was a public primary school for a while after the parochial school closed, but the public school closed a few years ago.
Homewood is prospering now more than it has done in decades, but there are still many forgotten corners. This house, in the part of Homewood traditionally called Brushton, has been abandoned and forgotten for a very long time, though the other houses on the street are inhabited and well kept. Because it has been left alone for decades, it preserves details of crumbling shingle and woodwork that have been replaced on all its neighbors. It appears to have been built in the 1890s for J. M. Gruber, and it is a good example of how the Queen Anne style filtered down to the middle classes.
Even though it is on the grounds of a parish that is still open, with a school that is still open, this glorious Second Empire building is abandoned and crumbling, with scraggly Trees of Heaven—the badge of abandonment—taking root all around it. In its current state it looks like a drawing by Charles Addams.
The far end of Manchester still has some work to do. A few houses have been restored; about an equal number are abandoned and condemned. A few have been restored, and then abandoned and condemned. A few have been renovated in a way that seems regrettable. We can only hope that someone will rescue the houses that need rescuing.
It is always especially sad when we see that the last thing residents were able to do to their house was decorate it for Christmas.
Here we have a frame house refurbished to be habitable and comfortable. “Multipane” windows were used, of course, because is there any other kind? (Old Pa Pitt was shocked to visit a house with modern “multipane” windows and discover that the “panes” are really just cartoon lines drawn in plastic across a single sheet of glass.)
This house suffered a fire years ago and appears to have been abandoned since then. At least some minimal work has been done to stabilize it. The dormer is distinctive; it would have been more so with its original decorative woodwork.
We find some of the houses in better shape as we approach the western end of the street.
This building seems to have been put up for Allen Kirkpatrick & Co., but for years it was the home of the Pittsburgh Tag Co., as this ghost sign tells us. It has been vacant for some time.
Pittsburgh, Pa.—The Pittsburgh Tag Company, care of Charles F. C. Arensberg, 834 Amberson street, Pittsburgh, recently organized with a capital of $50,000, plans the operation of a local plant for the manufacture of paper tags and kindred specialties. Mr. Arensberg will be treasurer of the new company; James M. Graham and Jonathan S. Green will be directors.
Old Pa Pitt knew absolutely nothing earlier this morning about the C. S. Hixson Candy Company, but neither does the rest of the Internet. This article, therefore, immediately becomes the Internet’s leading and only source of information on the subject.
The building was put up in 1917, to judge by listings in the American Contractor. Excavations had begun by April 28:
Factory: $25,000. 4 sty. 59×96. Adams & Fulton sts, Priv. plans. Owner C. S. Hixson Candy Co., 1024 Vickroy st. Gen. Contr. C. E. Murphy & Sons, 516 Federal st. Carp. & conc. work by gen, contr. Brk. mas, to C. B. Lovatt, 1203 Federal st. Plmg, to Walter Gangloff, 2471 Perrysvilie av. Excav.
The company, however, did not prosper long. Its charter as a Delaware corporation was repealed in 1921 for failure to pay taxes. In 1926, The International Confectioner reported that “There will be a meeting of the stockholders of the C. S. Hixson Candy Co., Pittsburgh, Pa., Jan. 17, to consider the question of selling or leasing the business, or to liquidate it and close up.”
And there you have everything Father Pitt was able to find out in twenty minutes, which is twenty minutes more than anyone else on the Internet has ever devoted to the subject.
This old industrial building is tumbling to bits, and if the neighborhood were more valuable it would have been gone years ago. It is not a work of outstanding architecture; the construction listings specified “private plans,” which probably means “We can do without an architect.” The borders of the Manchester Historic District were carefully drawn to exclude it while including the modest Italianate houses next to it. The work going on at the top may be part of a demolition; at any rate, the cornice was intact a few years ago. But it is an interesting little bit of history, and it preserves a record of its original owner on the eastern face of the building.
The old painted sign is still visible, and nearly legible with the help of some heavy manipulation. This is what it appears to say:
C. S. HIXSON CANDY CO. MANUFACTURES [sic] OF HIGH GRADE CHOCOLATES
