
Three matching Victorian houses with generous turrets—the one on the corner house being considerably more generous than the other two.


Comments

Three matching Victorian houses with generous turrets—the one on the corner house being considerably more generous than the other two.



Originally called the McCance Block after its owner, this came to be known as the Triangle Building for obvious reasons. As Father Pitt has mentioned before, it fills what may be one of the smallest downtown city blocks in the country, so that every side of a relatively small building faces the street.
Andrew Peebles was probably the architect—but old Pa Pitt has not sorted that out completely yet, because he has also heard of Thomas Scott as the architect. His current hypothesis is that the building rose in two stages: the first four floors by Peebles, and the top two floors, which are simpler and built with brick of a very slightly different shade, by Scott some years later. The building has recently been refurbished for (you guessed it) luxury apartments.




Three fine houses in three different styles. We begin with a house in the fairy-tale style of the 1920s and 1930s, whose steeply pitched roof, open arch on the side of the house, and Jacobean entrance combine to give it a storybook picturesqueness.



A dignified version of Queen Anne style; some alterations have changed the original character a bit, but the house still leaves a strong impression of comfortable prosperity.


It is a little hard to tell what this house was originally; it may have begun as a Queen Anne house similar to the previous one, but it seems to have been accumulating expensive renovations over the years, so that today it is an eclectic but tasteful mixture.



Brookline is a museum of early-twentieth-century middle-class housing. You can stop almost anywhere in the neighborhood and find an eclectic mixture of houses in interesting styles—many of them altered over the years, but usually a few in nearly original condition. Here are five quite different houses from half a block of Berkshire Avenue, beginning with a solid-looking brick bungalow.



This stone Tudor is the most recent house in our collection; it probably dates from the late 1930s.


A typical Pittsburgh Foursquare in form, but with the somewhat unusual variation of a shingled second floor.


A Craftsman cottage that would have looked even more Craftsman with its original three-over-one windows.

A more unusual form of Craftsman cottage whose carved wooden brackets are well preserved. If the porch rail is not original, it is a well-chosen replacement that fits with the spirit of the house. Painting the aluminum awnings to match the trim makes them almost attractive.

Knoxville’s own Edwin V. Denick was the architect of this half-shingled corner-tower church,1 currently abandoned. Since it sits right next to the Knoxville Presbyterian Church that burned last month, and since it has been boarded up by the city, we have to assume that it could vanish at any time, so here are a few pictures to document it before it goes. We’ll put it it the Endangered category on our scale of Least Concern, Near Threatened, Vulnerable, Endangered, Critically Endangered, and Demolished.




In the gables that face the street, the shingles have been replaced with artificial siding; but we can still see them on this gable in the back of the building.

This side of Roycroft Avenue—which was the sunny side yesterday afternoon—is in the St. Clair Terrace plan (the other side is part of a different plan). As with many of the plans in the Mt. Lebanon Historic District, the lots were sold off to buyers who would hire their own architects to design their dream houses. The result is a pleasingly eclectic collection of houses whose designs are all of high quality. We’ve seen some of these houses before, but the deep snow added an irresistible picturesqueness.











George S. Orth, who lived in Bridgeville, designed this building,1 which was put up in two stages, beginning in 1903 or 1904, for the Bridgeville Trust Company. If you look very carefully, you can see the seam in the middle of the long side along Station Street, marking the line between the original square building on the corner and the later addition behind it. At some time in the middle twentieth century, the ground floor was entirely redesigned to look more like a modern bank, so that only on the second floor is Orth’s work visible today. The building was still a bank (a branch of PNC) until just a few years ago.


Across the street, the First National Bank of Bridgeville was going up at the same time. James E. Allison was the architect of this one.2 Soon—probably while this building was still going up—he would take his brother David on as a partner in the firm of Allison & Allison. In 1910 they moved to Los Angeles, and they flourished there as architects of some of the most notable buildings in the city.


Thomas D. Evans was the architect of this towering warehouse, built just as the age of skyscrapers was dawning in 1896. It has kept its Romanesque decorative details, and the ground floor has been restored and lightly modernized with sympathy for the original lines of the building.





The picture above was taken in September of 2023; we append it to show the strong impression the building makes from half a block away.

A little apartment building—with four apartments, judging by the number of buzzers—in what old Pa Pitt calls the fairy-tale style, the mark of which is exaggeratedly picturesque features that look like illustrations from a children’s book.


The entrance is so similar to the entrance to the Sholten Arms in Carrick that we have to suspect the same hand drew both. Father Pitt’s guess is that the decorative gable was originally carried all the way to its logical peak, but was truncated when the overhang was rebuilt.




Trowbridge & Livingston, Andrew Mellon’s favorite architects, designed this block-long palace of finance. The legendary interior was destroyed in the 1990s for a blink-and-you-missed-it department store, but the exterior is almost completely unchanged from the day the building opened in 1925.