
As seen from the roof of Hampton Hall. The architect was David J. Vater; the building was put up in 2007.
We also have more pictures from ground level.
Comments

As seen from the roof of Hampton Hall. The architect was David J. Vater; the building was put up in 2007.
We also have more pictures from ground level.

This row of seven houses presents a pleasingly varied streetscape, but the houses were clearly all part of the same development. Old Pa Pitt is fairly sure the architects were Rieger & Currier, and for the obsessive historians in the readership, here is his evidence. In the Philadelphia Real Estate Record & Builders’ Guide for February 27, 1901, p. 136, we find this item:
Rieger & Currier, Smith Building, have prepared plans for four brick dwellings to be erected on Ditheridge [sic] street for Mr. J. Friday.
A plat map from about 1903 shows that J. Friday owned land along Dithridge Street on which at least eleven houses, some possibly doubles, were built. Three were on the east side of the street where the Latter Day Saints church is now. The others were on the west side and still stand. Numbers 229–253, part of the Friday property, clearly form a group, and probably the only group in which four houses could have been built together at one time. If we assume that they were built in one group of three and one group of four, these are all Rieger & Currier houses.

The houses have been divided into apartments, and a couple of them have had porch amputations or reductions, but on the whole the look of the row is well preserved.




And now a bonus house, just past the Friday row, a fine center-hall house in the free turn-of-the-twentieth-century version of Georgian.


David J. Vater designed this distinctive Gothic building, built in 2007 from modern materials in a style we might call “postmodern Gothic.” It’s the home of the National Institute for Newman Studies, one of those fascinating cultural treasures few Pittsburghers even know about. The Institute is devoted to the study of the works and teachings of John Henry Newman (1801–1890), an English convert to Roman Catholicism who rose to become a cardinal in the Catholic Church. In 2019, Newman was canonized as a Catholic saint, and just three months ago (on November 1, 2025) he was declared a Doctor of the Church, one of only 38 people so far whose teachings are regarded as so extraordinarily important that they merit that title.



The arms of Cardinal Newman, with his motto: Cor ad cor loquitur—“Heart speaks to heart.”


George S. Orth was the architect of this school, one of the first large institutional buildings in the Oakland district. It was built in 1894, and it still serves its original institution.

The style is a sort of Flemish Renaissance filtered through Americanized Rundbogenstil. The horizontal stripes in the brickwork are such an instantly distinctive feature that they have been imitated in the school’s modern additions.




In the shadows of the ever-encroaching university and hospital buildings, these tiny rowhouses still survive in a little alley in the back streets of Oakland.

Except for the replaced and filled-in porch, this house is in remarkably good shape, with most of its characteristic details intact. By chance the Pittsburgh City Photographer happened to capture it on May 27, 1910, while it was still under construction, so we can compare its current state to what it looked like when it was new.




In the dense back streets of Oakland, now mostly given over to student housing, these elegant double houses stand out. They were built in the late 1880s as Coltart Square, which seems to have been conceived by a Philadelphia developer named Wood. Construction began in 1887, with four doubles (eight houses) on Forbes Avenue and thirteen (twenty-six houses) on Coltart Square, now Coltart Avenue. The ones on Forbes have long since disappeared; eleven of the original thirteen remain on Coltart Avenue.

An item in the Commercial Gazette for March 5, 1888 gives us a thorough description of the houses as they were built.
Seeing the need of good, serviceable and complete houses, thoroughly improved and of latest style of architecture, at reasonable prices and in desirable locations, Mr. Wood, of Philadelphia, Pa., came here and had erected on Forbes street and Coltart square, in the most desirable part of Oakland and one of the very beautiful sections of our city, complete and desirably-arranged brick houses of 11 and 13 rooms, with cement cellar, heater, steel range, open grates all fitted for natural gas, cabinet mantels of choice woods and designs, crystal gas fixtures, electric gas lighting and electric bells, bathrooms, all artistically decorated with fine paper and stained-glass, and compactly built and with abundant closets, showing complete and thorough workmanship, streets and sidewalks well improved and good sewerage, within one square of the cable line [cable cars had just begun to run between the East End and downtown] and on the best drives to and from the city. The lots front Forbes street 23×150 feet and Coltart square, which is 50 feet wide, 35×90 feet. These houses are being sold at a very reasonable price and on very easy payments, and the agents, W. A. Herron & Sons, report that two of these houses have been already sold, one on Forbes street and one on Coltart square. A few will be rented to prospective buyers. Any desiring to purchase a complete house at low figures should call at W. A. Herron & Sons, 80 Fourth avenue, and examine plans and gain full particulars.

The houses have been under separate ownership from the beginning, so they are in varying states of preservation; but several of them retain some fine original details.



It seems that the houses sold quickly, and for a while the Coltart Square community was the haunt of well-to-do upper-middle-class families whose names were often mentioned on the society pages. Not until the second quarter of the twentieth century did the rest of Coltart Avenue become the densely crowded line of rowhouses and small apartment buildings it is today. But this one block still retains an echo of its High Victorian elegance.


The Hall of Sculpture in the Carnegie (as seen by the ultra-wide auxiliary camera on old Pa Pitt’s phone, so don’t expect too much if you enlarge the picture), designed in imitation of the interior of the Parthenon.