A small apartment building in a vernacular Tudor style; its battlemented bay sets it apart from other apartment buildings in the neighborhood.
Addendum: This building, to judge by old maps, appears to have been a large-scale expansion of a single-family house, which was swallowed up in the new construction. Thanks to a commenter, we tentatively identify the apartment building as a design by Henry M. Kropff, built in 1912.
Built in 1927, the Roosevelt was Renaissance classical on the outside and Tudor on the inside. On Emporis.com, the design is credited to Webber & Wurster, a Philadelphia firm whose only work listed on Emporis.com is this building, although some Philadelphia buildings come up in wider Internet searches. The Roosevelt went out of business as a hotel more than once, for the last time half a century ago in 1972. Since then it has been apartments of one sort or another.
This building was dedicated in 1915, but its congregation was organized in 1831—and really dates from before that, since local members had been meeting before the Presbytery recognized them as a church. This was a country church that was engulfed by city in the early 1900s; in its old country churchyard are the graves of a number of early settlers and the third mayor of Pittsburgh.
Addendum: The architect of the church was George Schwan. From the Construction Record for October 11, 1913: “Architect George Schwan, Peoples Bank building, is working on plans for the proposed church building, for the Concord Presbyterian Congregation, Carrick. The building will be one-story, either brick or stone, and cover an area of 72×90 feet. Cost $35,000.”
This little old firehouse, built in 1894 (according to the sign), has been lovingly restored as a private residence, complete with its own tower and a roof deck that must have a spectacular view. (Those yellow signs in the windows inform the world that the owner has official permission from the city to use a roof deck in his private residence.)
Update: The August 2023 Pittsburgh History and Landmarks Foundation newsletter informs us that the foundation has just awarded a Historic Lanmark plaque to this building. According to the PHLF, the architect was the prolific Charles Bickel. The architect responsible for turning it into a residence in 1982 was Sam Taylor.
On city planning maps, this part of the neighborhood is the South Side Slopes, but it is traditionally called “Arlington.”
In an out-of-the-way corner of Beechview is this particularly fine school by Press Dowler. The original part of the school was built in 1908 in the borough of West Liberty, because the line between the boroughs of Beechview and West Liberty ran right across the street grid of the developed section of Beechview. “Beechwood” was the name of the original community that became the borough of Beechview, and the company that developed the land on both sides of the border was the Beechwood Improvement Co. In 1909 the two boroughs were both annexed by Pittsburgh, and by 1922 the school was bursting at the seams. Press C. Dowler was hired to design an expansion that more than tripled the size of the school, and he came through with a magnificently ornamented building in the Tudor Gothic style that was all the rage for schools in the 1920s. It is now on the National Register of Historic Places for its architectural merit.
The name and date inscribed over one of the entrances.
The south section is the original 1908 school, but Mr. Dowler completely rebuilt the façade to match his plan for the expanded school, so that today the whole building appears to have been put up at once.
Mr. Dowler did not stint on terra-cotta decoration.
The lamp of learning.
These urns flank the entrances; old Pa Pitt suspects they were designed by the architect himself.
As a bonus for his loyal readers, old Pa Pitt includes a typically Pittsburghish cacophony of utility cables.
Updated update: Our correspondent David Schwing has been studying the career of the developer John McSorley. See his comment below, where he identifies these as two of McSorley’s buildings. The one for which old Pa Pitt could not find a name is called the Ontario. The architects were the Chicago firm of Perry & Thomas.
The intersection of Maryland and Ellsworth Avenues in Shadyside is flanked by apartment buildings with distinctive rounded corners. Above, the Panama. Below, a building that must have looked very modern when it was put up (in the original version of this article, we said “probably around 1920,” but it turns out to have been 1911, which makes it even more strikingly modern); it seems to have no name but its addresses. (Addendum: It was originally called the Ontario.)
Charles Bickel was one of our most prolific architects of medium-sized commercial buildings. He was versatile and adaptable, as we see here in two buildings of very similar dimensions and very different styles, built within two years of each other. Above, the Maginn Building, from 1897, in a very Richardsonian Romanesque idiom; it is currently being converted into—who would have guessed?—luxury loft apartments. Below, from 1895, the United Presbyterian Board of Publications Building, in a pure Beaux-Arts classical style.
Like many ethnic churches, St. Michael’s, a German Catholic church on the South Side Slopes, was the center of a whole village of ethnic institutions. This was a German girls’ school. The building will eventually disappear, but it has sat in this decrepit state for many years now. You can find photographs on line of the wreckage of the once-magnificent interior; old Pa Pitt is not enough of an urban adventurer to risk trespassing charges and serious injury to bring you such pictures himself.
Perhaps in an expensive neighborhood this building would find a use, but this neighborhood is not likely to become expensive enough to repay the several million dollars it would probably cost to rescue a school of this size.
Curiously, the girl’s school was much larger and more magnificent than the boys’ school. That building, next door, was clumsily and unsympathetically converted to apartments some years ago; the conversion itself is already showing its age.
Father Pitt was trying out a very long lens after making an expedition to Pitaland. In the center of the picture is the tower of Engine House Fifty-Seven. It was about half a mile away.
Two buildings very similar in size and shape and remarkably dissimilar in decoration. The one on the left has attractive but very ordinary classical details. The one on the right is festooned with terra-cotta tiles in an almost shocking green.
Addendum: This latter building was designed by Frederick Sauer, who signed it in a shield to the right of the right-hand display window.
