
The Hall of Sculpture in the Carnegie (as seen by the ultra-wide auxiliary camera on old Pa Pitt’s phone, so don’t expect too much if you enlarge the picture), designed in imitation of the interior of the Parthenon.
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The Hall of Sculpture in the Carnegie (as seen by the ultra-wide auxiliary camera on old Pa Pitt’s phone, so don’t expect too much if you enlarge the picture), designed in imitation of the interior of the Parthenon.

The vestibule at the original entrance to the Carnegie Institute building, seldom used now because visitors come in through the modernist Scaife Galleries addition. This picture was taken hand-held in dim light with the ultra-wide auxiliary camera on old Pa Pitt’s phone, so please forgive its obvious flaws.

A rainy November afternoon is the perfect time to spend an hour or two in the art museum. Here are a few of the things you might see if you visited the Carnegie right now.

Aurora Leigh, by John White Alexander, 1904: an imaginative portrait of the heroine of Elizabeth Barrett Browning’s verse novel. Alexander’s last and greatest work was the decoration of the Grand Staircase in the Carnegie, so you’ll have a chance to see those murals, too.

Sunrise Synchromy in Violet, by Stanton Macdonald-Wright, 1918.

Rue de L’Abreuvoir, by Maurice Utrillo, 1911.

Harbor Mole, by Lionel Feininger, 1923.

Rue de Beaujour, Pontoise, by Camille Pissarro, 1872.

The building was designed by Longfellow, Alden & Harlow; the murals were painted by John White Alexander.



The Carnegie Science Center was designed by Tasso Katselas, and in Father Pitt’s opinion the design worked very well for its intended purposes. It had to be flexible enough to house many different kinds of exhibitions. It had to look sciencey. Most important, it had to enthrall children. It does all those things. Old Pa Pitt would never pick this as the most beautiful building on the North Side, but it has been a favorite destination for a generation of Pittsburgh children, many of whom have actually walked out better educated than they were when they walked in.

One of the cluster of Gothic buildings by Charles Z. Klauder at the heart of the University of Pittsburgh, this looks like the baptistery for the Cathedral of Learning. It houses a museum of Stephen Foster, two theaters, and the Ethelbert Nevin Collection. There was a time when Ethelbert Nevin might have got a museum of his own, but he missed his chance, and now he is an appendix to Stephen Foster.




Galileo.
In honor of the 125th anniversary of the Carnegie Institute, the Noble Quartet—science, art, music, and literature, as represented by four of their most famous exponents—were gaily bedecked with floral wreaths. It’s a good look for them. The statues are by J. Massey Rhind, one of Andrew Carnegie’s favorite artists.

Michelangelo.

Bach.

Shakespeare.