Father Pitt

Tag: Queen Anne Architecture

St. Richard’s School and Church, Hill District

St. Richard’s parish was founded in 1894 and immediately put up a temporary frame church. Two years later, a rectory—obviously meant to be permanent—was designed by J. A. Jacobs in a restrained version of the Queen Anne style.

In 1907, the parish started building a school, which would also have temporary facilities on the ground floor for the church until a new church building could be built. It was partly financed by “euchre and dance” nights.

Father Pitt has not yet succeeded in finding the name of the architect, but he has found a lot of newspaper announcements of euchre and dance nights.

The permanent church was not yet built in 1915 when this convent, designed by Albert F. Link, was put up. Although the second-floor windows have been filled in with much smaller windows, and the art glass has been replaced with glass block, the proportions of the building are still very pleasing.

We note a pair of stained-glass windows in one of the filled-in spaces on the second floor. If Father Pitt had to guess, he would guess that they came from one of the central windows that are now filled in with glass block.

Fujifilm FinePix HS10; Canon PowerShot SX150 IS.

It turns out that the permanent church was never built. The dwindling congregation continued to meet for Mass on the ground floor of the school until the parish was suppressed in 1977. The school became St. Benedict the Moor School, and the ground floor was finally converted into the classrooms it had been designed for. Later the school moved to larger facilities at the former Watt Public School, but the parish kept up the old building as an events center.

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April 27, 2025
A Bunch of Houses on Thomas Boulevard, North Point Breeze

A while ago, Father Pitt took a walk on Thomas Boulevard in the light rain, so don’t be surprised to see raindrops in some of these pictures. Thomas Boulevard, like McPherson Boulevard, has an eclectic mixture of housing from duplexes through Shingle-style mansions to medium-sized apartment buildings. Today we’re concentrating on the houses, some of which are magnificent. Above, a Shingle-style house with all its shingles in place.

If you ever asked yourself how much difference materials really make in the appearance of a house, compare this Shingle-style house, where the shingles have been replaced with fake siding and paste-on shutters, to the one above.

A typical Pittsburgh Renaissance palace that has turned into an apartment building.

A house with Queen Anne outlines that has been modernized with reasonably good taste.

This frame house was in deplorable condition before it was updated and made to look like a product of the twenty-first century. You can look on Google Street View to see the specific meaning old Pa Pitt assigns to “deplorable.” With an unlimited budget, Father Pitt would prefer to restore a house like this to its original design. With a limited budget, this was a good result.

This turret with house attached needs some rescuing. It has what the real-estate people call good bones, and that turret ought to be attractive to a well-off eccentric now that the neighborhood is on the upswing.

A big center-hall house that is now solar-powered.

A stony foursquare with Queen Anne details. It has lost its porch, but the third floor retains fine original woodwork and windows.

A center-hall colonial from early in the Colonial Revival, when Georgian was filtered through a late-Victorian lens.

This is a variation on the same plan as the previous house, which is right next to it; they were probably built at the same time and designed by the same hand. The porch has been replaced with a modern construction that does not quite fit, but the house looks much better with this porch than it would look with no porch at all.

This towering center-hall manse makes spectacular use of Kittanning brick in Frederick Sauer’s favorite color. The beefiness of it, along with the well-balanced selection of picturesque details, makes us think that Sauer is a good suspect for the architect.

This house grew a large balcony when it was turned into a duplex.

A big square house with typical Queen Anne details, especially the little balcony and the curved surfaces covered with shingles.

Fujifilm FinePix HS10; Samsung Galaxy A15 5G.

This is a typical Pittsburgh Foursquare, but with an oversized dormer that gives it a good bit of extra space on the third floor.

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April 12, 2025
A Stroll on McPherson Boulevard, North Point Breeze

North Point Breeze is an eclectic mixture of every kind of housing from Queen Anne mansions to duplexes to medium-sized apartment buildings. A walk on just one block of McPherson Boulevard passes a jumbled assortment of styles. Since the neighborhood has not been rich in the past few decades, many of the buildings preserve details that would have been lost if their owners had been wealthier.

