The Carnegie Lecture Hall is designed to put a large number of people close enough to hear a single lecturer. It was filled to capacity today with people who came to hear poetry, which makes the literate think good thoughts about Pittsburgh. The International Poetry Forum is back after fifteen years of silence, and the first poet to speak was its founder, Samuel Hazo, who at 96 years old seems to be aging backwards.
The interior of the hall as it was filling up.
According to its page at Cinema Treasures, this theater opened as the Braverman in 1928, just at the beginning of the sound era, but was soon renamed the Boulevard Theatre. We can see multiple layers of renovations, the most significant of which happened in 1937, when it was given the Victor Rigaumont treatment. Mr. Rigaumont was Pittsburgh’s most prolific architect of neighborhood movie palaces, and indeed his works can still be found all over the Northeast. Here the Art Deco panels on the second floor are certainly his work. The later ground-floor treatment was beamed in from the parallel universe where Spock wears a beard. After the theater closed, this was used as a Cedars of Lebanon hall for some years. Now it is a nightclub belonging to the Beechview-based Las Palmas empire, which also includes half a dozen Mexican groceries, a restaurant, and a radio station.
Old Pa Pitt apologizes for the poor pictures. The sun was behind the building, and he had gone out with nothing but a phone in his pocket, not expecting to take pictures; then a delay in his other business left him with nothing to do for half an hour on Brookline Boulevard, one of his favorite commercial streets in the city.
Pittsburgh architect Victor A. Rigaumont designed dozens of movie houses, large and small, all over the Northeast. Most of them are gone, but a few remain, and this is one of them. It’s still open and still showing movies on a single screen.
Old Pa Pitt nursed a secret grudge against this building for years, for the very petty reason that it replaced the old Aldine Theatre, which he had hoped to see restored as part of the revival of the theater district downtown. But on its own merits, the August Wilson African American Cultural Center is a striking building that makes the most of its triangular site, and certainly no Pittsburgher better deserves the naming rights to the first theater to meet our eyes on Liberty Avenue. San Francisco’s Allison Grace Williams was the lead architect, and she made the building into a kind of announcement for the Cultural District: here, it tells us, you are entering a place where great things are happening.
Update: Once in a while old Pa Pitt has a chance to boast about his architectural instincts, and here is one of those occasions. In the original article, he wrote that he suspected Edward B Lee of having designed the remodeling of the theater into an office building. He was right. Source: The American Contractor, December 15, 1923: “Store & Office Bldg. (remod. from theater): $150,000. 5 sty. & bas. H. tile. Liberty av. & Strawberry Alley. Archt. E. B. Lee, Chamber of Commerce bldg. Owner The Fidelity Title & Trust Co., Wilson A. Shaw, chrm. of bd., 343 Fourth av. Gen. contr. let to Cuthbert Bros., Bessemer bldg.”
The original text of Father Pitt’s article follows.
Edward B. Lee was the architect of the Liberty Theater—or Theatre, as theatrical people often insist on spelling it—when it was built in 1912. These pictures were published in The Brickbuilder in 1913, so they show the theater as it was when it was new. Either the theater failed or the owners decided it would be more profitable as an office building, because only eleven years later, in 1924,1 it was remodeled into the Baum Building, and it still stands today.
The shell and outlines are the same, but quite a bit was changed externally. Old Pa Pitt suspects that Lee was the architect of these changes, too, and they were accomplished so elegantly that we would never know the building had not been planned that way from the beginning.
These small drawings (orchestra, first balcony, second balcony) show the aggressive adaptations Mr. Lee had to make to the irregular shape of the lot—a common difficulty for buildings on the southeast side of Liberty Avenue, where the two grids of the irrationally rationalistic eighteenth-century street plan collide.
Detail over the entrance. These decorations disappeared when the building was converted to offices.
Corner detail. The cornice and pilasters survive, but the elaborate terra-cotta decoration between the pilasters vanished in 1924.
This little movie house, built as the Avenue Cinema in 1931, became the Art Cinema in 1935; from the 1960s until the 1990s, it showed “adult movies,” which old Pa Pitt assumed meant that all the films were over 21 years old. But it had begun life as an art-film house, and in 1995 it resumed that role under the name “Harris,” after one of the founders of the movie-theater business—John P. Harris, who with his brother-in-law opened the world’s first movie theater, the Nickelodeon, which was on Smithfield Street (a plaque marks the site today). Movies had been shown in theaters before, but the Nickelodeon was the first to show only movies. The idea caught on with amazing rapidity, and “Nickelodeons” sprouted everywhere.
One of the cluster of Gothic buildings by Charles Z. Klauder at the heart of the University of Pittsburgh, this looks like the baptistery for the Cathedral of Learning. It houses a museum of Stephen Foster, two theaters, and the Ethelbert Nevin Collection. There was a time when Ethelbert Nevin might have got a museum of his own, but he missed his chance, and now he is an appendix to Stephen Foster.
The auditorium of Allegheny High School on the North Side was built in 1936, at the height of the Art Deco era. There are three exits, and the architect’s scheme demanded a relief over each one. So we have Art Deco interpretations of the three masks of the classical theater: Comedy. Tragedy, and Meh.
Like many buildings on the southeast side of Liberty Avenue, where the two grids of our eighteenth-century street plan collide, the Baum Building is forced into a triangle. It began its life as the Liberty Theater, but it lasted for only a few years before being turned into offices. Now, under the ownership of the Pittsburgh Cultural Trust, it has gone back into the entertainment business as an art gallery.
Addendum: The architect was Edward B. Lee. The theater was built in 1912; the conversion to offices was done in 1920, and Father Pitt suspects Lee supervised that as well. See this page in The Brickbuilder from 1913 for a picture of the building as originally built.
