Looking toward the altar, which is emphasized by a baldacchino and the glorious mural of the Assumption of Mary.
The communion rail, the pulpit, the baldacchino, and many other furnishings are carved from rich peachy marble.
The narthex is not neglected: look at that rich wood ceiling.
Leo McMullen, a disciple of the great John T. Comès, put his own unique Art Deco spin on traditional Romanesque architecture to give us a remarkably successful melding of medieval and modern sensibilities. McMullen was a native of Bellevue, and it looks as though he decided to put his hometown on the map by giving it a church that would be the envy of any city in the world. He succeeded.
Father Pitt took so many pictures of this glorious church that he is forced to split them up into multiple articles. And even with dozens of pictures, he has hardly begun to catalogue the artistic treasures to be found here. If you appreciate architecture, stained glass, painting, and sculpture, you owe yourself a visit to the Church of the Assumption.
Many more pictures to come.
A beautifully composed picture of the interior of Emmanuel’s taken in February of 1958 by an unknown wedding photographer. The church is now a nondenominational church called Christ the King (which sounds like a very Lutheran name), and the congregation keeps it up beautifully, as we can see in the rest of these pictures. Old Pa Pitt must apologize for the lighting: the sun was from exactly the wrong direction.
This church is obviously the work of an architect of no little skill, and Father Pitt would be delighted if someone could identify who it was. —Update: Father Pitt identifies Allison & Allison as the architects. Source: Philadelphia Real Estate Record and Builders’ Guide, April 22, 1908: “At Pittsburg, architects Allison & Allison, Westinghouse Building, are receiving bids for the erection of a Lutheran church at Bellevue, Pa. The cost will be $15,000. Rev. Hankey is in charge.”
Here is a map with a pointer at the church.
Fort Pitt was the biggest beer brand in Pennsylvania in 1952. Then there was a big brewery strike, which affected the big three in Pittsburgh—Fort Pitt, Duquesne, and Iron City. When the strike ended, Fort Pitt rushed to be the first back on the market by shipping the past-its-prime beer that had been sitting around in its warehouse. Drinkers could tell. People with functioning olfactory senses in the vicinity of the drinkers could tell. The famous slogan “Fort Pitt—That’s It” was passed around with a slurred sibilant, and the brand declined precipitously.
Pittsburghers of an older generation still have this slogan on their lips, using it to mean “I’m done with this.”
As you can see, the brewery still stands in Sharpsburg. Much of it has been turned into apartments; one of the buildings now houses the Hitchhiker Brewing Co.
The office is a fine example of late Art Deco.
The Blockhouse was an obvious choice for an emblem.
The Bellevue line just narrowly misses this house, making it the first building in Avalon outside Bellevue, and the first on California Avenue outside the city, since California Avenue turns into Lincoln Avenue while it passes through Bellevue. The house was used as the Orion C. Pinkerton funeral home, but when old Pa Pitt took this picture a few days ago, the house was for sale.
This is clearly the work of an architect rather than just a builder, and enough details are preserved that it would be worth restoring. That blank spot above the awning, for example, probably had a stained-glass window in it, and it could have one again.
The off-center front door bothers Father Pitt. He finds it hard to imagine an architect designing the house that way originally. Yet the ornamental brickwork above the door matches that above the windows, as if it had always been that way. At the cost of making the picture look a little artificial, Father Pitt has compressed the shadows and highlights to make the details under the porch roof mire visible: enlarge the picture and judge for yourself what is going on with that front door.
Detroit architect Peter Dederichs gave us this gorgeous Renaissance basilica, which is crammed into an absurdly tiny space at the foot of the bluff in Sharpsburg. The exterior hasn’t changed in any significant way since the building went up in 1916, as we can see in a cover story in Stone magazine from February of 1919. In that story we learn that the stone was Dark Hollow Gray Bedford limestone from Indiana, and it has stood up perfectly to more than a century of Pittsburgh atmosphere.
The foundation of the congregation.
The building of the church.
Capitals of the Corinthian order.
The apse, and an especially lush growth of utility cables.
Looking toward the church on Penn Street.
Father Pitt has featured this row of modest but attractive houses with Romanesque details before, but he decided to get some better pictures of the whole row while the sun was shining on the front. The composite picture above gives us a very good impression of the row as a whole, and you will probably notice that the houses are not the same width. The two at the left are wider than the rest. You might think that meant they were bigger, perhaps designed to rent for more money, but you would be mistaken. The houses are not rectangular: 24th Street marks a kink in the street grid of the South Side. The change in width distributes the area more evenly among the houses on their trapezoidal lot: the narrower houses are also deeper.
The houses were built as rental properties in the 1890s, to judge by the fact that they appear first on the 1903–1906 layer at the Pittsburgh Historic Maps site, all owned by one Jonathan O. Phillips, who owned the empty lot in 1890. Mr. Phillips still owned the row in 1923, the last layer on the map where property owners are marked.
From the Fox Way end of the row. Note the extension behind the last house.
The Sidney Street end of the row, where the houses are wider but shallower: note the lack of extension behind.
From the parking lot across the street.
This church sits right across the line from Bellevue in Avalon, but it is often listed as the Church of the Epiphany of Bellevue. It was built in 1912–1913, and the architects were Vrydaugh and Wolfe, who also designed Warwick House and (as Vrydaugh and Shepherd with T. B. Wolfe) Calvary Methodist in Allegheny West. This is one of our increasingly rare black-stone churches; every stone church in Pittsburgh used to look like this.
Though it is no longer active as a church, everything but the sign seems well kept and loved.
Addendum: Just this month (August 2023), this building was awarded a plaque by the Pittsburgh History and Landmarks Foundation.
