Though old Pa Pitt has not yet found any documentary evidence, he identifies this building with some confidence as an old neighborhood movie house. The marquee, the Hollywood Gothic fantasy terra-cotta front, and the shape of the building (it is fairly long from front to back) all suggest a movie theater of the silent era.
The Stanley was the most magnificent theater ever built in Pittsburgh, and as the Benedum Center it continues to be one of the busiest. It was built to designs by the Hoffman-Henon Co. of Philadelphia at the very end of the silent era, opening in 1928. The old animated sign on the Penn Avenue side is lovingly maintained.
Maurice Spitalny directed the house orchestra here in the late 1930s and into the 1940s. His brother Phil was more famous nationally for his all-girl Hour of Charm Orchestra, but Maurice had a long and successful career. He wrote one song that everyone in America has heard: “Start the Day Right,” which is used in at least a dozen different Warner Brothers cartoons.
The Clark Building, designed by the Hoffman-Henon Co of Philadelphia, was built in 1927 at the same time as the Stanley Theater by the same architects. This late-Beaux-Arts skyscraper has for a long time been the center of the jewelry district downtown, with at least a dozen jewelers in the building (“over thirteen,” a sign on the building says, meaning, what, fourteen?) and more within a block or so.
The former State Office Building was designed by the firm of Altenhof and Bown (also responsible for the 1964 Federal Building on Grant Street; otherwise they seem to have specialized in schools). There was some grumbling when the state sold the building to private developers to be turned into luxury apartments, since space had to be found for the state employees, and some analyses suggested that the state would spend far more on leasing space than it would have spent on renovating the building. But it is certainly a first-rate location for apartments.
The chandelier at the Benedum Center, which began life as Pittsburgh’s most splendid movie palace, the Stanley.
This splendid building, faced with ornate reliefs in terra cotta, is one of those odd-shaped buildings created by the colliding grids of the 1785 street plan for the Triangle. The iron-and-glass awning is particularly artistic, bringing a touch of Art Nouveau to the streetscape.
This is certainly one of old Pa Pitt’s most esoteric subjects. In rowhouse neighborhoods, there are often tunnel-like passages through to the rear yard of a house, with the upper storeys built over the passage. These outdoor passages are called “breezeways” in Pittsburgh; in other cities they may be called gangways or alleys. Sometimes the passage runs through one house; sometimes it is shared by two houses. We see examples of both in this little collection.
Edwards Way is the very edge of the South Side Flats. The greenery-covered wall on the left is the stone retaining wall below the railroad that separates the Flats from the Slopes. Of course this tiny narrow space is nevertheless too valuable to leave unbuilt, so the free side of the alley is lined with typical South Side alley houses.
This interesting residential-commercial structure on Potomac Avenue seems to combine two styles. The apartment building is a kind of very late Italianate, but the way the projecting storefronts form a sort of courtyard seems very much in the Mission style, as do the sloped roofs, which old Pa Pitt suspects were originally tile rather than asphalt shingles.
This concrete spiral on the Smithfield Street side of the Smithfield-Liberty Garage is certainly a striking addition to the streetscape. Whether it is a good addition may be left to other critics. Father Pitt’s own opinion is that it would be welcome on a street of other modernist buildings, but it harmonizes poorly with its Victorian neighbors.
Old Pa Pitt sometimes wonders what the architect told the client when he presented the plans. “It’s like a Guggenheim for cars,” he imagines the architect saying.
