
Seen from across the Mon.
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Above, on the Grant Street front; below, on the Fifth Avenue side.


From the intersection of Fifth Avenue and Sixth Avenue (and try to explain that to an out-of-towner).

Or BNY Mellon Center, or whatever it is called now that BNY Mellon is just BNY, seen from across the Mon.

An “ultra-wide” view of a Red Line car coming into Steel Plaza station, thanks to the five-megapixel “ultra-wide” auxiliary camera on Father Pitt’s phone.

Burt Hill Kosar Rittelman, a firm that began in Butler and grew to be an international architectural titan, would become famous in the middle 1980s for postmodernist buildings like Liberty Center. This building, however, is prepostmodernist. It opened in 1981, and it is a straightforward modernist box with a Miesian look. Although it doesn’t arrest our attention the way some of the firm’s later projects do, it was a harbinger of Renaissance II, the building boom of the 1980s that remodeled Pittsburgh with a postmodernist skyline.

The grand old name of Mellon is slowly disappearing from our landscape as BNY Mellon completes its rebranding to just BNY.

The Grant Street entrance to Steel Plaza station: a study in angles.

S. S. Kresge was never the presence in Pittsburgh that Murphy’s was, but all the five-and-dime stores had outlets downtown. Murphy’s, Kresge’s, McCrory’s, Woolworth’s—they were all similar operations, and all the founders knew each other. G. C. Murphy, in fact, had worked for S. S. Kresge and John G. McCrory before setting out on his own.
The S. S. Kresge Company is better known to younger people (meaning under the age of seventy or so) as the parent corporation of Kmart.

The whole front of the building is done in terra cotta, including this inscription.

The pediment, though it seems undersized for the building, is filled with rich decoration.