A memorial to the large number from St. Josaphat’s who served in both World Wars. It stands across the narrow street from the church, set into the hillside, with a statue of Christ displaying his Sacred Heart and welcoming us to stop and read the names. As you can guess from the names if you enlarge the picture, St. Josaphat’s was a Polish congregation.
A small school by a distinguished architect: Charles M. Bartberger, who gave us several fine schools. (He is often confused with his father, Charles F. Bartberger, who designed some prominent churches.) The Lee School is now a retirement home under the name Gualtieri Manor.
The entrance is surrounded by tasteful terra-cotta ornamentation.
This pattern is called a Vitruvian wave, named for Vitruvius, the ancient Roman author whose manual on architecture became the arbiter of everything that was proper in design during the Renaissance.
The arms of the city of Pittsburgh over the entrance.
The intersection of Butler and 44th Streets forms an acute angle. The architect of this attractive commercial building (it probably dates from the 1870s) blunted what would otherwise have been an unattractively sharp corner by placing the entrance there, spreading the turn across two angles.
Now the Vintage Church. This church on Bailey Avenue is a fine example of what happens when streamlined Art Deco meets Tudor Gothic.
Addendum: The church was built in 1927 or shortly after; the architect was George M. Rowland. Source: The Charette, July, 1927: 310. “Architect: Geo. M. Rowland, Bakewell Building. Title: Mt. Washington U. P. Church and Parsonage. Location: Bailey Avenue. List of Bidders: Golden & Crick; Lash & Bailey; Edw. Wehr; Ross K. Sefton; Rose & Fisher; J. F. Haldeman; A. & S. Wilson Company. Bids close June 22. Brick and stone trimming; wood construction interior; steel stairs. Plumbing, Heating and Electric reserved, also equipment, leaded glass, hardware and landscape.”
When this small but rich Gothic church opened in 1929, it was intended to be temporary. A much grander church would be built next to it, and this would become the Sunday-school wing. But decades passed and the new church had not yet been built. Meanwhile Gothic architecture had become extinct. Finally it was decided to keep the original building as the sanctuary and add a new Sunday school and auditorium in a 1960s modern style with pointed arches to recall its Gothic neighbor.
Addendum: The architect of the 1929 building, and probably of the never-built church, was O. M. Topp. Source: The Charette, Vol. 7, No. 1 (January 1927): “173. Architect: O. M. Topp, Jenkins Arcade, Pittsburgh, Pa. Title: St. Mark’s Lutheran Church. Location: Brookline Boulevard and Glenarm Avenue. Preliminary stage. Approximate size: One story and basement. Stone exterior, ordinary construction. Cubage 200,000 feet.”
The old Mount Oliver Public School and its annex have been beautifully restored for non-academic uses. Mount Oliver residents now get their schooling from Pittsburgh.
The Annex is almost a duplicate of the original school, except for the tower section.
Addendum: The Annex is the work of the local Mount Oliver architect Albert C. Storch.1 Since it is a near-duplicate of the original building, we provisionally credit that one to Storch as well.
In 1903, this rendering of a “House for J. J. Matthews, Esq., North Negley Ave., Pittsburgh, Pa.,” was published in the American Architect and Building News as one of the week’s outstanding examples of new architecture. The architect was Charles M. Bartberger, well known in Pittsburgh for some prominent schools and the Industrial Bank on Fourth Avenue. The house still stands in a somewhat bedraggled state today, with its porch filled in and a couple of stained-glass windows missing; otherwise the front has not been altered.
A school built in 1911 in the fashionable Tudor Gothic style. The elegant lettering of the inscription is worthy of imitation.
Improbable houses on the Slopes, with a view of Oakland in the background.
Schenley Farms is that quiet little enclave of grand houses in the Oakland university district. It is a museum of styles that were popular in the early twentieth century, and one of the most popular for grand houses was the Tudor style. Half-timbering (ostentatious beams with stucco between them), steep-pitched roofs, bays, and oriels (overhanging bays) are frequent marks of the style. Here’s a little gallery of Tudor houses from a short walk in the neighborhood.
