Father Pitt

Category: Oakland

  • A Kinder, Gentler Brutalism

    Hillman Library

    Brutalism is the school of modernist architecture that uses raw building materials, especially concrete, as its main aesthetic statement. Father Pitt is not a great lover of the style, but some Brutalist buildings work better than others. The Hillman Library at the University of Pittsburgh has a cool elegance lacking in many other Brutalist buildings. The vertical window bays give us shading that keeps the wall from becoming monotonous, and they also flood the interior with natural light.

    It is very hard to explain who designed this building. Wikipedia says, “Design of Hillman Library was led by Celli-Flynn and Associates who served as coordinating architects. Kuhn, Newcomer & Valentour served as associated architects with Harrison & Abramovitz acting as consulting architects to the university. Dolores Miller and Associates consulted on the interior design, and Keyes Metcalf served as a library consultant.”

    An architect might be able to sort out the nuances of coordinating, associated, and consulting. Harrison & Abramovitz gave us numerous skyscrapers downtown, but Wikipedia adds that “In 1996, architect Celli-Flynn and Associates and Kuhn, Newcomer & Valentour won the Timeless Award for Enduring Design from the Pittsburgh chapter of the American Institute of Architects for its design of Hillman Library.” This suggests that Harrison & Abramovitz really were consultants rather than responsible for the design; perhaps their role was to say, “No, you can’t do that, or it will fall down.”

    Kuhn, Newcomer & Valentour still exists as “DRAW Collective,” based in Mt. Lebanon. Celli-Flynn and Associates was absorbed into Buchart Horn Architects, based in York, but maintaining the staff and office of the Pittsburgh company. It is an interesting commentary on architectural trends that both firms’ recent projects, as displayed on their Web sites, lean toward a timid neoneoclassicism. It does not have the courage to break completely with modernist dogmas and go back to Vitruvius, but neither does it have the daring to invent its own forms and make something new. We get the impression that the clients will be satisfied—but satisfied as in “Yeah, it’s okay,” not satisfied as in “They gave me a masterpiece.”

  • Forbes National Bank, Oakland

    Forbes National Bank, now Citizens Bank

    This is one of the few designs by Edward Mellon that amounted to anything. In spite of boosting by his absurdly rich and powerful Mellon uncles, architect Edward Mellon played mostly second-banana roles in the architecture business. He was local architect of record on the Gulf Building, but the designing was done by Trowbridge & Livingston. He was paid for designs for the massive Mellon-financed Pitt construction that would ultimately become the Cathedral of Learning, but Pitt’s chancellor just tossed the drawings in a filing cabinet and hired Charles Z. Klauder to do something different.

    This 1930 bank, however, is all Mellon’s, and it would be hard to fault it. As an architectural message it is unambiguous: your money will be safe here. As an ornament to the streetscape it is welcome: it holds down a prominent corner and seems to cap off the block. If Edward Mellon had never accomplished anything else, he could still have been proud to point to this bank and say, “I imagined that into being.”

  • Hampton Hall, Oakland

    Hampton Hall from the front

    According to a city architectural inventory (PDF), Hampton Hall was built in 1928, and the architect was H. G. Hodgkins, who seems to have been based in Chicago, to judge by listings in Chicago trade magazines that show up in a Google Books search.

    The interior includes quite a bit of Nemadji tile, and old Pa Pitt had never heard of Nemadji tile until he found this page on Hampton Hall from a site of Historic U. S. Tile Installations. The exterior is fairy-tale Tudor, designed to make apartment dwellers feel as though they were great lords of Queen Elizabeth’s time.

    A bear

    The entrance is flanked by bears holding shields, as bears are wont to do.

    An equal and opposite bear
    Inscription
    Ornament
    Ornament
    Ornament
    Ornament and tile
    Oblique view

  • Litchfield Towers from Forbes Avenue

    Base of Litchfield Towers

    To old Pa Pitt’s eyes, International Style architecture always looks best in black and white. Indeed, he has sometimes wondered how much the architects were subconsciously influenced by the desire to make a building that looked good in a photograph.

