This modernist church was dedicated by Cardinal Wright in 1960. The architects were Belli & Belli of Chicago. The stained glass was by Pittsburgh’s Hunt Studios; the scribbly outlines visible from the outside are typical of their postwar work. The church was abandoned by the diocese, but the last old Pa Pitt heard it was being worked on for another use. (In fact there was a stop-work order pasted on the window when Father Pitt walked by in February, but he assumes that is just a minor misunderstanding that will be cleared up.)
The Plaza lingered on to the end of the twentieth century as a movie house, but it finally went the way of most neighborhood cinemas. Fortunately the beautiful and distinctive façade has been preserved.
The green-tiled roof is the first thing you notice. The little round-topped dormers give the building the look of a European palace.
Terra-cotta suppliers got rich on movie houses like this one.
The marquee has been kept, which is lucky, because it was an important part of the look of the building.
If you had asked Pittsburghers a century ago what kind of neighborhood Bloomfield was, they would have told you it was a very German neighborhood, with a few Irish mixed in, and a little pocket of Italians starting to move in back near the tracks. Go back a bit further, into the late 1800s, and hardly an Italian name is to be seen among the property owners.
Here is a uniquely well-preserved relic of German Bloomfield, whose date stone tells is that it was built in 1882 as the Baum German Evangelical Protestant Congregation. It now belongs to a charity called Shepherd Wellness Community that keeps it in beautiful shape.
Now, if we turn around and look up the street, we’ll find something else uniquely well preserved in a different way.
This building has seen layers and layers of renovations and alterations, but it goes back to the 1880s, if we read our old maps right. It appears on an 1890 map as the Bloomfield Liedr. S. Society, and on a map from a decade later under the fuller name Bloomfield Lieder-Tafel Singing Society. And if you look on Google Maps, you will find that it still appears as the Bloomfield Liedertafel Singing Society. It is still a private club devoted to music—a social relic of German Bloomfield, still in its original building.
A typical backstreet Bloomfield row of frame houses, showing almost every treatment working-class Pittsburghers can think of to apply to the exterior of an old house.
Carson Street on the South Side is reputed to be one of the best-preserved Victorian streetscapes in America. Liberty Avenue in Bloomfield may not come quite up to that standard, but it is probably second in Pittsburgh. The commercial district was built up in the 1880s and 1890s. Like Carson Street, it preserves many Victorian commercial buildings, along with a peppering of later styles. These pictures are all of the northeast side, because the sun was behind the southwest side.
A good example of the most basic form of Pittsburgh Rundbogenstil, the German hybrid of classical and Romanesque architecture that old Pa Pitt mentions every chance he gets because he likes to say “Rundbogenstil.” In the 1800s, before it became the most Italian of our Italian neighborhoods, Bloomfield was mostly German.
A Second Empire building from the 1880s.
This building dates from the 1890s. It probably had a date and inscription in that crest at the top of the façade, but later owners obliterated the evidence.
We saw this 1924 building before at dusk; here it is in bright sunlight. The bright light gives us a chance to appreciate the decorative details with a long lens.
This fine new building opened in 1926, and the bank got to enjoy it for five years before it was liquidated in the dark days of the Depression. After that, it sat vacant for a while. Just after Prohibition ended, the Liquor Control Board picked it for a liquor store, but bids for the conversion came in too high, and the board went looking for another location. Later, at some point, it became a bank again. Now the bank has moved out, and it’s ready for its next life.
As you can see from the picture above, the streets do not intersect at a right angle at this corner, so the building is a trapezoid. The upper floors were built as apartments to gain some extra income to pay for the building.
Old Pa Pitt does not know what was here before the Pleasure Bar, but whatever it was had only a seventeen-year life—the building was put up in 1924, and the Pleasure Bar has been here since 1941. It’s an elaborate building for its size, with a curious mixture of classical and Art Nouveau detailing, and the inset balconies are unusual.
This building was put up between 1903 and 1910, and that is all old Pa Pitt knows about it. The extra-tall third floor looks like a lodge meeting hall, but it does not appear on maps as a lodge. The ground floor was a bank for many years. The building is going through a thorough renovation now, including new windows all around, fortunately the right size for the window openings.
Pearl Street is not quite perpendicular to Liberty Avenue, so this building has the common Pittsburgh problem of an obtuse angle to solve. You might not notice the solution unless you look closely.
