A small apartment building along the Red Line in Dormont, with some of the Spanish Mission details that were very popular in Dormont a century ago. It was also popular to give small apartment buildings women’s names; across the street are two very similar buildings named Thea and Esther.
Built in 1924, this church seems typical of the slightly modernist Gothic of the period: the pointed arches and the stonework are still there, but the details are spare, and the forms are relatively simple.
Dormont Junction ceased to be a junction in the 1960s, but the Pittsburgh trolley system is crusty with tradition, and the name has never been changed—in spite of occasional attempts by the Port Authority to call the station “Dormont.” The current station was designed in the 1980s, and like most of the stations put up then it is utilitarian to the point of ugliness. Above, two Red Line cars pass; below, a closer view, showing the 1980s-vintage T-in-a-circle sign at the entrance.
Dormont Junction is at the north end of the Mount Lebanon subway tunnel, which is never called a “subway” by real Pittsburghers, to whom “subway” means the section of four underground stations, one ground-level station, and two elevated stations from Station Square to Allegheny.
Frederick Osterling designed this school for the mushrooming borough in 1912. The building itself grew rapidly, with additions in 1914, 1916, and 1918, all in a matching style. According to the book Dormont by the Dormont Historical Society (one of the Images of America series by Arcadia Publishing), at some point in the second half of the twentieth century, high winds destroyed the original roof, and the building was given an up-to-date flat roof and a new front entrance with this fine late-Art-Deco sign.
In 1996, the school closed, and in 1999 the borough government moved in, so that this is now the William & Muriel Moreland Dormont Municipal Center. The Dormont Historical Society has a small museum here, open one day a week.
One of three fine Gothic churches in a row, this one is actually in Dormont—but not by much. The Mount Lebanon border runs down Scott Road to the right of the building, then jogs behind the building to take in the St. Clair Cemetery.
Addendum: The church was built in 1923 or after; the architect was Charles W. Bier. Source: The American Contractor, October 13, 1923: “Church: Approx. $150,000. 2 sty. & bas. 100×100. W. Liberty av., Mt. Lebanon. Archt. C. Bier, Pittsburgh Life bldg., Pittsburgh, Pa. Owner Mt. Lebanon M. E. Congr., G. W. Beams, 1225 Peermont, Dormont, Pa. Stone. Gen. contr. let to H. Busse Co., Main & Wabash av., Pittsburgh, Pa. Plmg. to Reynold Gusse, 130 Wabash av., Pittsburgh. Rfg. to Crafton Rfg. & Furnace Co., 7 Crafton av., Crafton, Pa.”
Dormont Presbyterian Church (now North Way Community Church) in winter sunlight.
One of the most pleasant shopping streets in the South Hills, Potomac Avenue has a remarkable variety of things to do in a short space. There are coffeehouses, restaurants, an undivided neighborhood movie palace still showing movies, a wine shop, a bakery, a bookstore, a large and well-stocked Turkish-Russian grocery, an oriental-rug dealer, and a streetcar stop on the Red Line (Potomac) that makes it all accessible.
The old Dormont Presbyterian Church (now North Way Christian Community) dominates the street in just the right way.
A modest commercial building on Potomac Avenue, this is a good example of the Spanish Mission style in commercial buildings and apartment houses. The style—a kind of Eastern fantasy of the Southwest—is certainly not unknown elsewhere in the Pittsburgh area, but for some reason it was especially popular in Dormont, where numerous Mission-style buildings still stand. Doubtless the original roof overhang above the name was tile, and very probably green tile. Below, the building at Potomac and Glenmore Avenues retains its original green roof tiles.
A rainbow in the northeast, seen down West Liberty Avenue from the parking lot of Dormont Village. It is perhaps not the most poetical place to see a rainbow, but it was a very good rainbow, with the beginnings of another above it.
This interesting residential-commercial structure on Potomac Avenue seems to combine two styles. The apartment building is a kind of very late Italianate, but the way the projecting storefronts form a sort of courtyard seems very much in the Mission style, as do the sloped roofs, which old Pa Pitt suspects were originally tile rather than asphalt shingles.
