
The Buhl Building, an early work of Benno Janssen, bathed in reflected light. Perhaps the image would be more poetic without the construction zone at the end of Fifth Avenue, but old Pa Pitt can only do so much about construction zones.
The Buhl Building, an early work of Benno Janssen, bathed in reflected light. Perhaps the image would be more poetic without the construction zone at the end of Fifth Avenue, but old Pa Pitt can only do so much about construction zones.
The Keystone Athletic Club was designed by Benno Janssen, Pittsburgh’s favorite architect for high-class clubs of all sorts. Most of them were classical in style, but for this skyscraper clubhouse Janssen chose a simple and streamlined Gothic style instead. It is now Lawrence Hall, the main building of Point Park University, so that two universities in Pittsburgh have trademark Gothic skyscrapers.
Early in his career, Benno Janssen was a fiend for terra cotta; he was much more restrained later on, but he usually included some characteristically appropriate terra-cotta ornaments.
Columbus Avenue is at the ragged back end of Manchester, where there are still many crumbling and abandoned buildings. This one, however, has been beautifully restored; it is the home of a marketing company that obviously sees the value in having a landmark building for its headquarters.
A rich-looking little bank dripping with terra-cotta ornaments on the façade. It later became the headquarters of the Pan-Icarian Brotherhood, a fraternal society whose membership “is open to anyone over 18 years of age (or their spouse) whose ancestry can be traced to the eastern Aegean Greek islands of Icaria or Fournoi.” These two islands made up an independent country, the Free State of Icaria, for a few months in 1912—which, by an odd coincidence, is the year this bank was built. The Pan-Icarian Brotherhood was founded in Verona; it now has a number of other chapters around the country.
Donahoe’s was a prosperous market and restaurant that commissioned William E. Snaman to design this elegant commercial palace on Forbes Avenue. Its striking terra-cotta front is still magnificent from the second floor up.
The ground floor has been completely redesigned, though “designed” is a generous term, as we see in this picture from 2022.
The architect Benno Janssen, one of the titans of Pittsburgh architecture, was very fond of terra cotta, as he showed early in his career in the exuberant Wedgwood patterns of the Buhl Building. The William Penn is more restrained, but it is still a feast for lovers of ornament.
The head of William Penn in ceremonial Quaker headdress.
This grand mansion was built in about 1890 for railroad magnate Harry Darlington. It occupies a tiny lot, so it is one room wide—but four storeys tall and half a block deep.
The building is decorated with numerous terra-cotta tiles with fine scrolly foliage.
A carriage house in the back has matching stony foundations.
Press C. Dowler was almost certainly the architect of this classic Art Deco telephone exchange, since he designed most of the buildings for Bell Telephone in our area during the Art Deco era.
The blankness of the first floor is probably original. As much of the switching equipment as possible was on the ground floor, because copper was expensive, and anything that shortened the distance that had to be cabled saved a lot of money.
The polychrome frieze is an unexpected flash of color on what is otherwise a monochrome building that makes its decorative statements with cleverly patterned brick, a few stone accents, and small terra-cotta ornaments.
It used to be usual for corner buildings to carry the names of the streets in lieu of street signs. It was already old-fashioned when this building went up, but who could resist those elegant Art Deco letters?
This feast of deco-Gothic terra cotta on the Boulevard of the Allies was designed by Joseph F. Kuntz, who worked for the Wm. G. Wilkins Company. It opened in 1925. Several of Kuntz’s buildings are notable for their terra-cotta fronts: see, for example, the Maul Building and the Hunt Armory.
The rotunda of Penn Station is such a remarkable structure that it has its own separate listing with the Pittsburgh History and Landmarks Foundation. The skylight is a fine example of abstract geometry in metalwork.
The current owners of the Pennsylvanian hate photographers and tourists who come up to see the rotunda, and post signs on the walk up to the rotunda warning that this is private property and no access beyond this point and, with dogged specificity, NO PROM PHOTOS. But old Pa Pitt walked up through the parking lot, taking pictures all the way, and therefore saw the signs only on the way back. Sorry about that, all ye fanatical upholders of the rights of private property, but these pictures have already been donated to Wikimedia Commons, so good luck getting them taken off line.
The four corners of the earth, or at least the four corners of the Pennsylvania Railroad, are represented on the four pillars of the rotunda.
“Pittsburg” was the official spelling, according to the United States Post Office, when the rotunda was built in 1900.