Hebe, Greek goddess of youth, cupbearer of Olympus, stands among the Phalaenopsis orchids in the Sunken Garden at Phipps Conservatory.
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Hebe Among the Orchids
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A Kodak Pony and a Perfect Day
The Kodak Pony is a delightful camera. It’s cheap and rugged, but it takes very good pictures with its sharp Ektanar lens, and it leaves the photographer completely in control of the picture. It’s hard for today’s photographers to imagine how little automation you can get away with. Here’s what you do to take a picture with a Pony: Set the aperture (there’s no light meter, of course); set the shutter speed; set the focus (no rangefinder, so you have to estimate the distance); cock the shutter; push the shutter release; release the film lock; and wind for the next picture.
So part of the reason I love the Pony is because I get to do everything myself. For the remainder of my argument, i offer these two pictures, taken yesterday on the grounds of Phipps Conservatory, and both showing the Cathedral of Learning in the distance.
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Spring at Phipps
The Spring Flower Show at Phipps Conservatory had a whimsically classical theme: Praxiteles by way of Salvador Dali.
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Christmas in the Broderie
The Broderie at Phipps Conservatory decorated for Christmas. -
Ducks in the Sunken Garden
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Romanesque in Phipps
A Romanesque capital in Phipps Conservatory, at the back of the palm house.
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More Glass at Phipps
More of Dale Chihuly‘s glass whimsies at Phipps Conservatory. In the Tropical Forest, a few of the sculptures are filled with neon or argon and lit up like some sort of crazy radioactive dodder.
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Architecture in Miniature
A Thai “spirit house” in the Thai Tropical Forest, Phipps Conservatory. The spirits live better than the people in some parts of Thailand, but fortunately they can fit into very small spaces.
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1892
The Art Nouveau date stone in Phipps Conservatory, in the rear of the palm house.
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Landscapes in Glass
Glassmaker Dale Chihuly has filled Phipps Conservatory with whimsical creations that look like mad experiments in botany. Chihuly may be the only installation artist working today who consistently manages the extraordinary feat of appealing equally to three-year-old children and old grumps.