Category: Sculpture

  • Achille Giammartini House, Manchester

    In context on Page Street

    It looks like an ordinary Romanesque rowhouse, like hundreds of others in Pittsburgh. But as we approach it, we notice an unusually lush growth of grotesque foliage in the carved stone relief.

    Front of the house
    Grotesque foliage with dragons and faces

    You can enlarge this picture to admire the many whimsical details. According to a local historian who left a comment here a decade ago, this was the home of Achille Giammartini, the uniquely talented stonecarver whose work can still be found all over the city, especially on the North Side. The comment is worth reproducing in full:

    Much of the local stone carving as well as work across the North Side, downtown, Carnegie Mellon University, etc was done by Achille Giammartini who built the house at 1410 Page St, near Page St & Manhattan St, in Manchester (beside Allegheny West). Although this was his personal residence he used the exterior as a “billboard” for his considerable skills. —Mark

    Some years later, we received a very interesting comment from G. Blair Bauer, a lineal descendant of the sculptor, in reply to the comment from Mark:

    Thank you, Mark. He was my great grandfather and his daughter, my grandmother, told us little about him. I remember one Christmas we got delayed going to my grandmother’s for dinner in Allegheny West because they were tearing down all the old townhouses. My grandmother said that her father had carved a lot of the mantels for the living rooms. My mother was horrified and said she wished that she had known as she would have gotten a mantel for each of us 4 children. Grandma replied, “He worked with his hands; I want to forget about him.” Mother was so enraged we got up and left dinner on the table. I now have an address and will visit his house; hope there is a lot of his work visible.

    Well, the front would certainly have left a good impression of his talents. A prospective client who visited Mr. Giammartini at home would get the impression that here was a remarkable artist, and the impression would be conveyed before the client even walked in the door. Even the address has a touch of Romanesque fantasy:

    1410
    Foliage
    Grotesque foliage with dragons
  • Romanesque Duplex in Manchester

    Front view of the houses

    A pair of Romanesque houses, mostly brick but with a splendid stone front. The decorations are extraordinarily fine, and Father Pitt suspects that they were by the extraordinary Achille Giammartini, who lived a few blocks away and was responsible for much of the ornamental stonecarving on the North Side.

    Grotesque face
    Another grotesque face
    Romanesque foliage
    Frieze
    Finial
    Roof ornament
    Corner view

    Map.

  • Allegheny County Morgue

    Entrance

    By a splendid exercise of bureaucratic irony, the old morgue now houses offices of the county health department. It was designed by Frederick Osterling and built—on Forbes Avenue—in 1901. In 1929, it was moved to its current location on Fourth Avenue.

    Lion-headed serpent

    Frederick Osterling’s Romanesque buildings nearly always give us a monster or two to admire.

    Chimera
    Relief
    Morgue
  • Calvary Episcopal Church, Shadyside

    Forsythia in front of Calvary Episcopal Church

    Designed by Ralph Adams Cram, this church has a more austere sort of dignity than the architect’s other two works in Pittsburgh, East Liberty Presbyterian and Holy Rosary Catholic. It apparently took some delicate maneuvering to get an Episcopal congregation with low-church sympathies (but lots of money) to accept a Gothic masterpiece.

    North side of the church
    Cornerstone
    West front
    St. Mark

    St. Mark.

    St. Luke

    St. Luke.

    Side entrance
    St. Andrew
    St. Andrew, closer

    St. Andrew.

    Downspot

    Unusually decorative downspouts.

    South side of the building
    Tower
    With a tree in front
  • Calvary Methodist Episcopal Church, Allegheny West

    Calvary Methodist Church

    Now Calvary United Methodist Church, this church is known for its stained glass by the Tiffany Studios. It was built in 1892–1895; the architects were Vrydaugh & Shepherd and T. B. Wolfe. The exterior is a feast of elaborate and often playful Gothic detail.

    Entrance
    Gargoyle
    Gargoyle
    Detail of a tower
    Mask
    Carved face
    Another face
    Face and foliage
    Turret
    Foliage
    Calvary Methodist Episcopal Church
  • The Noble Quartet—The Complete Group

    John Massey Rhind, Andrew Carnegie’s favorite sculptor, decorated the Carnegie Institute building with bronzes representing the Noble Quartet—science, art, music, and literature—to which the Institute was dedicated. At street level, each member of the quartet is represented by a portrait of one of its famous representatives. Above each statue, on the roof, is an allegorical group of female figures representing the abstract ideal. We have seen the pictures of the statues before, but since old Pa Pitt just recently took pictures of the allegorical groups, he thought it might be interesting to see everything together at once.

