Looking down a steep slope on Fallowfield Avenue in Beechview. Bricks were used to pave relatively flat sections of streets in hilly neighborhoods, because bricks were cheap and durable. But bricks are slippery when wet or icy. More expensive Belgian block, which gives better traction, was used for slopes.
This was perhaps the last church designed by Titus de Bobula in his short architectural career, and it was an extraordinary work. It was faced entirely with concrete, and the architect gave free rein to his love of sweeping curves and tapering forms—note, for example, how the continuous tapering of the tower was supplemented by an inverted tapering of the arch at the entrance.
In the 1950s, the congregation built a much larger church from a design by the prolific Monessen church architect H. Ernest Clark. But the old church was kept as a social hall, and—thanks to the eagle eye of our correspondent David Schwing—we have discovered that the building is still standing.
Almost everything that made the church a unique work of art is gone. The windows are blocked in; the decorations are stripped off; the spire is gone and the tower truncated. But we can still see the outline of that unique arch at the entrance. And this is the only one of Titus de Bobula’s concrete-faced churches to have survived at all—at least as far as old Pa Pitt knows. With just a few minutes to stop in Glassport on his way from here to there, Father Pitt took a bunch of pictures with three different cameras to document the church before it succumbs to complete decay.
The busways in Pittsburgh are built mostly along old railroad right-of-way, and most of the stations are placed very near where the old commuter-rail stations stood. The Martin Luther King Jr. East Busway is unique in that the railroad still runs next to it; space for the busway came from the abandonment of extra parallel tracks on the busy Pennsylvania Railroad main line. Above, an outbound bus stops at the East Liberty station.
These views were taken from the Highland Avenue bridge across the railroad and busway. The bridge bears the Pennsylvania Railroad emblem in concrete.
The use of the old railroad right-of-way, which runs in a series of hollows below the main street level of the neighborhoods it goes through, makes the East Busway a true rapid-transit line, as much grade-separated as a subway.
McDonald was a very Presbyterian town, with at least four Presbyterian churches all within an easy walk of one another. In 1897, two Presbyterian churches went up in McDonald side by side—a Presbyterian church and a United Presbyterian church. They seem to have been called First Presbyterian and First United Presbyterian at first, but later took the names Trinity and Calvary. After the denominations merged, so did the congregations—but they kept the two buildings, now called the Calvary Center and the Trinity Center of McDonald Presbyterian Church.
The United Presbyterian church, now Calvary Center, was the larger of the two. The architect was James N. Campbell.
Behind the church is a neat and prosperous-looking foursquare parsonage built of matching brick.
The smaller Presbyterian church, now the Trinity Center, was designed by the Washington (Pennsylvania) firm of McCallum & Ely.
Paul Presbyterian Church, built in 1923, was named not for the Apostle Paul, as you might suppose, but for Elizabeth Paul, who donated the land on which the church was built along with $1,000 toward the cost of the building. After the congregation dissolved in 2001, the building passed to the Providence Reformed Presbyterian congregation. Now it belongs to Freedom Fellowship Church of Pittsburgh.
Stained glass with a depiction of Christ as Good Shepherd was in the front windows until the Reformed Presbyterians took over. The windows needed expensive repair, and, according to the Brookline Connection article, “with this being a rather conservative Presbyterian denomination, displaying the image of Jesus above God ran contrary to the First Commandment, and replacing them was more in line with their beliefs”—a weirdly Arian argument that we hope was garbled in transmission.
McKeesport’s own Charles R. Moffitt, whose office was a short stroll down Walnut street from the construction site, designed this automotive palace for a Studebaker dealer.1 It was built in 1926, and shortly after it opened a picture of the auto-accessories section of the showroom was published in India Rubber and Tire Review for April of 1927:
We can still see the Studebaker emblem at the top of the long side of the building.
A view from a couple of blocks away on Shaw Avenue gives us a better idea of the scale of the building.
The Iron Age, April 15, 1926, p. 1113. “The Ninth Avenue Garage, Ninth Avenue, McKees Rocks [sic], Pa., operated by Baehr Brothers, has plans for a four-story and basement service, repair and garage building, 70 x 140 ft., to cost about $100,000 with equipment. C. R. Moffitt, Masonic Building, is architect.” This listing puts it in “McKees Rocks,” but that’s obviously an editor’s error: there was never a Ninth Avenue in McKees Rocks, and Moffitt was a McKeesport architect, and the dimensions are right for this building. We might add that “Baehr Brothers” is a very unusual name, so unusual that there seems to have been only one automotive-related firm by that name. ↩︎
Casimir Pellegrini Associates were the architects of this church, whose cornerstone was laid in 1963. It was a Franciscan parish until just a few years ago. Unlike some other abandoned Catholic churches, this one has a happy ending: it was bought by the thriving Lebanese Maronite Catholic congregation of Our Lady of Victory, which began in Brookline (or arguably earlier in the Lower Hill) and spent years banished to the wilds of Scott Township. In honor of Pittsburgh’s best Lebanese festival, which begins today and lasts all weekend, here are quite a few pictures of St. Pamphilus/Our Lady of Victory, which old Pa Pitt has done his best to make look like period-appropriate Kennedy-era Kodachrome slides.
The Our Lady of Victory congregation has graciously allowed St. Pamphilus to stay in his home on the front wall of the church, where he distributes bread to begging hands.
Father Pitt will admit that he does not find the nave the most attractive of all our church buildings. It is dignified and spacious, and that is enough. But the tower, a mailbox on stilts, captures his imagination, and he would hate to see anything happen to it.
The church was dedicated to St. Pamphilus, but it is St. Francis who greets you at the door with his usual motto “Pax et bonum.”
This shrine to Our Lady of Victory is now in its third location.
Father Pitt makes it a practice to try to record all the names on a war memorial, because sometimes things happen to inscriptions. If you enlarge this picture, every name should be clearly legible.
A plaque remembers Msgr. Elias P. Basil, the founding pastor of Our Lady of Victory parish. He had been pastor of St. Anne’s, the Maronite church in the Lower Hill. The story is that he promised St. Mary that, if all his parishioners came home safe from the Second World War, he would build a church in her honor. They did, and he did.
St. Anne Church was on Fulton, later Fullerton, Street, one of the Lower Hill streets that no longer exist because they were urban-renewaled to death. This cornerstone was preserved from the demolished church.