From a distance, we can see how densely built Dormont is. It’s in the top 1% of municipalities by population density in the United States. Yet the streets never feel crowded or claustrophobic. That pleasant and efficient use of land is the reason why Father Pitt, without any irony, likes to talk about the Dormont Model of Sustainable Development.
In 1889, William Smith Fraser, one of our top architects in those days, supervised a whole long block of fifty elegant stone-fronted houses lining both sides of Dinwiddie Street.1
A majority of the houses disappeared over the years; the street came to look like a battle zone, three-quarters abandoned.
But the wheel turned again. About fifteen years ago, Rothschild Doyno Collaborative designed infill housing and refurbished the Fraser houses. The new houses were built at the same scale and setback as the old, and with some of the same massing; the old houses were refurbished with inexpensive materials that matched the new houses.
It’s still not a rich neighborhood. But it’s a beautiful and welcoming streetscape again, and it’s an inspiring example of how an interrupted streetscape can be made whole. The new houses are definitely of our century, but they belong on the street. Without duplicating the Fraser designs, they make themselves at home in the neighborhood.
In this picture, the houses with stone bays in front are some of the original Fraser houses. Their more colorful neighbors are the “infill” houses.
Source: Philadelphia Real Estate Record and Builders’ Guide, May 29, 1889, p. 246. “The contract for the fifty modern dwellings, previously reported, to be erected on Dinwiddie street by Mr. Lockhart, has been given to Henry Shenck. W. S. Fraser, Seventh street and Penn avenue is the architect. These dwellings will be of brick, with stone fronts, bay windows and porches, and all modern conveniences.” ↩︎
Exchange Way is an ancient alley that has served the backs of buildings on Liberty Avenue and Penn Avenue for two centuries or more. It has never been completely continuous, and a two-block interruption caused the name of the stub of the alley that branched off Cecil Way to be forgotten, so that it was renamed Charette Way when the Pittsburgh Architectural Club opened a clubhouse with its entrance on the alley. But originally that alley was part of Exchange Way, too.
A good alley is a symphony of textures, and some of Father Pitt’s favorite pictures are black-and-white photographs of alleys.
A typical backstreet Bloomfield row of frame houses, showing almost every treatment working-class Pittsburghers can think of to apply to the exterior of an old house.
Like many other streets that appear on the maps of hilly neighborhoods, Milo Street is entirely stairs. Whenever you see a street sign that seems to be pointing off the edge of a cliff, a stairway like this is usually the explanation.