Shadyside is full of these little enclaves of townhouses, improbably narrow streets (or simply pedestrian walkways) that shut out the world and create their own little enclosed communities. Ellsworth Terrace, built in 1913, is a fine example of early-twentieth-century arts-and-crafts design. Wikipedia lists the architect as William H. Justice, but with a question mark after the name. The pseudo-Victorian building to the right is a much more recent condominium.
The King Edward Apartments are actually two buildings—a larger one at the corner of Craig and Bayard Streets, and a smaller one behind it on Bayard Street. Both of them have some interesting ornamental features.
Two houses in the Spanish Mission style sit side by side on Washington Road at the southern end of the Uptown Mount Lebanon business district, and they implement the style in two interestingly different ways. This one, which is now the home of the Historical Society of Mount Lebanon, takes the style fairly seriously. A real Spanish house, in the New World or the Old, turns inward. It shuts the public out, presenting almost blank walls to the outside world. Of course Southwestern houses are also notable for their flat rooflines. In this house we have large expanses of stucco wall facing the street (although the architect has conceded some generously large front windows to Eastern sensibilities) and the flat roof characteristic of Spanish colonial architecture in the Southwest.
The other house is much more an Eastern house with decorative borrowings from the Spanish Mission style:
You could take the basic shape of this house and turn it into an English cottage or an Italian Renaissance palace by changing the details. The stucco, the arcaded porch, and the tile roof are the main things that carry the “Spanish Mission” message.
Old Pa Pitt’s obsession with small apartment buildings continues. This one is on Broadway in Beechview. It seems to have been originally meant as an imitation of a Georgian mansion of the sort found in Annapolis or Williamsburg. It looks as though smaller windows have been installed, and the semicircle of bricks at the top of the central stairs might have been a “Palladian” window. In spite of alterations and repairs, though, it remains a pleasing and distinctive building.
The Church of the Ascension was designed by William Halsey Wood, a master of Gothic architecture who died very young, at 41, but nevertheless left a substantial body of work. Here he seems to have concentrated his efforts on the massive tower.
This exceptionally fine country house on Ellsworth Avenue has been absorbed by the city, but maintains its rural dignity. It was built just after the Civil War in about 1870, and all the best features of the era are represented—generous porch, huge tall windows, and a dignified but not monotonous simplicity of form.
This is a huge composite picture, so don’t click on it unless you have the megabytes to spare. This elegant apartment building on Craig Street had a typically Pittsburgh problem to solve. The lot is irregularly shaped and (of course) not level. The architect’s answer was a façade that is varied enough to mask the fact that it does not quite line up with the street. At first glance, the front seems symmetrical; the second and third glances will reveal the curious staggering of the wall.