Designed by Shepley, Rutan & Coolidge, probably the one firm with the best claim to the title of successors of H. H. Richardson, this station sat derelict for years. After a fundraising campaign, it is being restored as the Coach Fred Milanovich Center for Community Connection. We last saw it in July, and since then a good bit has been accomplished. Workers were busy today when old Pa Pitt came by.
The old freight depot is altered but still standing.
Built in the late 1890s, this Pittsburgh & Lake Erie commuter station was designed by Shepley, Rutan & Coolidge, one of at least three firms that claimed to be the successors of the great H. H. Richardson, and perhaps the one with the most direct claim, since Shepley, Rutan & Coolidge were the ones who completed Richardson’s outstanding jobs when he died. It is a temple of locomotion in the high Richardsonian style that may remind you of another Shepley, Rutan & Coolidge building in Pittsburgh, Shadyside Presbyterian Church.
After many years of raising money and praying, the community is working on restoring this landmark to pass down to future generations.
Cameras: Kodak EasyShare Z1285; Canon PowerShot SX150 IS. Most of these pictures are stacks of three different exposures, so that detail is preserved in both the highlights and the shadows.
A Daniel Burnham masterpiece, fortunately preserved as luxury apartments (you have to go out back by the Dumpsters to catch a train). It was officially Union Station, but usually called Penn Station, since the railroads that were not owned by the Pennsylvania Railroad had their own separate stations.
The East Busway runs right past the building on part of the original railroad right-of-way.
The rotunda of Penn Station is such a remarkable structure that it has its own separate listing with the Pittsburgh History and Landmarks Foundation. The skylight is a fine example of abstract geometry in metalwork.
The current owners of the Pennsylvanian hate photographers and tourists who come up to see the rotunda, and post signs on the walk up to the rotunda warning that this is private property and no access beyond this point and, with dogged specificity, NO PROM PHOTOS. But old Pa Pitt walked up through the parking lot, taking pictures all the way, and therefore saw the signs only on the way back. Sorry about that, all ye fanatical upholders of the rights of private property, but these pictures have already been donated to Wikimedia Commons, so good luck getting them taken off line.
The four corners of the earth, or at least the four corners of the Pennsylvania Railroad, are represented on the four pillars of the rotunda.
“Pittsburg” was the official spelling, according to the United States Post Office, when the rotunda was built in 1900.
The front of Union Station, which was the official name of what we usually call Penn Station in Pittsburgh, was completely illuminated by winter sun the other day, so old Pa Pitt took the opportunity to pick out some of the multitude of terra-cotta decorations with a long lens.
The interior of the P&LE terminal, now Pittsburgh’s most spectacular restaurant.
Addendum: According to the Inland Architect, the “quite elaborate” waiting room and stair hall were designed by Crossman & Sturdy, decorators, of Chicago. The architect of the building was William G. Burns, or possibly George W. Burns, depending on the source.
A view from the rotunda of Penn Station, taken in 2000 with an Argus A, a 35-millimeter camera made by the Argus Camera Company in the 1930s. It was meant to capitalize on the popularity of the very expensive Leica without being anything like as expensive as the Leica. It is not a particularly good camera, but it is small, and it is durable, and if you treat it right you can get pictures like this out of it.
An art photograph by W. W. Zieg from Pictorial Photography in America, 1922. This was the train shed of the Union or Pennsylvania Station, back when it had a huge and magnificent train shed.