Now the Church of God, this is a modest church in an abstract version of Perpendicular Gothic, with castle-like battlemented towers fore and aft. The stained glass has been removed, possibly because it was too decrepit to restore, or possibly to satisfy the iconoclastic tendencies of American Evangelicalism.
Albert Spahr of MacClure & Spahr designed the chapel, the administration building, and the gatehouse for the Homewood Cemetery in a Perpendicular Gothic style. (Mr. MacClure had already died, but his name remained at the head of the firm.) The effect is to make us think of our ideal image of an English village.
The doors have impressive iron hinges and pulls.
Here is an extraordinarily rare thing: a tower clock that is keeping accurate time.
The administration building.
The gatehouse appears to have been expanded by a third on the right; the seam is only just visible in the front, but much more obvious in the rear.
Cameras: Sony Alpha 3000 with 7Artisans f/1.4 35mm lens; Canon PowerShot SX150 IS.
This is a fine building in a good neighborhood, and you could buy it right now and move in. You might have to spend another million or so fixing it up, but the structure is sound and the interior of the sanctuary, from what we can see on that real-estate site, is intact in the most important details. It does need work, but the best parts of the interior are still there. If you are a congregation looking for a sanctuary, you can put your teenage members to work. That’s why you have youth groups, after all.
The church was built in 1915; the architect was Thomas Hannah, a big deal in Pittsburgh architecture. Comparing the church today to an old postcard, we can see that nothing has changed on the outside.
Well, one thing has changed. The church accumulated decades of industrial grime, turning it into one of our splendid black-stone churches, and the blackness, though fading, has not been cleaned off. Father Pitt hopes the church will pass into the hands of someone who appreciates it in its current sooty grandeur.
The other thing that is different is the long-gone building behind the church in the postcard. It was almost certainly the older sanctuary, probably kept standing as a social hall. It has been gone for years now.
The style of the church is what we might call Picksburgh Perpendicular, the common adaptation of Perpendicular Gothic to the more squarish auditorium-like form of Protestant churches that emphasized preaching over liturgy. Old Pa Pitt will admit that he does not like the stubby secondary tower on the left. It is probably very useful in providing space for a stairwell, but the two towers are too widely separated, as if they are not on speaking terms. The emphatic corner tower is the star of the show, and the other tower seems to be making an ineffectual attempt to upstage it. In spite of that quibble, though, this is a beautiful building that deserves appreciative owners.
Built in about 1930, this rich stone Perpendicular Gothic church was designed by J. L. Beatty.
A typical corner-tower church in an adapted version of the Perpendicular Gothic style.
This church sits right across the line from Bellevue in Avalon, but it is often listed as the Church of the Epiphany of Bellevue. It was built in 1912–1913, and the architects were Vrydaugh and Wolfe, who also designed Warwick House and (as Vrydaugh and Shepherd with T. B. Wolfe) Calvary Methodist in Allegheny West. This is one of our increasingly rare black-stone churches; every stone church in Pittsburgh used to look like this.
Though it is no longer active as a church, everything but the sign seems well kept and loved.
Addendum: Just this month (August 2023), this building was awarded a plaque by the Pittsburgh History and Landmarks Foundation.
Designed by Bertram Goodhue in the Perpendicular Gothic style, this church emphasizes verticality. We also have pictures of the interior of First Baptist.
Architect William P. Hutchins certainly made the most of the site. He had a hillside location, a prominent intersection, and a lot of space to work with, so he oriented the building diagonally and gave the church a west front (liturgically speaking) that hits us with an outsized magnificence as we come up California Avenue. The church was built in 1927; the style is Perpendicular Gothic, and already shows some signs of the streamlining that would mark Hutchins’ later works. (To see how far he would take that streamlining, have a look at Resurrection Church in Brookline, one of Hutchins’ last churches.)
Shields in relief over the three main doors honor important saints with their symbolic attributes.
The cornerstone. The Latin inscription says, “This is the house of God and the gate of heaven.”
Old Pa Pitt noticed that Wikimedia Commons had no current pictures of landmarks in the very pleasant neighborhood of Brighton Heights, except for a few pictures of the Sacrifice monument, most of them taken by Father Pitt. That lacuna has now been filled, and we will be seeing many of the pictures in the next couple of weeks.
