Tag: Waugh (Sidney)

  • Auditorium Entrance, Andrew W. Mellon Middle School, Mount Lebanon

    Entrance to Andrew W. Mellon Middle School

    The National Forum warns us that we have to keep an eye on this school. All the schools of its era in Mount Lebanon were designed by Ingham & Boyd, or by Ingham, Boyd & Pratt once Pratt became a partner. This one comes from the era when they were adapting Art Deco elements to their usual ruthlessly symmetrical classicism, and the result shows some similarity to the same firm’s Buhl Planetarium. It has not changed much since it was built, except that, when the name was changed from “Junior High School” to “Middle School,” the inscription was clumsily applied with no spacing between the letters. That bugs old Pa Pitt, but he is not going to get up on a ladder and fix it himself.

    Medallion with theatrical masks

    Father Pitt does not know the sculptor of these two medallions, but he has a pretty good guess. Compare them to the reliefs by Sidney Waugh on Buhl Planetarium: The Heavens and The Earth and Primitive Science and Modern Science. It seems likely that the same architects hired the same sculptor for these reliefs.

    Medallion with lyre
    Marquee
    Fujifilm FinePix HS10.

    The marquee is festooned with unexpectedly colorful Art Deco swags.

  • Primitive Science, Modern Science

    These bronze reliefs by Sidney Waugh stand over what was once the main entrance to the Buhl Planetarium and Institute of Popular Science (to give its full title). From loincloths to lab coats is less of a distance than you might think: Waugh took pains to illustrate the remarkable cleverness of the “primitive” American Indians who had long-distance communication (via smoke signals) and snowshoes, an invention Waugh chose specifically because it arose only in North America and nowhere else. As for Modern Science, we should not underestimate the difficulty of imparting dignity to a figure in a lab coat, a feat Waugh has carried off with aplomb. To a world used to the opposition of modern science against primitive superstition, Waugh presents the two figures as engaged in exactly the same enterprise.