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Father Pitt knows nothing about this building besides what you see here. It was probably a striking Moderne design when it went up in 1943; paint has obscured the patterned brickwork and different materials.



We have seen many answers to the question of how to make a cheap row of small houses attractive. This streamlined terrace is certainly one of the more interesting answers. It would have been even more striking with the original windows and doors and without the aluminum awnings.
The Modern Cafe is a startling outbreak of almost cartoonish modernism in Allegheny West, as if the owners had decided on a name for the place first and then designed a building to go with the name. Its neon sign is one of our chief cultural treasures.
On Florida Avenue, a street that runs behind the Uptown business district in Mount Lebanon, two apartment buildings in a toned-down version of Moderne streamlining face each other. The most striking feature of number 666 is the stairwell set into a tall groove with a two-floor window of glass blocks.
The decorative brickwork at the corners suggests quoins, but in a modernistic manner.
Across the street is a pair of identical buildings with less streamlining and no abstract quoins.
Both buildings would probably have had windows with more character when they were new.
A streamlined industrial building on North Avenue. We suspect that the part now filled in with red diamonds may have originally been a storefront or showroom for the business.