Technical problems kept old Pa Pitt out of this site, and he finally gave up and moved elsewhere, where the Internet ignored him. It seems that this is where the Web wants him to be. Having made the effort to overcome all obstacles, he is adding new content both here and at the other address, and gradually transferring two years’ worth of articles back here. Until that happens, you might enjoy a look at Father Pitt’s Other Place.
Using These Pictures
Father Pitt regrets that he may not be able to answer all the questions that accumulated while he was away. However, one that comes up frequently is “Can I use this picture?”—and the answer is always yes. All Father Pitt’s pictures are released under a Creative Commons CC0 public-domain dedication. You can use them for any purpose without asking permission.
A change of tenants in this Victorian building on Liberty Avenue reveals an earlier layer of signs—one that makes old Pa Pitt wax nostalgic. For many years there was a Foto Hut here. Foto Hut was a chain of photography stores where amateur photographers could get all the basics for photography—including, of course, film and film developing. Digital photography is much cheaper, but Father Pitt still misses film.
David Gilmour Blythe, self-taught painter, produced some of the best satirical and humorous art in the nineteenth century. What made his humor and satire stand out was his eye for composition and shading: he may make you laugh, but it’s likely that the first thing you noticed was the striking play of light and shadow. He lived in Pittsburgh and environs all his life, and the Carnegie Museum of Art has a whole wall of his paintings in the nineteenth-century gallery; this is one of them. (The Duquesne Club also has a distinguished collection.) Father Pitt has known some horses like this one. How do you know when your horse has had enough? Don’t worry: the horse will let you know.
Do you wish the world were more like an old postcard? Then you will want to visit Father Pitt’s new Two-Color World, a silly photographic experiment in which every picture is presented in old-fashioned two-color printing, like an old postcard or a two-strip Technicolor movie from 1929.
Over at Mental Floss, an interesting article tells us How 65 Pittsburgh Neighborhoods Got Their Names. Someone pointed out the article to old Pa Pitt, and he immediately noticed that three of the pictures were his. These are pictures he has donated to Wikimedia Commons, as he does most of his pictures these days, and he is delighted to see that people are finding them as useful as he had hoped.