Tag: Romanesque Architecture

  • The Full Expression of Richardson’s Mature Power

    Allegheny County Courthouse

    Henry Hobson Richardson’s design for the Allegheny County Courthouse and Jail, from the book Henry Hobson Richardson and His Works, published shortly after Richardson’s death. The last paragraph of the lengthy description of this work, Richardson’s greatest, is worth quoting.

    “Taken as a whole the design of this vast and complex structure, both inside and out, is a marvel of good sense as well as of architectural beauty. None of the faults which appear in some of Richardson’s other buildings can be found in this. It seems as simply yet completely right in execution as in first conception. We may take the Court-house as Richardson wished it to be taken—as the full expression of his mature power in the direction where it was most at home. Had he not lived to build it his record would still have been a surprising one and would still have entitled him to be called a man of genius in the full meaning of the term. But it would have been an incomplete, a broken record, while now we see the best of which he himself felt capable; and seeing it we believe that no possible problem which a long life might have brought him would have been too difficult for him to solve. It proves that he was more firmly convinced than ever that in the precedents of southern Romanesque he could find his best inspiration, but that he had worked his way to a very different attitude towards them from the one he had first assumed. The Court-house is the most magnificent and imposing of his works, yet it is the most logical and quiet. It is the most sober and severe, yet it is the most original and in one sense the most eclectic. Although all its individual features have been drawn from an early southern style, its silhouette suggests some of the late-mediaeval buildings of the north of Europe, and its symmetry, its dignity and nobility of air, speak of Renaissance ideals. To combine inspirations drawn from such different sources into a novel yet organic whole while expressing a complex plan of the most modern sort—this was indeed to be original. There is no other municipal building like Richardson’s Court-house. It is as new as the needs it meets, as American as the community for which it was built. Yet it might stand without loss of prestige in any city in the world.”

  • St. Augustine, Lawrenceville

    Above, one of the towers of St. Augustine’s in Lower Lawrenceville. Below, a view down 36th Street from Penn Avenue, with the startling forms of St. Augustine’s illuminated by a shaft of sunlight. These pictures were taken in 1999, back when the neighborhood was forgotten and practically invisible to most outsiders.

  • St. Basil’s, Carrick

    St. Basil’s Church, Carrick, Pittsburgh

    Currently part of Holy Apostles parish, St. Basil’s occupies a splendid hilltop site from which its great rose window can be seen for miles. St. Basil himself presides over the façade, imprisoned in a cage that keeps the pigeons out and St. Basil in.


    Map

  • Masonic Hall, Carnegie

    The old Masonic Hall on Main Street in Carnegie.

  • The Morgue

    The Allegheny County Morgue (or Mortuary, when the coroner was feeling fancy) was designed by Frederick Osterling to match Richardson’s courthouse. It was originally built where the County Office Building stands now, and it was moved to make way for that building, inch by inch, while the coroner and staff continued to work inside the crawling building.

  • The Times Building

    Frederick Osterling found a niche for a while making Richardsonian Romanesque buildings in a city that couldn’t get enough of Richardsonian Romanesque once it got a look at Richardson’s courthouse. Osterling attacked the style with more enthusiasm than most, and his works are certainly more than just Richardson knockoffs. The rich detail of the Times Building (1892) is a good example of his work.

    The picture above was put together from ten individual photographs. Considering the narrow street, it is a very accurate rendering of the façade; but old Pa Pitt apologizes for a bit of fuzziness near the top. Below, the two grand arches of the Fourth Avenue entrance, with their wealth of intricate carved detail. [Addendum: The carving was almost certainly by Achille Giammartini, who also worked with Osterling on the Marine Bank and the Bell Telephone Building.]

    The Times Building runs all the way through from Fourth Avenue back to Third Avenue, and the Third Avenue entrance arch is certainly impressive.

  • Romanesque Capital on the Music Building

    The Music Building at the University of Pittsburgh was originally a house designed by Longfellow, Alden & Harlow for the pastor of the Bellefield Presbyterian Church across the street. It has been expanded for institutional use, but with some effort made to keep the expansion in sympathy with the original house.

  • Duquesne Brewery

    In the late 1970s, artists began to take over the vacant Duquesne Brewery. Now (after many battles over ownership) it has been renovated as artists’ lofts and studios.

  • Gargoyle on the Marine Bank Building

    Frederick Osterling designed the small but splendid Marine Bank Building on Smithfield Street at Third Avenue. This gargoyle on the corner is old Pa Pitt’s favorite gargoyle in Pittsburgh.

  • Terra-Cotta Head

    This terra-cotta head of a helmeted allegorical figure (the flowing hair suggests femininity, but the armor suggests “don’t mess with me”) is really a first-rate piece of work, which makes it all the more surprising to find it built into the gable of a rowhouse on the South Side. It is the sort of ornament you add to tell your neighbors, “I am slightly more prosperous than you, because I can afford to have this built into my gable.”

    —Old Pa Pitt suspects that this is meant to be a head of Minerva, a Roman goddess you don’t mess with.

    The other decorative details on this house are also fine, though more in a vernacular Victorian Romanesque style. This ornament is in the arch above the middle second-floor window.