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Green Tulip
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Silent-Era Theater in Carrick
This building shows up as a theater on a 1916 map, and that is all Father Pitt knows about it.
The intersection of Brownsville Road and Narrow Avenue (now Newett Street) in 1916. It is not documented at Cinema Treasures, where theater fanatics have catalogued 178 theaters in Pittsburgh, or at the expiring and impossible-to-navigate Carrick-Overbrook Wiki, so it may not have lasted very long as a theater. (And Father Pitt is only making the assumption that it was a movie theater rather than a live theater or vaudeville house, because the latter seems much less likely for the era and place.) If anyone from the neighborhood knows the story of this building, the information will be received with gratitude. The building is well kept: it has been updated just enough to be useful to its current tenant without destroying the original design of the exterior.
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Bethel Presbyterian Church, Perry South
You might pass this building by on your way up North Charles Street and never think of it as anything other than another outcropping of generic ugliness. In fact it is a rare surviving frame church from the 1880s. It has been covered in sheets of cartoon fake brick, and the windows have been halved, but the building is still here. It was built before 1890 on Gallagher Street, near the intersection with Taggart Street, as the Bethel Baptist Church. By about 1900, Gallagher had changed its name to Melrose Avenue, and this was known as the Melrose Avenue Presbyterian Church. It kept that name as Taggart Street changed to North Charles Avenue.
The Presbyterian congregation has almost been erased from history—it is hard to find more than glancing references to it—but the building has been occupied by a nondenominational congregation.
Canon PowerShot SX150 IS.
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Dinwiddie Street: A Resurrection
In 1889, William Smith Fraser, one of our top architects in those days, supervised a whole long block of fifty elegant stone-fronted houses lining both sides of Dinwiddie Street.1
A majority of the houses disappeared over the years; the street came to look like a battle zone, three-quarters abandoned.
But the wheel turned again. About fifteen years ago, Rothschild Doyno Collaborative designed infill housing and refurbished the Fraser houses. The new houses were built at the same scale and setback as the old, and with some of the same massing; the old houses were refurbished with inexpensive materials that matched the new houses.
It’s still not a rich neighborhood. But it’s a beautiful and welcoming streetscape again, and it’s an inspiring example of how an interrupted streetscape can be made whole. The new houses are definitely of our century, but they belong on the street. Without duplicating the Fraser designs, they make themselves at home in the neighborhood.
In this picture, the houses with stone bays in front are some of the original Fraser houses. Their more colorful neighbors are the “infill” houses.
A pair of the original Fraser houses.
Fujifilm FinePix HS10. - Source: Philadelphia Real Estate Record and Builders’ Guide, May 29, 1889, p. 246. “The contract for the fifty modern dwellings, previously reported, to be erected on Dinwiddie street by Mr. Lockhart, has been given to Henry Shenck. W. S. Fraser, Seventh street and Penn avenue is the architect. These dwellings will be of brick, with stone fronts, bay windows and porches, and all modern conveniences.” ↩︎
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Trillium
Konica Minolta DiMAGE Z6. The Great White Trillium (Trillium grandiflorum) is a trinity of trinities: three petals, three sepals, and three leaves. In its pure white form it seems a perfect emblem of Easter.
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Hazelwood Christian Church
Here is another church with the sanctuary upstairs, if you look at the front. This is Pittsburgh, though, so upstairs is the ground floor in the rear.
Nikon COOLPIX P100; Samsung Galaxy A15 5G
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House by Frederick Sauer in Highland Park
Perhaps the best way to describe the architect Frederick Sauer is to say that he was a high-functioning mad genius. He produced some very respectable church designs—St. Stephen Proto-Martyr, St. Stanislaus Kostka, and St. Mary of the Mount, to name three. Meanwhile, he went home every evening and started pulling rocks out of his back woods and piling them up into whimsical buildings with his own hands.
When he designed a private residence, Sauer sometimes pushed the limits of current styles. Here is a big stony house built from his design in 1893. It hits some of the fashionable Romanesque notes, but that immense crowstepped Flemish gable makes a big impression on the neighbors. (The high-pitched roof and big gables also give the house a roomy third floor.)
Fujifilm FinePix HS10.
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Tulips
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New Granada Apartments, Hill District
The patchwork-quilt style of architecture has been popular in the last decade, but this is by far the most colorful implementation of it old Pa Pitt has seen. The whole block that includes the New Granada has been redeveloped, and these cheerful apartments, with ground-floor storefronts, make this section of the Hill seem lively and inviting again.
Nikon COOLPIX P100.
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Willock House, Allegheny West
We’ve seen this house before, and all old Pa Pitt can say is here it is again, in more detail. Steel baron B. F. Jones, who had a big house next door, hired architect W. Ross Proctor to design this narrow chateau for his daughter and her husband (the house belonged to the daughter, according to plat maps). A few years later, B. F. replaced his big house with an immense mansion that dwarfed his daughter’s house.
In the rear you can see a carriage house, built a little later than the main house. The carriage house alone is bigger than most people’s houses, and it had ample living quarters for the coachman upstairs.
Fujifilm FinePix HS10; Canon PowerShot SX150 IS; Kodak EasyShare Z981.
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