Charles Bickel designed this Romanesque industrial building with considerable inspiration from H. H. Richardson’s Marshall Field’s Wholesale Store in Chicago, which set the pattern for Romanesque industrial buildings for a generation. Bickel’s design is simpler, and by placing the arches at the top he makes the building feel taller (in fact it is shorter by one storey than Richardson’s building was).
The Reymer Brothers were in the candy business, but Pittsburghers remember them best for Reymers’ Blennd, or Lemon Blennd, the deliberately misspelled lemon-and-orange-flavored drink that cooled off generations of children in the summer. The Reymers’ Blennd brand was picked up by Heinz at some point; It seems to have vanished just this year with the demise of its last owner, Byrnes & Kiefer. It is certainly fondly remembered. Here is what claims to be the World’s #1 Lemon Blennd Site, and there are others if you go looking.
The Schenley Farms section of Oakland was crusty with clubs a century ago, but few were as influential as this one.
Charles Bickel designed this elegant clubhouse for a Jewish gentlemen’s club made up mostly of members of the Rodef Shalom congregation. To call it a gentlemen’s club brings up images of well-dressed men sitting inert with newspapers in their hands, but these gentlemen were far from inert. These were gentlemen who got things done. This club was the incubator of Reform Judaism; it was at the club (when it lived on the North Side) that the Pittsburgh Platform was signed.
This clubhouse was built in 1913, and the club continued to use it for almost a century. It finally fell to the same forces that evicted most of the other clubs in this section: declining membership in our antisocial age, and the bottomless well of money that the University of Pittsburgh can draw on. It was sold to Pitt in 2009, and is now known as the O’Hara Student Center.
St. Canice is an unusual Romanesque church that closed in 2005. Since then it has sat vacant. It was sold to Lion of Judah Church in 2012, but it seems nothing came of the plans to refurbish the building, and as it ages it will only get more expensive to refurbish. Churches are hard to find alternate uses for, and Knoxville is not a neighborhood where trendy loft apartments—the only consistently profitable use Pittsburghers have found for old church buildings—would sell. This is an endangered landmark.
It took eleven separate photographs to make this composite of the Orchard Place front of the church. Except for the inevitable distortion of the tower, this is a very close approximation of the way the architects imagined these buildings. The main Romanesque church was built in 1894, according to this city architectural inventory (PDF); the Gothic chapel additions were built in 1928 and 1932.
Like many Catholic churches in Pittsburgh, St. Canice was not just a church: it was a whole village, forming the heart of a community. There was a school, and a convent for the sisters who taught for the school, and a rectory for the priests who served in the church. The tragedy of decaying communities like this is that, at a certain point, it becomes too expensive to maintain the church; but, once the heart is ripped out, the decay is immeasurably accelerated.
The rectory and convent are in good shape.
The rectory, built in 1928. Addendum: The rectory was designed by William P. Hutchins.
The convent, built in 1913 with additions in 1930. Addendum: The original 1913 convent was designed by A. F. Link.1
The school, on the other hand, is half-swallowed by jungle. It was repurposed as Hilltop Catholic High School for a while, and more modern buildings (from 1960) are behind this entrance; but the school has been abandoned for years, and will eventually have to be demolished. It was bought by a Baptist church at the same time St. Canice Church was bought by Lion of Judah, but the church seems not to have been able to do anything with the buildings.
Source: The Construction Record, September 13, 1913: “Architect A. F. Link, 407 N. Craig street is taking bids on erecting a two-story brick convent on Knox avenue and Orchard street, Knoxville, for St. Canice’s Roman Catholic Congregation.” ↩︎
This started out as a fine Romanesque design for an industrial building; it sprouted more and more haphazard additions, and became something more like a European castle with its layers of contradictory history. Today, after an adventurous history of abandonment and adaptation, it is called “The Brew House” and is filled with lofts and artists’ studios.
Few of these black stone buildings are left, but in some of the less prosperous neighborhoods we can still find uncleaned stones. Knoxville is a particularly interesting neighborhood from the point of view of the urban archaeologist: it was prosperous and now is not, so it retains some splendid buildings in their original state, many of them sadly abandoned and decaying. This church, marked “1st Meth. Prot. Ch.” on a 1916 map, is still in use as a nondenominational church, and old Pa Pitt very selfishly hopes that the congregation always sits at that middle point where it has enough money to keep the doors open and not enough to clean the black stones.
