Category: Architecture

  • The Full Expression of Richardson’s Mature Power

    Allegheny County Courthouse

    Henry Hobson Richardson’s design for the Allegheny County Courthouse and Jail, from the book Henry Hobson Richardson and His Works, published shortly after Richardson’s death. The last paragraph of the lengthy description of this work, Richardson’s greatest, is worth quoting.

    “Taken as a whole the design of this vast and complex structure, both inside and out, is a marvel of good sense as well as of architectural beauty. None of the faults which appear in some of Richardson’s other buildings can be found in this. It seems as simply yet completely right in execution as in first conception. We may take the Court-house as Richardson wished it to be taken—as the full expression of his mature power in the direction where it was most at home. Had he not lived to build it his record would still have been a surprising one and would still have entitled him to be called a man of genius in the full meaning of the term. But it would have been an incomplete, a broken record, while now we see the best of which he himself felt capable; and seeing it we believe that no possible problem which a long life might have brought him would have been too difficult for him to solve. It proves that he was more firmly convinced than ever that in the precedents of southern Romanesque he could find his best inspiration, but that he had worked his way to a very different attitude towards them from the one he had first assumed. The Court-house is the most magnificent and imposing of his works, yet it is the most logical and quiet. It is the most sober and severe, yet it is the most original and in one sense the most eclectic. Although all its individual features have been drawn from an early southern style, its silhouette suggests some of the late-mediaeval buildings of the north of Europe, and its symmetry, its dignity and nobility of air, speak of Renaissance ideals. To combine inspirations drawn from such different sources into a novel yet organic whole while expressing a complex plan of the most modern sort—this was indeed to be original. There is no other municipal building like Richardson’s Court-house. It is as new as the needs it meets, as American as the community for which it was built. Yet it might stand without loss of prestige in any city in the world.”

  • John P. Robin Civic Building

    Entrance to the John P. Robin Civic Building

    Built in 1907, this small skyscraper (originally the Jones & Laughlin Building) was just barely spared by the Boulevard of the Allies a decade and a half later. It was designed by the always-tasteful MacClure & Spahr in the restrained Gothic style popular in the early twentieth century.

  • West End Savings Bank & Trust Co.

    In classical times, worshipers deposited their money in temples, leaving it under the protection of the god. In neoclassical times, banks were built in the form of classical temples, but the only god was money itself.

  • Lobby of the Arrott Building

    The small but richly gorgeous lobby of the Arrott Building as it appeared in 2013, before the current renovations.

  • Tower at PNC Plaza on a Fine Day

    As seen from the Diamond or Market Square, the surface of the tower reflects the cumulus clouds scudding through the sky.

  • United Steelworkers Building

    The United Steelworkers Building in a picture from last December. The architects were Curtis and Davis, who did nothing else that old Pa Pitt knows of in Pittsburgh.

  • Art Deco Details in Mount Lebanon

    Colorful Art Deco ornament on a building in the Washington Road business district, the Pittsburgh area’s most thoroughly Art Deco neighborhood.

    These splendid details are on a building that, at first glance, seems utterly undistinguished. A bit of sensitive restoration to the storefronts could emphasize the Art Deco character of the building and make it more of an ornament to its streetscape.

  • Lobby of the Frick Building

    Everything in the Frick Building is gleaming white marble, with just enough accents to keep the interior from becoming entirely invisible. Above, the staircase at the Grant Street entrance. Below, the revolving doors and clock at the Grant Street entrance.

    The lobby is shaped like a T, with a hall from the Grant Street entrance ending at the long hall from Forbes Avenue to Fifth Avenue, seen here from the Forbes Avenue entrance.

    Even Henry Frick himself is gleaming white marble, rendered by the well-known sculptor Malvina Hoffman in 1923.

  • Pittsburgh Playhouse

    The Pittsburgh Playhouse building on Forbes Avenue is a harmonious addition to the streetscape. It manages the unusual feat of looking 21st-century and classical at the same time.

  • One Oxford Centre

    One Oxford Centre is a cluster of octagons put up during the 1980s construction boom downtown. In fact it was to have an even taller partner next to it, but that never materialized before the boom went bust. The architects were the firm of Hellmuth, Obata + Kassabaum, now known as HOK, currently the biggest architectural firm in the United States.