Charles Bickel was quite at home in the Romanesque style, and he prospered in a city that had gone mad for Romanesque after Richardson’s County Courthouse appeared. The Ewart Building was put up in 1892. Old Pa Pitt was attracted to this morning view by the pattern of reflections on Liberty Avenue.
Two fine commercial buildings on Liberty Avenue. The large windows on the second, third, and fourth floors of No. 903 suggest workshops, which generally had the largest possible windows to take advantage of natural light.
Every once in a while old Pa Pitt slips in a picture taken with a cheap phone. This is one of them; he mentions it to point out that, within their limitations (this one demands bright light for acceptably sharp pictures), even cheap phone cameras can produce good pictures. The camera you have with you is always better than the one in the camera bag at home.
Smallman Street in the Strip changes over time, but it keeps its traditional link with the food business. The Strip became the wholesale-food district because the Pennsylvania Railroad unloaded the culinary treasures of the earth here. Today those treasures arrive mostly by truck.
The glory of Smallman Street is the broad plaza from 16th to 21st Streets, leading to St. Stanislaus Kostka, the mother church of Polish Catholicism in Pittsburgh, and one of Frederick Sauer’s most distinguished works.
Half a block deep, four storeys tall, and one room wide—that is the adaptation railroad magnate Harry Darlington made to build a big mansion on a tiny lot. This narrow but substantial Romanesque pile was built in about 1890.
To the left of it is the Holmes house, about which more soon.
Now the Music Building of the University of Pittsburgh, this house (built in 1884) was a gift from his wife to the pastor of the Bellefield Presbyterian Church across the street. It is thus one of the few buildings in Oakland that predate Oakland (along with the tower of the church, which still stands beside a modern office building). It is also a lesson for clergy: if your particular sect permits marriage, it is a good idea to marry an heiress. You can see the advantages. Most pastors’ wives do not give their husbands a mansion designed by Longfellow, Alden & Harlow, and that is because most pastors do not sensibly marry heiresses as they ought to do.
In his earlier career, Frederick Osterling carved out a niche for himself providing Richardsonian Romanesque buildings for people who couldn’t get Richardson (because Richardson was dead). The Allegheny County Courthouse created a mania for the style in Pittsburgh, and Osterling seems to have had all the work he could handle. In this building from 1892, we see the hallmarks of Osterling’s own variation on the style. He was more florid than Richardson, but he was always aware of the overall composition, never allowing the numerous individual details to break up the carefully orchestrated rhythm of the façade.
Below, we see the Times Building in context, with One Oxford Centre looming in the middle distance.
Father Pitt has always had mixed feelings about HDR (“high-dynamic-range”) images. They are made from multiple exposures—this one, for example, is put together from three photographs—in an attempt to capture the detail in both the highlights and the shadows. On the one hand, they always strike him as artificial-looking; on the other, HDR imaging was the only effective way to capture both the stonework and the lowering clouds in this picture. If you look closely, you will notice an artifact of the process: it was a windy day, so the stones are sharp but the trees are blurred.
This is the Penn Avenue gatehouse of Allegheny Cemetery, seen from inside the cemetery. Old Pa Pitt returned two days later to try another HDR image, and this time—with some tweaking of software settings—he managed a more natural-looking result:
If he were at all concerned with his reputation as an artist, he would have led with this picture. But he thought you might enjoy seeing a first attempt and the refinement that followed, in that order.
If you are looking for some atmospheric fun for Halloween, Father Pitt’s Pittsburgh Cemeteries is full of interesting pictures and information.
This building has had some adventures. Originally a typical Pittsburgh Romanesque commercial building, it had a radical renovation of the ground floor at some point in the Art Deco era (early enough that the entrances are still recessed from the sidewalk). Possibly at the same time, but probably later, the second and third floors were very inexpertly done over in an aggressively modernist style: the ornaments removed, the original tall windows replaced with much smaller windows, and the remaining space bricked up. Only the top remains more or less unaltered, though its ironwork date could use a bit of restoration, and the ironwork initials have left only their shadows.
Carnegie is full of impressive churches in a wide variety of styles. This one is in a heavy Romanesque style, and the bell tower (now festooned with loudspeakers) is appropriately impressive and weighty.
Addendum: The architect was James N. Campbell; the building was probably put up in about 1893. Source: Philadelphia Real Estate Record and Builders’ Guide, September 7, 1892: “J. N. Campbell has prepared the plans for a new Methodist Church to be erected at Mansfield, Pa., at a cost of about $30,000. The pastor is Rev. G. T. Reynolds.” (Carnegie was formed from the two boroughs of Mansfield and Chartiers.)
This old Romanesque church is beautifully kept up as the Attawheed Islamic Center, occupying one of the most prominent corners in the borough of Carnegie. Though the architecture is Romanesque, the tower and steeple seem uncharacteristically light for the style; old Pa Pitt always comes away with the impression that this is a Gothic building, and only seeing the rounded arches in the photograph corrects his faulty memory.
