Father Pitt

Tag: Romanesque Architecture

  • Terra-Cotta Head

    This terra-cotta head of a helmeted allegorical figure (the flowing hair suggests femininity, but the armor suggests “don’t mess with me”) is really a first-rate piece of work, which makes it all the more surprising to find it built into the gable of a rowhouse on the South Side. It is the sort of ornament you add to tell your neighbors, “I am slightly more prosperous than you, because I can afford to have this built into my gable.”

    —Old Pa Pitt suspects that this is meant to be a head of Minerva, a Roman goddess you don’t mess with.

    The other decorative details on this house are also fine, though more in a vernacular Victorian Romanesque style. This ornament is in the arch above the middle second-floor window.

  • Ewart Building

    The prolific Charles Bickel designed this well-balanced Romanesque building, two doors up from another one of his Romanesque creations on Liberty Avenue, the Maginn Building. Below we see both of them in context, with, of course, a bus coming toward us, because old Pa Pitt likes to do that.

  • Music Building, University of Pittsburgh

    Built in 1884, this was originally a mansion designed by the prolific and always tasteful firm of Longfellow, Alden & Harlow. It was a gift from his wife to the pastor of the Bellefield Presbyterian Church across the street. It pays to marry a millionaire’s daughter.

  • St. George’s Church, Allentown

    St. George’s was the center of the prosperous German Catholic community in Allentown. It was designed by Herman Lang of the firm of Edmund B. Lang & Brother (presumably Herman was the Brother) and completed in 1912. Its spires dominate the neighborhood, and indeed can be seen for miles from other hilltop sites. But the congregation is gone. It was merged into St. John Vianney parish, and then the St. George worship site was closed in 2016. A preservation society has been trying to keep the building alive, but this is an endangered landmark. (Update: We had linked to the site for the preservation society, but it has vanished from the Web. There may be some activity on Facebook, which old Pa Pitt refuses to join because it would suck the rest of his time down the drain.)


    Map

  • Allegheny City Stables

    The Allegheny City Stables were built in 1896. If you enlarge the photo (click on it), you can just make out the old sign over the main door:

    D.P.W. 8th DIV.
    BUREAU OF HIGHWAYS & SEWERS

    It’s right across North Avenue from Allegheny West, then the richest neighborhood in Allegheny. Perhaps this was one of the encroachments that induced Allegheny West society to move in a body to Sewickley Heights, where their descendants still live today.

    Now, 123 years later, Allegheny West is once again the finest neighborhood on the North Side, and its desirability is spilling across North Avenue. The stable is being renovated and turned into loft apartments, like every other old industrial building.

    (And if you notice a familiar picture at the Wikipedia article, it’s because Father Pitt added it himself to show the current state of the building.)

  • Engine Company No. 3

    This fine old firehouse on Arch Street, a city-designated historic structure, is exactly what you think of when you think of a firehouse. It’s been empty for some time, but its Central Northside neighborhood is growing more and more fashionable among restoration fanatics, and scaffolding inside suggests that the old firehouse will not be empty much longer.


    Map The firehouse is on the southeast corner of Arch Street and Jacksonia Street. Behind it is the aptly named Fireman Way.

  • Emmanuel Episcopal Church, Allegheny West

    This remarkable little church is actually the only National Historic Landmark on the North Side, and it well deserves the honor. H. H. Richardson put a lot of imagination into making a small church something unique. Note especially the decorative brickwork.

    The immense roof proved heavier than even the great Richardson had calculated. The walls of the church bowed outward under the weight very early. Engineers called in to inspect the damage found that the walls had reached a stable position: they would stay that way forever if the congregation didn’t mind. And so they have stayed for more than a century.

  • Old Bell Telephone Building

    This 1890 building was designed by Frederick Osterling, who also gave us the Arrott Building and the Union Trust Building. It now functions as a kind of parasite on the skyscraper Bell Telephone Building next door, but it is still an impressive work of architecture.

  • Holy Spirit Parish, Millvale

    Originally St. Anthony’s, a German Catholic church; it became Holy Spirit in the 1990s parish reorganizations, when St. Anthony was merged with St. Anne. The building was put up in 1914, with substantial alterations after a fire in 1936.

    One of the surreal things about living in a movie-friendly place like Pittsburgh is that one sometimes finds oneself dropped into a fictional dimension. When Father Pitt stopped to take a picture of this church, he found that the building adjacent was not the parish school, but rather the Crockett County Sheriff’s Department; and there was a sign on the wall that connects the church with the school welcoming him to “Blackburg, Kentucky, The Portal to Shay Mountain, where coal mining is our heritage and Wild Boar & Buck legends live on.” So when, in a year or two, you happen to see a movie that takes place in Blackburg, the seat of Crockett County in Kentucky, you will know that the place is actually Millvale, and the illusion will be spoiled. Sorry about that.

    Addendum: The architect was John T. Comès, possibly Pittsburgh’s most prolific architect of Catholic churches.

  • Church of the Assumption, Bellevue

    Camera: Samsung Digimax V4.

    This splendid church was designed by Bellevue’s own Leo A. McMullen, an architect and organist who is almost forgotten today, but whose works were highly regarded in his time. The American Institute of Architects counted him as one of “six architects who shaped Pittsburgh,” according to his obituary in 1963.

    The four evangelists—Mark, Matthew, John, and Luke, in that order—are lined up on the façade, each holding open a book that displays the first words of his Gospel.

    Church of the Assumption
    Camera: Konica Minolta DiMAGE Z3.

    See the whole collection of the Church of the Assumption.