We begin with a Shingle Style house that has lost its shingles but retains its angular projections and low-sloped roof.

A narrow stone-fronted Queen Anne house with a square turret. For some reason the stone has been painted white. The porch pediment preserves some elaborate woodwork.

A brick house laid out like a narrow Pittsburgh Foursquare; its outstanding feature is the round oriel on the second floor.

Here is a simple but large Pittsburgh Foursquare. Many of its distinctive details have been lost, but the round bay in the dining room must be very pleasant from the inside.

An older foursquare with original shingles and elaborate woodwork.

A double house, probably from the 1920s, that keeps its Mediterranean-style tiled roof.

A small apartment building.

A matched set of duplexes with Mission-style tiled overhangs.

Fujifilm FinePix HS10; Samsung Galaxy A15 5G.

Finally, a double duplex that must have looked up to date when it was built. It probably had a tiled overhang along the roofline above the second-floor windows.

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April 2, 2025
Row of Houses on Charles Street, Knoxville

This row of houses is typical of Knoxville, which was an independent borough until 1927. Much of the borough was built up in batches by the Knoxville Land Improvement Company, which often laid down rows of nearly identical houses. They tend to become a little less identical as the decades wear on. These houses were probably built in about 1900 or so in a style we might call Queen Anne Lite. The porch roof and splaying wooden columns on the house below probably show us what all the other houses looked like before their porches were repaired or replaced.

Nikon COOLPIX P100.

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March 27, 2025
The Late Shady Avenue Cumberland Presbyterian Church

Exactly two years ago today, Father Pitt paid a visit to this unique church, one of the most imaginative works of architect Thomas Cox McKee. At the time, he had no idea the church would be demolished a few months later, or he would have documented it more carefully. Looking back on the pictures he published then, old Pa Pitt decided they were lousy, not to mince words. As a memorial to the vanished building, he decided to go back to the original images and see if he could make better pictures out of them. Two years from now, Father Pitt will look back at these pictures and think they were lousy and he could do better, but the delight of a life of constant learning is seeing incremental improvement.

To put the pictures in context, we reprint the text of the article we published two years ago:

Now known as Shady Avenue Christian Assembly, after having spent many years as Shady Avenue Presbyterian Church (without the “Cumberland”).

Just down the street from the huge and spectacular Calvary Episcopal and Sacred Heart Catholic churches, each the size of many a cathedral, this 1889 church is likely to pass unnoticed. Once you do notice it, though, you will not stop noticing it. It is a bravura performance in a sort of Queen Anne Romanesque style by a Victorian architect who was about 22 years old at the time, and who was not afraid to pull out all the stops and stomp on the pedals for all he was worth. An entire issue of the East Ender, the East End Historical Society’s newsletter, was devoted to the architect, T. C. McKee (PDF), and we take all our information from Justin P. Greenawalt with profound gratitude for his research.

Thomas Cox McKee (usually known as T. C. McKee) was apprenticed to architect James W. Drum. But in 1886, when young McKee was still only 20, his master was run over by a freight train. Instead of looking for another apprentice position, McKee went out on his own and seems to have been successful right away. He later built a comfortable practice designing homes for the wealthy and small to medium-sized commercial buildings, along with at least one prominent school (the Belmar School in Homewood, still standing). Then, in 1910, he threw it all away and went to Cleveland, where he took odd jobs until he settled down as a designer of soda fountains. No one seems to know what happened, although Mr. Greenawalt’s article hints that it might have had something to do with McKee’s constitutional extravagance.

That extravagance comes through in every detail of this building. In the age of modernism, this sort of thing was dismissed as a bunch of Victorian noise, but the masses are balanced to form interesting compositions from every angle.

The much more conventional 1911 addition (although even it is a little bit fantastical) was designed by Rodgers & Minnis. Below we see it across the pile of dirt that used to be Shady Hill Center until the property became too valuable to host a suburban-style strip mall.

