
Built in 1890, this rich feast of stonework was designed by Frederick Osterling in his Richardsonian Romanesque phase.

The carved ornaments are by Achille Giammartini, including old Pa Pitt’s favorite gargoyle in the city.



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Built in 1890, this rich feast of stonework was designed by Frederick Osterling in his Richardsonian Romanesque phase.
The carved ornaments are by Achille Giammartini, including old Pa Pitt’s favorite gargoyle in the city.
Some pictures of Steel Plaza taken on a weekend when it was momentarily almost empty. The largest and most complex of our subway stations, Steel Plaza was built as a transfer station between the main line and a short spur to Penn Station—which, although it is not in regular service, is still kept up for special events and emergency detours. In the picture above, the Penn Station spur is in the foreground.
Here we see the two lines converging toward their junction in the tunnel beyond the station.
To add to the complexity, the station was designed to take the old PCC cars as well, which had only street-level doors. These lower-level platforms have been out of use since 1999, when the last PCC cars were retired, but the space isn’t useful for anything else, so the platforms are still there.
“One of the most handsome modern structures in Pittsburgh, this building is oriented inward, with a blank wall on each street facade above the ground floor windows.” So said James D. Van Trump in “The Stones of Pittsburgh,” and Father Pitt defers to Mr. Van Trump’s superior taste. The wedge-shaped sign above the entrance is a relatively new addition, put up in 2016, but it fits well with the spare modernism of the rest of the building. The architects were Skidmore, Owings & Merrill, one of the biggest firms in the business and most famous for supertall buildings like the Sears Tower and the Burj Khalifa.
The top of Penn Station seen from the Bigelow Boulevard bridge over the Crosstown Boulevard.
The Stanley was designed as a silent-movie palace, but opened in 1928, just as talkies were making a revolution in the movie business. The architects were the Hoffman-Henon Company of Philadelphia. It was the biggest theater in Pittsburgh when it opened, and as the Benedum Center for the Performing Arts it is still our biggest theater now.
The skyscraper behind the theater is the Clark Building, which was built at the same time and designed by the same architects as part of the same development package.
More pictures of the Stanley Theater.
Following the example of Montreal, Pittsburgh had each of its subway stations decorated by a different artist. The neon installation in Steel Plaza, called “River of Light,” is by Jane Haskell.
The style of the station itself combines Brutalism with Postmodernism.
Trolley Number One, the very first car in the sequential numbering of current Pittsburgh trolleys.
Charles Bickel designed the May Building, and—as he often did—he made liberal use of terra cotta in the ornaments.
More pictures of the May Building.