    Science

    Galileo

    Galileo.

    Science group
    Science from a different angle

    Art

    Michelangelo

    Michelangelo.

    Art group
    Art from a different angle

    Music

    Bach

    Bach.

    Music group
    Detail of central figure
    Music

    Literature

    Shakespeare
    Literature group
    Literature from a different angle
  • Prospect School, Mount Washington

    Prospect School

    The firm of James T. Steen & Sons gave us many prominent buildings. The elder James died in 1923, but the firm flourished under his son Marion M. Steen, whose particular specialty was schools. Here is one of his finest works, built in 1931 with additions in 1937. The school closed in 2006, but it was converted to loft apartments without losing any of the glorious Art Deco decorations and reliefs.

    Addendum: The reliefs are by Charles Bradley Warren, who also did Pursuit of Knowledge on North Catholic High School.

    Main entrance

    Old Pa Pitt seldom does this, but because there are eighteen pictures in this article, he will avoid weighing down the front page of the site by placing the rest of them below the metaphorical fold.

    (more…)
  • Regina Coeli Church and School, Manchester

    Regina Coeli church and school, Manchester

    Now the New Zion Baptist Church in what may be Pittsburgh’s only clot of three different Baptist churches in the same spot, this former Italian parish church is a good example of the modernist interpretation of Gothic that was popular briefly after the Second World War. The fine reliefs are in a style that filters medieval religious art through a slightly Art Deco lens.

    Regina Coeli
    Regina Coeli
    Crucifix

    There seems to have been an inscription over the skull and crossbones (representing conquered Death), but it is no longer legible.

    School relief

    Sinite parvulos, et nolite eos prohibere ad me venire: talium est enim regnum caelorum. (Matt. 19:14.)

    Regina Coeli Church and School
  • Daniel O’Neill Monument, Allegheny Cemetery

    This article on the Daniel O’Neill monument appears at Father Pitt’s Pittsburgh Cemeteries, but he thought his regular readers here might also enjoy seeing the portrait of an important figure in Pittsburgh’s literary history.

    Close-up of the face on the Daniel O’Neill portrait statue

    An editor’s work is never done. Here is Daniel O’Neill, owner and editor of the Dispatch, still at work 145 years after his death in 1877. Though he died at the young age of 47, he had already built the Dispatch into Pittsburgh’s most respected newspaper, a position it held until the great newspaper massacre of the early 1920s, when paper shortages and rising costs forced hundreds or thousands of papers across the country out of business. Before that there had been at least a dozen English dailies in Pittsburgh, not to mention three in German and several in other languages.

    From the hill opposite

    The monument itself is a harmoniously eclectic mix of styles in the Victorian manner: classical elements dominate, but Mr. O’Neill’s desk rests on an Egyptian pedestal.

    From the front
    Daniel O’Neill hard at work
    The full statue
    Inscription on the monument
    Face, three-quarters view
  • Telamones and Other Ornaments on the Park Building

    Telamon on the Park Building

    A “telamon” is a male human figure used as an architectural support. Most architectural references regard the term as interchangeable with “atlas” (of which the plural is “atlantes”), but some working architects seem to have distinguished the two, “telamones” being youthful, beardless figures, and “atlantes” being older bearded figures with pronounced or exaggerated musculature, like the atlantes on the Kaufmann’s clock. At any rate, the 1896 Park Building, which is our oldest standing skyscraper (if we don’t count the seven-storey Consetoga Building as a skyscraper), has thirty of these figures supporting the elaborate cornice. The sculptor seems not to be known, which is a pity, because these are exceptionally fine work. The architect was George B. Post, who also designed the New York Stock Exchange and the Wisconsin state capitol, among many other notable buildings.

    Telamones
    Cornice

    One of these fellows has lost his head, which you might do, too, if you had to hold up a cornice like that for 126 years.

    Garlanded window
    Telamon
    Park Building

    At some point in the middle twentieth century it seemed like a good idea to someone to fill in the shaft of the building with modernistic columns of windows. It was not a good idea.