Though the Manor has long been subdivided into four small theaters, part of the original ceiling remains in the lobby, and this chandelier, according to staff at the theater, is an exact replica of the original.
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Chandelier in the Manor Theatre, Squirrel Hill
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Mellon Bank, Squirrel Hill
One of several round banks Mellon Bank built in the modernist era. It is still a bank, now belonging to Citizens Bank, Mellon’s successor in retail banking.
Canon PowerShot A540. We also have a less abstract picture of the whole building.
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Telephone Exchange, Squirrel Hill
A particularly grand example of the Renaissance-palace school of telephone exchanges. Father Pitt believes that all our Renaissance-palace telephone exchanges were probably done by the same architect, and some day he hopes to find out who it was.
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Born Building, Squirrel Hill
This Art Deco block of small storefronts and offices on Murray Avenue is in a prosperous district, but the concrete details are decaying, and many have disappeared. The optometrist at the left end, the central entrance to the upstairs offices, and the tailor shop right of center preserve what was probably the decorative pattern of all the storefronts when this building was put up.
This is meant to be the central ornamental focus of the building, but it has been shedding bits and pieces.
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Round Bank in Squirrel Hill
From the “form follows function” era of the middle twentieth century comes this round bank. Round is probably the most impractical and anti-functional shape you could come up with for a bank, but modernism sacrificed function for a striking effect much more often than Victorian classicism did. This was built in 1965 for Mellon Bank. It now belongs to Citizens Bank, which bought Mellon’s retail branches when Mellon merged with Bank of New York and decided not to deal with grubby working-class people anymore.