    Litchfield Towers

  • Schenley Quad, Oakland

    Schenley Quad from the grounds of Soldiers and Sailors Hall

    Originally the Schenley Apartments, but now Schenley High School has been turned into apartments as the Schenley Apartments, so using the original name would be confusing. This huge complex was built in 1922 as luxury apartments to go with the Hotel Schenley. The architect was Henry Hornbostel, with the collaboration of Rutan & Russell, the original architects of the hotel. In 1955 the University of Pittsburgh bought the Schenley Apartments (for less than they had cost to build in 1922), and since then the buildings have been Pitt dormitories. Above, we see the complex from the grounds of Soldiers and Sailors Hall; below, the steps up from Forbes Avenue.

    Forbes Avenue steps

    Since we have a large number of pictures, we’ll put most of them behind a “Read more” link to avoid weighing down the main page of the site.

    (more…)

  • The Back of Bellefield Presbyterian Church on a Rainy Day

    Rear of Bellefield Presbyterian Church

    Pedestrians and drivers often see the front of this magnificent Romanesque church, but few ever notice the back. It is plainer but still interesting in its masses, with the half-round auditorium characteristic of many Methodist and Presbyterian churches in the late 1800s.

    The front (seen below in a picture from last year) is also given a round bulge, so that the whole building seems to orbit around that polygonal central tower.

    Front of the church

    Old Pa Pitt will repeat what he said the last time he published pictures of Bellefield Presbyterian Church:

    The church was built in 1896 as the First United Presbyterian Church; the architect was William Boyd, who gave the congregation the most fashionably Richardsonian interpretation of Romanesque he could manage. It was more or less in competition with the original Bellefield Presbyterian, of which only the tower now remains. But in 1967 the two congregations merged. They kept this building, renamed it Bellefield Presbyterian, and abandoned the old Bellefield Presbyterian up the street, which was later demolished for an office block.

  • Decorative Relief on Soldiers and Sailors Hall

    Pediment

    Some of the carved ornaments on Soldiers and Sailors Hall.

    Corn, grapes, pineapples
    Scrollwork
    Seal of the City of Pittsburgh

    Seal of the City of Pittsburgh.

  • Twentieth Century Club, Oakland

    Ywentieth Century Club

    As you can see, it takes some effort to achieve this kind of symmetry in Pittsburgh, a city where the phrase “ground floor” is ambiguous at best. Pittsburgh’s premier women’s club hired Pittsburgh’s premier architect of clubs, Benno Janssen, to design this splendid Renaissance palace, built—according to the inscription—in 1930. The inscription also tells us that the club was founded in 1894. The rest (on the right) is the club motto: “Not for ourselves alone, but for the whole world.” The building now belongs to Pitt.

    Lintel
    Cartouche

    Janssen liked this kind of cartouche with monogram: compare his Young Men and Women’s Hebrew Association.

    Lower entrance

    The entrance on the Bigelow Boulevard side, at lower ground level.

    Relief: Non nobis solum, sed toti mundo

    A relief over the Bigelow Boulevard entrance bears the club motto again. For context, here is an older picture from the corner of Bigelow Boulevard and Bigelow Boulevard (no one said navigating Oakland was easy); the lower entrance is behind the elegant stone wall.

    Corner view

  • Decorations on the Central Turnverein

    Lintel

    Now the Gardner Steel Conference Center, the Central Turnverein was German Pittsburgh’s most elegant athletic club. The building is an extraordinary early-modern design by Kiehnel and Elliott, and they trimmed it with geometric decorations inspired by the latest Jugendstil architecture overseas.

    Central Turnverein
    Bracket
    Rectangle
    Window frames
    Another rectangle

  • Cathedral of Learning from Lytton Avenue

    Cathedral of Learning