
Charles Bickel designed the May Building, and—as he often did—he made liberal use of terra cotta in the ornaments.


More pictures of the May Building.
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Charles Bickel designed the May Building, and—as he often did—he made liberal use of terra cotta in the ornaments.


More pictures of the May Building.

Perhaps not quite as ritzy as they would be in another neighborhood, but for prosperous working-class Brookline this is a fine building. The stone-fronted ground floor is topped by two floors of stone-colored white Kittanning brick, making a rich impression; and clever little decorations made from what look like terra-cotta remnants brighten what might otherwise be a monotonous façade.



The Plaza lingered on to the end of the twentieth century as a movie house, but it finally went the way of most neighborhood cinemas. Fortunately the beautiful and distinctive façade has been preserved.

The green-tiled roof is the first thing you notice. The little round-topped dormers give the building the look of a European palace.

Terra-cotta suppliers got rich on movie houses like this one.

The marquee has been kept, which is lucky, because it was an important part of the look of the building.


A long view down Baum Boulevard. This is the only remaining skyscraper in East Liberty. Another of about the same dimensions, designed by Frederick Osterling, used to stand next to it, but was torn down for a one-storey bank, which in turn was abandoned for years and then torn down for a six-storey apartment block with storefronts—East Liberty’s history as a neighborhood epitomized in one lot. The skyscraper apartment buildings designed by Tasso Katselas in the “urban renewal” years are also gone. This one, designed by Daniel Burnham, has Burnham’s usual elegant classicism. In some ways Burnham was one of the most adventurous architects the United States ever produced, but part of the secret to his success was his ability to use the most modern technology to please the most conservative taste.

Now St. Paul Baptist Church. Built in 1887, it was designed by Brooklyn architect Lawrence B. Valk, whose church designs can be found all over the country. (In about 1900, Valk and his son moved to Los Angeles, where they became bungalow specialists but continued turning out the occasional church.)

The tower with its huge open Romanesque arch dominates the intersection of Fifth Avenue and Penn Avenue. After the tower, the most eye-catching thing is the porch, with its even huger arch and its crust of terra-cotta tiles.





The side entrance also gets a big arch, and even the basement door gets a stony arched porch.



Rutan & Russell, both of whom had worked for H. H. Richardson, designed this immense Jacobean pile for steel baron Benjamin Franklin Jones, Jr., son of the Jones of Jones & Laughlin. It was finished in 1910. The terra-cotta company must have made its numbers for the entire year supplying the ornaments for this house, right down to the address over the entrance.


The house now belongs to the Community College of Allegheny County, which keeps the exterior perfect.






Even the downspouts are works of art.



For a century, this section of Penn Avenue was the furniture district, and Spear and Company had one of the largest stores. The building was designed by Charles Bickel, who festooned it with terra cotta in blue and white.

The picture above comes from 1915. The original is at Historic Pittsburgh; Father Pitt has brightened the shadows a little to bring out more detail.




Built in 1914, the Garden was designed by Thomas Scott, who was responsible for a large number of buildings on the North Side and lived within walking distance of this one. Its last years as a theater were a bit disreputable, but it was spared the drastic exterior changes most other theaters suffered. It is now on its way to a new life as an apartment building; and, while we wish it might have been made a reputable theater again, at least the splendid terra-cotta front will be preserved.






Still in use, with modern additions, as Crafton Elementary School, this Jacobean palace was built in 1913. The architect was Press C. Dowler, already well into a career that would last another half-century. His assignment here seems to have been to make up in spectacle for what the little borough’s high school lacked in size, and he came through with the goods, festooning the building with crenellations and terra-cotta ornamentation. But although the decoration may be a bit extravagant, it is done with good taste, making a balanced composition outlined by the sharp contrast between the red brick and the white trim.

The original school had two identical entrances—probably, as was common in those days, one for boys and one for girls.








The decorated cornice of the Horne’s building gleams in late-afternoon sun.
