From The Construction Record, September 26, 1914. The building was put up the next year, and still stands almost exactly as Mr. Cohen designed it.
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Completing Plans for Hebrew Institute
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Trinity A. M. E. Church, Hill
A modest church from 1925 in an unusual Spanish Mission style. That style was very popular for houses and apartments in the 1920s, but in Pittsburgh it is seldom found in churches.
The well-preserved, though somewhat bedraggled, Italianate house next door is also worth noting.
Addendum: The architects of the church were Sharove & Friedman, who were more used to synagogues than churches—they worked with Henry Hornbostel on the Congregation B’nai Israel synagogue. Without the tower, this would look very much like a modest synagogue. Source: The American Contractor, September 8, 1923: “Church: $20,000. 1 sty. & bas. 30×70. Wylie av. & Francis st. Archt. Sharove & Friedman, Berger bldg. Owner The Trinity African Meth. Episcopal Congr., Rev. G. F. Williams, 2704 Wylie av. Brk. walls. Drawing plans.”
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Carnegie Library, Hill District Branch
Another elegant little branch library by Alden & Harlow. Although the branch library moved a short distance away to a larger modern building, this one was fortunately taken over by a mosque and is therefore still loved and kept up.
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Monumental Baptist Church, Hill
Here is an interesting example of the persistence of architectural traditions. To look at this church, you might guess that the main building dates from the 1870s or 1880s. It has the typical look of a small Pittsburgh church of that time—the shallow-pitched roof, the walls divided into sections by simple pilasters. In fact, according to the cornerstone, it was built in 1924, and “remodeled” in 1949. The “remodeling” doubtless included the Romanesque front and corner tower.
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Hebrew Institute, Hill
In the early twentieth century, the Hill was Pittsburgh’s most diverse neighborhood, and in particular it was the main center of Jewish culture. A number of buildings survive from the Jewish community there, though they have all been turned to other uses. This one, for example, is now a “community engagement center” run by the University of Pittsburgh. But it was the original home of the Hebrew Institute, which moved to Squirrel Hill in 1944. It was a school that taught Hebrew language, literature, and culture to Jewish children. The style of the building is typical Pittsburgh School Classical, but the broken pediment above the entrance frames a Torah scroll.
Addendum: The architect, according to a 1914 issue of the Construction Record, was Walter S. Cohen, who had a thriving practice serving mostly Jewish clients. “Architect Walter S. Cohen, Oliver building, has plans nearly completed for a two-story brick and stone institute building for the Hebrew Institute of Pittsburgh, Wylie avenue and Green street, to be built at a cost of $30,000.”
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Crawford Grill
Here is the Crawford Grill three years before it closed, from a picture Father Pitt took in 2000 with a cheap but capable Russian camera called a Lomo Smena 8M. This was the second Crawford Grill, which opened in 1943; the first, which stayed open for a few years after the second opened, had been in the long-since-demolished part of Wylie Avenue on the Lower Hill.
The Crawford Grill was legendary in its time, and it is still a legend among jazz lovers today. It was the last holdout from a whole street of jazz clubs that flourished in the first half of the twentieth century.
Note, by the way, the name at the top of the façade—“Sochatoff Building.” The Hill was a glorious mix of ethnic groups, a place where all races and languages came together and had a good time—Greek and African and Lebanese and Russian and Jewish and German and Chinese.
Of course, the word used by the Powers That Be for that kind of neighborhood was “slum,” and it was the mission of good government to eliminate slums.
It would be oversimplifying things to say that the Hill collapsed because the authorities hated the idea of a place where different races came together in harmony. But it would not be false. There were other forces involved, but that was the biggest one. The destruction of the Hill was deliberate policy, proudly announced and boastfully acknowledged. Slums must be cleared. And the residents? Well, they’d just better not go off and make another slum somewhere else, because we’ll be watching. How can you tell whether a good neighborhood is turning into a slum? Well, if you see races mixing, that’s an infallible sign. Much public policy in the middle twentieth century was determined by the desirability of keeping races separate.
The Crawford Grill thumbed its nose at that segregation. People of all races and classes gathered there because the music was first-rate, and the food wasn’t bad either. The entire Lower Hill, including the original Crawford Grill, was destroyed to create an arid modernist wasteland, but the new Crawford Grill stayed open. Cut off from downtown and with much of its original heart ripped out, the Hill withered and the other jazz clubs faded, but the Crawford Grill stayed open. The 1968 riots after Martin Luther King was assassinated destroyed much of what was left of the business district, but the Crawford Grill stayed open. Even after the rest of the Hill had reached its lowest point, the Crawford Grill remained.
It finally closed in 2003, not from lack of business, but because the building required major repairs that were beyond what seemed reasonable to spend. In fact the club was successful enough that it moved to Station Square—but it lasted only three years there. The Freighthouse Shops part of Station Square was also in decline, though perhaps no one recognized it yet, and the traffic could not support the new club’s considerably higher expenses.
The building still stands today, isolated and forlorn. That splendid Victorian house to its left is gone now, replaced by a vacant lot. A group of neighborhood preservationists bought the building years ago, but no one has been able to do anything with it. It just sits there, with a state historical marker in front of it to remind us that it was something great once upon a time.
If old Pa Pitt were writing a short story for a literary magazine, he would end it by telling you that, late at night, neighbors still hear the wail of a saxophone from somewhere in the heart of the building. That would be the proper ending for the story. As it is, he has only the optimistic hope to offer that some day the neighborhood will come together and the doors will open and the jazz will flow again.