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March 23, 2025
More Houses on North Avenue in the Mexican War Streets

A couple of blocks of North Avenue, where we can see some fine Italianate houses of the Civil War era, interspersed with some towering Queen Anne mansions. We start at the corner of Palo Alto Street, where a Queen Anne house makes the most of a tiny lot by going up to a fourth floor.

These two houses share splendid porches, probably added later, since the porches match even though the houses do not. The owners of the houses have coordinated their efforts, so that the porches match.

Three more modest houses, though their full third floors give them a generous allotment of bedrooms.

A pair of houses that were both the peak of elegance in different eras. The Italianate one on the right goes for a simpler dignity; the Queen Anne on the left pulls out all the stops to make the most picturesque composition possible. Note the relative heights, by the way: high ceilings were a feature of the Italianate style in better houses, so that the house at left adds one more floor in exactly the same vertical height.

Seventeen years ago, Father Pitt published a picture of the front door of the house on the right. The picture was taken on 120 film with a folding Agfa Isolette.

Two simple and attractive Italianate houses, one of which has grown a partial fourth floor.

Here is an interesting document of how the neighborhood has changed. The house at left was originally an Italianate residence; the corner store may have been original or may have been added later. The projecting commercial building next to it, which probably dates from about 1920, was added when the house was taken over by the United States Casket Company, later the Melia Casket Company, which still inhabited the building until about twelve years ago. Both buildings have had a thorough renovation since the casket-makers moved out.

Two different interpretations of Italianate, one of which has sprouted an inartistic dormer to give it a fourth floor.

Finally, a center-hall house in a kind of late Greek Revival style; it occupies a double lot.

Sony Alpha 3000; Kodak EasyShare Z981.

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February 8, 2025
Queen Anne Manse in Knoxville

Canon PowerShot SX150 IS.

Much of the detail on this fine old house is well preserved, including the half-octagon dormer, the oval art-glass window, the wraparound porch (partly enclosed by an improvised screen), and one of the finest displays of aluminum awning old Pa Pitt has ever seen.

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February 7, 2025
Some Houses on North Avenue on the North Side

An assortment of styles from a block and a half of North Avenue facing the Commons in old Allegheny. These houses are now included in the Mexican War Streets Historic District. First, a tall and narrow Queen Anne house built in the 1880s.

This Queen Anne has a larger lot and thus more room to spread out and grow picturesque projections.

These three houses probably go back to the Civil War era; they are typical of the larger sort of houses that grew all over Pittsburgh from the beginning until the middle 1800s, when more elaborate styles came into fashion.

It is not easy to guess the age of these little houses. Old Pa Pitt’s best speculation, judging from old maps, is that they also go back to the Civil War era, but had their fronts modernized at some time around 1900. The one on the left may have had its front replaced more than once before it finally ended up with this Craftsman-style stucco treatment.

Finally, another house from the 1880s, this one with particularly elaborate woodwork.

Kodak EasyShare Z1285; Fujifilm FinePix HS10.

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January 27, 2025
Queen Anne Mansion in Manchester

Isaac Wertheimer, who made his money in the distilling business, had this house built in 1892. The late Carol Peterson wrote a detailed history of the house (PDF), though she did not find the name of the architect. Whoever it was created a romantic composition in the up-to-date Queen Anne style, with the peculiarity that the house appears from the front to be a good bit smaller than it actually is. A view of the side reveals three and a half floors of picturesque angles and projections.

Canon PowerShot SX150 IS.

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January 23, 2025
Queen Anne Meets Second Empire in Manchester

Queen Anne is an expansive style, with turrets and bays and oriels and all kinds of picturesque projections this way and that. When Queen Anne is compressed to the dimensions of a rowhouse, it takes on some of the vocabulary of the Second Empire style, in particular the full third floor under a mansard roof, but adds the irregularity we expect from Queen Anne, with its asymmetry and, of course, its turrets. These two houses on North Avenue are splendidly preserved examples of the collision of the two styles.

Canon PowerShot SX150IS; Nikon COOPLPIX P100; Kodak EasyShare Z1285.

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January 13, 2025