
Another elegant Renaissance palace, slightly smaller but very similar in style to the Aberdeen. Once again, the view is marred by intrusive utility cables.
Another elegant Renaissance palace, slightly smaller but very similar in style to the Aberdeen. Once again, the view is marred by intrusive utility cables.
A fine Gothic building with a prominent tower in the west front, this church sits right on the border between Shadyside and Oakland—it would be in Oakland if it were on the other side of the street. The view is marred by utility cables, which is true of most things in most American cities. Europeans put those things under the ground; Americans seldom even notice what an aesthetic blight they are, not to mention how often storms bring them down.
The entrance to the Mount Lebanon station on the Red Line. The station is at the end of a winding subway tunnel cut through the rock (although Pittsburghers never call it a “subway,” reserving that epithet for the downtown section of the system). To get to the station from the Washington Road business district, you have to enter here, go down a flight of stairs (or an elevator), cross an alley, and go down another flight of stairs (or another elevator). Below we see the alley crossing and the station beyond it.
This entrance was built in the fashionable postmodernist style of the 1980s, when the streetcars were moved from Washington Road into the subway. Old Pa Pitt is impressed by the architect’s forethought in providing for the entrance to be tightened with a giant screwdriver if it should ever start to come loose from the ground.
When this dignified Renaissance palace on Neville Avenue was built, there were telephone exchanges like this all over the city, each one stuffed with operators directing calls from here to there. They were built to be ornaments to their neighborhoods rather than mere excrescences of technology. These days we dial numbers directly, but this building still belongs to the successor of the Bell Telephone Company.
These huge Ionic columns on the Mellon Institute building in Oakland are actually the largest monolithic columns in the world. Classical columns are usually made by stacking up cylinders of stone, but each one of these columns is a single piece of rock. Benno Janssen, the architect, was showing off what you can do if you have a Mellon budget.
Note that the full picture is more than 45 megapixels.
Apartment life was never as much of a big thing in Pittsburgh as it was in some other big Eastern cities, but the corner of Oakland next to Shadyside is mostly given over to large blocks of apartments like this. The Fairfax affects an English style; old Pa Pitt does not know whose arms are on the façade, but they do not seem to be the arms of Lord Fairfax.
In the little corner of downtown Pittsburgh near First Avenue there are still some half-blocks that never entered the skyscraper age. Here we can see some of the humbler pre-skyscraper commercial architecture of Pittsburgh. The first floor of the front of this building has been heavily altered, probably by someone who wanted to make it look more Victorian and ended up making it look more 1978. But the rest of the building is a typical small Italianate structure of the 1870s.
Looking up at Henry Hornbostel’s tallest work, an Art Deco skyscraper that sits right next to the same architect’s Beaux Arts City-County Building.