This building seems to date from before the Civil War, possibly the 1850s. It was designed in the very free interpretation of Italian Renaissance that was popular at the time; later architects would have studied their historical precedents more closely, and later architects than those would have repudiated historical precedent altogether.
The building originally belonged to the Fulton Bell Foundry, which made bells for decades in downtown Pittsburgh. It’s a remnant of Victorian Second Avenue. All the remnants of Second Avenue downtown are on the south side of the Boulevard of the Allies; the street was widened in the 1920s by tearing out the buildings on the north side.
The well-preserved carved stone lintels have been lovingly cleaned.
These pictures are from a year and a half ago, but old Pa Pitt just ran across them. You never know what you’ll find if you look behind the sofa.
Frank & Seder was never our biggest department store, but it was a pretty big store. Like all the other department stores downtown, it needed a big warehouse to hold the merchandise until it was ready to delight downtown shoppers. This colossus on the Bluff was designed in 1923 by William E. Snaman,1 an architect who had already had a long and prosperous career and by this time in his life was specializing in large warehouses and other industrial buildings. The Boulevard of the Allies runs past on a course that is not perpendicular to the side streets, so that the front of the building is at an odd angle to the rest of the building.
Just a little later, Snaman was designing another warehouse on the North Side for Rosenbaum’s, another big downtown department store.2 This is a slightly blurred picture from the window of a car stopped in traffic on the approach to the West End Bridge, but it will have to do for now.
Source: The American Contractor, February 3, 1923: “Warehouse & Garage: $200,000. 7 sty. & bas. 88×200. 1819–23 Bluff st. Archt. & Engr. W. E. Snaman, Empire bldg. Owner The Frank & Weder [sic] Co., Isaac Sedar [sic], pres., Fifth av. & Smithfield st. Brk. Drawing prelim. Plans.” The building as it stands is five storeys. ↩︎
Source: The American Contractor, November 10, 1923: “Warehouse (add.): $500,000. 4 sty. & bas. 159×291. Brk. Beaver av. & Fayette st. Archt. & Bldr. W. E. Snaman, Empire bldg. Owner The Rosenbaum Co., Max Rothschild, pres., 6th & Penn avs. Revising plans.” The “addition” in this listing is most of the building, except for the three-storey section in front. It seems likely that Snaman was responsible for that, too. ↩︎
This picture from The Builder, April, 1919, p. 28, shows the Painter Dunn Company building—identified as an Overland service station (it later moved up to Pierce-Arrow)—as it was built. The architects were the Hunting Davis Company, architects and engineers who specialized in industrial buildings. Later a third floor was added—probably supervised by the same architects, since it is as well integrated as it could be with the design of the original building, and Hunting Davis remained, through various exchanges of partners, one of Pittsburgh’s leading industrial architectural firms for decades.
The building is on Centre Avenue opposite Millvale Avenue, and after years of neglect it was beautifully refurbished for another century of use.
A typical backstreet Bloomfield row of frame houses, showing almost every treatment working-class Pittsburghers can think of to apply to the exterior of an old house.
This stone-fronted Romanesque house on North Avenue is decorated with intricate carvings, and Father Pitt would guess that they were probably by Achille Giammartini, who was responsible for most of the best Romanesque decoration in Pittsburgh, and who also decorated the Masonic Hall just up the street.
Carson Street on the South Side is reputed to be one of the best-preserved Victorian streetscapes in America. Liberty Avenue in Bloomfield may not come quite up to that standard, but it is probably second in Pittsburgh. The commercial district was built up in the 1880s and 1890s. Like Carson Street, it preserves many Victorian commercial buildings, along with a peppering of later styles. These pictures are all of the northeast side, because the sun was behind the southwest side.
A good example of the most basic form of Pittsburgh Rundbogenstil, the German hybrid of classical and Romanesque architecture that old Pa Pitt mentions every chance he gets because he likes to say “Rundbogenstil.” In the 1800s, before it became the most Italian of our Italian neighborhoods, Bloomfield was mostly German.
A Second Empire building from the 1880s.
This building dates from the 1890s. It probably had a date and inscription in that crest at the top of the façade, but later owners obliterated the evidence.
We saw this 1924 building before at dusk; here it is in bright sunlight. The bright light gives us a chance to appreciate the decorative details with a long lens.
R. Maurice Trimble designed this charming little church, which was finished in 1909. It is still in nearly original condition, and still owned by its original congregation.
A couple of blocks of North Avenue, where we can see some fine Italianate houses of the Civil War era, interspersed with some towering Queen Anne mansions. We start at the corner of Palo Alto Street, where a Queen Anne house makes the most of a tiny lot by going up to a fourth floor.
These two houses share splendid porches, probably added later, since the porches match even though the houses do not. The owners of the houses have coordinated their efforts, so that the porches match.
Three more modest houses, though their full third floors give them a generous allotment of bedrooms.
A pair of houses that were both the peak of elegance in different eras. The Italianate one on the right goes for a simpler dignity; the Queen Anne on the left pulls out all the stops to make the most picturesque composition possible. Note the relative heights, by the way: high ceilings were a feature of the Italianate style in better houses, so that the house at left adds one more floor in exactly the same vertical height.
Seventeen years ago, Father Pitt published a picture of the front door of the house on the right. The picture was taken on 120 film with a folding Agfa Isolette.
Two simple and attractive Italianate houses, one of which has grown a partial fourth floor.
Here is an interesting document of how the neighborhood has changed. The house at left was originally an Italianate residence; the corner store may have been original or may have been added later. The projecting commercial building next to it, which probably dates from about 1920, was added when the house was taken over by the United States Casket Company, later the Melia Casket Company, which still inhabited the building until about twelve years ago. Both buildings have had a thorough renovation since the casket-makers moved out.
Two different interpretations of Italianate, one of which has sprouted an inartistic dormer to give it a fourth floor.
Finally, a center-hall house in a kind of late Greek Revival style; it occupies a double lot.
Much of the detail on this fine old house is well preserved, including the half-octagon dormer, the oval art-glass window, the wraparound porch (partly enclosed by an improvised screen), and one of the finest displays of aluminum awning old Pa Pitt has ever seen.
