Carrick became a borough in 1904, and for this little all-in-one borough building hired the big-deal architect Edward Stotz.1 It must have created an impression of prosperity when it was built in 1905, and it still looks solid and respectable today, one year short of a century after the people of Carrick voted for the borough to be annexed by the city of Pittsburgh in 1926. It has been converted into a retail store, and the huge second-floor window makes an excellent display for the current tenant.
The building originally had an elaborate baroque crest that has been shorn off. We can see it in this picture, where the municipal building appears behind the Carrick Hotel:
Longfellow, Alden & Harlow were the architects of this elegant little building in a simplified Renaissance style, which was finished in 1895. It does its best to convince us that the men who run the foundry are civilized people, in spite of the soot that surrounds them. The larger shop building behind it, built in 1901, was designed by Alden & Harlow, after the firm had decided to divide up the work, with Longfellow remaining in Boston and Alden & Harlow taking all the Pittsburgh jobs.
These buildings sat derelict and open to the weather for years, but have been cleaned up and put back together very neatly.
Rutan & Russell were the architects of this Renaissance palace, which opened in 1905. It’s also known as the Oppenheimer Building, and today as Aria Cultural District Lofts.
You can still see the sign for the Gerber Carriage Co. at the top of the building.
“Penn avenue always has been and seems to continue to be the Mecca of furniture houses,” wrote George Esterhammer in the Pittsburg Press in 1905,1 and indeed Penn Avenue between Ninth and Tenth was lined with huge furniture dealers on both sides for more than a century. (See Spear and Company, for example.) Mr. Esterhammer was the architect of this building, which was designed to the latest fireproof standards, including a 10,000-gallon tank on the roof and sprinklers throughout.
“The fireproof floors will be covered with narrow white maple,” Mr. Esterhammer continued, “thus allowing to display to better advantage the beauty of carpets and rugs. The front on Penn Avenue will be of plate glass, Cleveland sandstone, buff brick and ornamental fire flashed terra cotta. The main entrance and the stories above are a special feature, highly ornamented and will, in the opinion of the writer, be striking and attractive.”
The architect’s elevation was published with the article, so we can compare the building as designed to the building as it stands now. The crest has been lost, but other alterations have been minimal. The ground floor has been sensitively updated for a restaurant and storefront, but overall the building makes very much the same impression it must have made when it was new. “Altogether,” said Mr. Esterhammer, “Mr. Wildberg’s new building will lift up its head proud among its neighbors,” and it still does.
“Penn Avenue Improvement,” Pittsburg Press, June 18, 1905. The name is spelled “Easterhammer” above the article, but “Esterhammer” in the illustration caption and in other construction listings we have seen. He was a member of the Deutsch-Amerikanischen Techniker-Verband, and in their membership listings his first name is spelled “Georg.” ↩︎
A North Side landmark for just about a century now, the Allegheny YMCA on North Avenue was designed by R. Maurice Trimble and built in 1926. It did not hide its light under a bushel: the letters YMCA are picked out in light bulbs at the top of the North Avenue façade.
Charles Bickel was the architect of this factory and warehouse, which, like many industrial buildings of the time, takes its inspiration from the Marshall Field’s Wholesale Store by H. H. Richardson. Bickel, however, added his own sensibilities, and made it an impressive and distinctive building. It is on the National Register of Historic Places.
Built in 1906, this was the main building of Presbyterian Hospital until it moved to vastly larger facilities in Oakland in the 1930s. The building was later part of Providence Hospital, and now is used for offices.
Since we were looking at department-store warehouses a week ago, here is another one. This one was built in 1901 for Kaufmann’s department store, and as a work of architecture it is the most pleasing of the department-store warehouses we’ve seen. It is on the National Register of Historic Places, with the architect listed as D. H. Crisman; but old Pa Pitt, with all due deference to the experts, thinks that attribution is a mistake.1 Crisman was probably the contractor. He is listed in a 1900 city directory as a carpenter, and in 1902 we find him hiring an architect to design an apartment building, strongly suggesting that he was not an architect himself.
If Father Pitt had to make a guess, he would guess that Charles Bickel was the architect. Bickel designed the store for the Kaufmanns downtown, so he would be an obvious choice. He was also our most prolific producer of warehouses, so he is the safest bet. The style of the building is similar to that of Bickel’s colossal Pittsburgh Terminal Warehouse & Transfer Company on the South Side.
The architect gave the bricklayers a workout. The bricklayers were up to the challenge.
The attribution is probably based on a listing like this one in the Philadelphia Real Estate Record and Builders’ Guide for May 29, 1901: “D. H. Crissman [sic], 727 Filbert street, has taken out a permit for the erection of a four story brick warehouse for Kaufman [sic] Bros., Fifth avenue and Smithfield street. The cost will be about $300,000.” The listing leaves it ambiguous whether Crisman/Crissman is the architect or the contractor. ↩︎
This building seems to date from before the Civil War, possibly the 1850s. It was designed in the very free interpretation of Italian Renaissance that was popular at the time; later architects would have studied their historical precedents more closely, and later architects than those would have repudiated historical precedent altogether.
The building originally belonged to the Fulton Bell Foundry, which made bells for decades in downtown Pittsburgh. It’s a remnant of Victorian Second Avenue. All the remnants of Second Avenue downtown are on the south side of the Boulevard of the Allies; the street was widened in the 1920s by tearing out the buildings on the north side.
The well-preserved carved stone lintels have been lovingly cleaned.