Built in 1907 (or 1911, depending on our source), this central section has not changed much except for the new windows too small for the openings. The architect was John T. Comès, famous for Romanesque churches like St. Augustine’s in Lawrenceville and St. Leo’s in Marshall-Shadeland. Here he gave the Sisters of St. Joseph a kind of Mediterranean Romanesque tower with a billboard on top. It was later encrusted with featureless modern buildings all around it, and the whole complex is now retirement apartments under the name “Carson Towers.”
This PDF has a picture of the original building. The caption that says “The sculpture over the front door is the only part of the original facade still visible on the building that is now Carson Towers” is obviously wrong; as even a quick glance will show us, almost nothing except the windows and the cornice (cornices often go missing, and somewhere there must be a huge cornice graveyard) has changed about this façade.
This was built in 1896 as the First United Presbyterian Church; the architect was William Boyd, who gave the congregation the most fashionably Richardsonian interpretation of Romanesque he could manage. It was more or less in competition with the original Bellefield Presbyterian, of which only the tower now remains. But in 1967 the two congregations merged. They kept this building, renamed it Bellefield Presbyterian, and abandoned the old Bellefield Presbyterian up the street, which was later demolished for an office block.
This was the home of one of the founders of the famous Boggs & Buhl department store, which lasted until 1958. A few years after Father Pitt took this picture, this grand house was grandly restored and opened as “The Inn on the Mexican War Streets.” Before the restoration, it had been the parsonage of Trinity Lutheran Church next door, creating a curious spectacle of a parsonage considerably grander than its squat little modern church. But the house needed more maintenance than the church could afford: in fact the new owners spent more than a million dollars fixing the place up.
If you look at this picture, you may have a vague impression that something is missing from this house; but unless you are in the architecture business it might take you ages to guess what it is. There are no gutters and no downspouts. It seems that Mr. Boggs had a thing about gutters. Instead, there is a remarkable internal drainage system that, when it works, carries runoff through the walls, and, when it is broken, pours runoff in a burbling cascade down the grand staircase. That is one of the reasons it took a million dollars to restore this house.
Addendum: The architects were Longfellow, Alden & Harlow; the house was built in 1888.
In 1888 the Allegheny County Courthouse was finished, and by then its influence in Pittsburgh had already been profound. H. H. Richardson predicted, correctly, that it would be his most famous work; he died in 1886 without seeing it completed, when the mania for “Richardsonian Romanesque” in Pittsburgh was only beginning. Fortunately several competent Romanesque architects were available to supply the buildings Richardson could no longer provide.
Frank E. Alden was the Alden of Longfellow, Alden, and Harlow. Longfellow himself had trained with Richardson, and his firm was regarded as the successor to Richardson’s. Here Alden fills a very unpromising lot with a romantically Romanesque pile, built in 1888 while the last stones were still falling into place in the courthouse.
The church is vacant at the moment; it would make a fine studio for some prosperous artist.
Connoisseurs of Victorian lettering will be delighted by the inscriptions.
Now the Jerusalem Baptist Church, this church was built in 1864, according to the inscription on the front. The Pittsburgh History and Landmarks Foundation identifies the architects as Dahner and Dear.
It is not possible to get a straightforward picture of this inscription without intrusive utility cables. Old Pa Pitt resorted to taking three different pictures from slightly different angles and welding them together, which was probably more work than it was worth. But here is a complete picture of the German inscription, and if drivers on Steuben Street were confused by the sight of a gentleman in eighteenth-century garb lying on the sidewalk pointing a long lens across the street, at least they had something to tell their families when they got home. “Deutsche Vereinigte Evangelische Kirche” is German for “German United Evangelical Church.”
As with many Pittsburgh buildings, the question “How tall is it?” cannot be answered without a paragraph of disquisition on topography. The precipitous Belgian-block street along this side of the church is Sanctus Street.
How should we describe the style of this church? The rounded arches might say Romanesque or classical, although a presentable Gothic building could be made simply by swapping them for pointed arches. We’ll call it classically Victorian.
