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Schenley Farms
Stuck in a corner of the university district in Oakland, Schenley Farms is a delightful surprise. The institutional buildings of the University of Pittsburgh come to a sudden halt, and all at once there are tree-lined streets with century-old houses in a broad but harmonious variety of styles—everything from Italian Renaissance palaces to Tudor mansions to rustic stone cottages.
The streets are named after what the projectors of the neighborhood considered the greatest writers of the modern age. We can still see two of their names in brass in the sidewalk at the intersection of Parkman and Lytton—that’s Francis Parkman, the great American historian, and Lord Lytton, or Edward Bulwer-Lytton, the inspiration for the annual Bulwer-Lytton Fiction Contest.
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The Blockhouse in 1836
It seems that substantial remains of Fort Pitt may have persisted into the 1830s. In 1836, William Gilman Lyford visited Pittsburgh, and was able to identify the blockhouse, which at that time had been turned into a private residence, among the lumberyards and workshops of what had become the less desirable section of the city. (Evidently he misremembered one letter of the inscription he read, or it was less legible then than it is now.) Other buildings nearby appeared to be of the same vintage; he speculated that they might have been officers’ quarters, which may well be true. After recounting the history of Fort Pitt, he continues with a description of the remains he found.
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This garrison was kept up until 1763, and served as a Fort for the inhabitants, (for something like 200 had settled around it within the 2 or 3 preceding years,) to retire to on the breaking out of the Indian war of that year. Splendid gardens and orchards at that period, ornamented the sites where Liberty and Penn streets are now, and a noble row of brick and stone houses belonging to traders, lined the Allegheny’s banks; but they have nearly all been swept off, the latter by the undermining of the river, and the former to make room for the introduction of the mechanics’ workshops and the merchants’ warehouses.
A part of this Fort, however, so far as houses constitute a part, must yet be remaining; or a blockhouse and officers’ quarters must have been erected on or near the same spot, soon after the period last mentioned: for such buildings exist — they are of brick and two stories high; the former low pitched, adjoin each other, and carry in their appearance every thing of a military feature. The heavy timbers, in which the loop-holes are mortised, are on the sides next the city, about half the height of the building, and probably serve at this time to support the floor of the second story. A tabular stone, introduced just under the eaves, on the S. W. side of the building, contains the following inscription, verbatim, literatim, et punctuatim:
AD 1764.
COLL. BOSQUET.I asked permission of the occupant, a pleasant looking German, whose name is John Martin, to enter his citadel, which he readily granted, and found the lower room tastefully finished and furnished; but he could give me no farther information, than that he had a lease on it at $40 a year. I suggested to him the advantages he might derive, by opening the room, (which is about 20 feet square,) during the season of travel, for the accommodation of strangers, and have in preparation some light cakes, lemonade, ices, fruits, &c. — for that numbers would be pleased to visit the military relic, if they could do so under circumstances other than intrusive, and while he obliged such he would profit liberally by the pleasant speculation. His wife just at this moment entered the room, laughing, from an adjoining shed, and wiping her arms, (for she appeared to have been washing,) “dare Jon, didn’t I dell de so, ofden ? hear vat de man say!” John laughed likewise, and replied “ah, I’ms doo old now; and pesides, yoo nose I cot vork petter dan dat.”
These buildings are located in the midst of lumber yards and workshops, very near the point at which the two rivers unite; but as it is difficult finding them, from the nature of the materials with which they are surrounded, some of which appear as ancient as the edifices themselves, it is probable that few other of the inhabitants are acquainted with their existence than those whose vocations call them into that section. It is a subject which at present does not interest business men. — The “Coll. Bosquet,” whose name is chiselled on the [s]tone plate, is doubtless the officer who commanded at Raystown, and contemporary with Washington some six or eight years previous; but how or where he took command of the fort in question, the inscription is the only data I can find upon the subject. —From The Western Address Directory, 1837.
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The New Post Office, 1891
Long since demolished, this Victorian pile was brand new when this engraving was published in a souvenir book to commemorate its opening.
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Homes of the Principal Pittsburgh Daily Papers in 1916
From the Employes Magazine of the Buffalo, Rochester & Pittsburgh Railroad, August, 1916. There were many more daily papers at the time, including at least three dailies in German, but these were the biggest ones. Note, by the way, the spelling “Pittsburg” on the Press building. By 1916, the spelling had finally been standardized as “Pittsburgh” for postal purposes, but the Press stubbornly stuck to the spelling without the H into the 1930s.
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Caricature of Edgar Kaufmann
Edgar Kaufmann: department-store magnate, philanthropist, and indulgent employer of notoriously difficult architects. Another sketch from the pen of W. S. Washburn. In the background, your humble servant, old Pa Pitt himself, receives infinite favors from the bounty of Mr. Kaufmann’s department store. Not that Father Pitt can be bribed, but he does feel somehow favorably disposed toward Mr. Kaufmann now.
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Caricature of Henry Hornbostel
Pittsburgh’s favorite architect as he appeared at the height of his creative power, from Sketches, Serious and Otherwise: Men of Pittsburgh and Vicinity, by W. S. Washburn. Alert readers will note that Father Pitt himself makes a few guest appearances in this book. The Tech banner reminds us that Hornbostel established the School of Architecture at Carnegie Tech and was for many years the head of the Department of Fine Arts there.
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In the Lobby of Heinz Hall
Heinz Hall, the home of the Pittsburgh Symphony, began its life as a 1920s movie palace. Although the decorative scheme was subdued somewhat in the restoration, there is still a strong element of fantasy in the interior.