Tag: Link (A. F.)

  • St. Richard’s School and Church, Hill District

    St. Richard’s School

    St. Richard’s parish was founded in 1894 and immediately put up a temporary frame church. Two years later, a rectory—obviously meant to be permanent—was designed by J. A. Jacobs in a restrained version of the Queen Anne style.

    Rectory

    In 1907, the parish started building a school, which would also have temporary facilities on the ground floor for the church until a new church building could be built. It was partly financed by “euchre and dance” nights.

    St. Richard’s school and church

    Father Pitt has not yet succeeded in finding the name of the architect, but he has found a lot of newspaper announcements of euchre and dance nights.

    Convent

    The permanent church was not yet built in 1915 when this convent, designed by Albert F. Link, was put up. Although the second-floor windows have been filled in with much smaller windows, and the art glass has been replaced with glass block, the proportions of the building are still very pleasing.

    Third-floor decorations
    Front of the convent

    We note a pair of stained-glass windows in one of the filled-in spaces on the second floor. If Father Pitt had to guess, he would guess that they came from one of the central windows that are now filled in with glass block.

    St. Benedict the Moor School
    Fujifilm FinePix HS10; Canon PowerShot SX150 IS.

    It turns out that the permanent church was never built. The dwindling congregation continued to meet for Mass on the ground floor of the school until the parish was suppressed in 1977. The school became St. Benedict the Moor School, and the ground floor was finally converted into the classrooms it had been designed for. Later the school moved to larger facilities at the former Watt Public School, but the parish kept up the old building as an events center.


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  • St. Philip’s School, Crafton

    St. Philip’s School, Craftonm

    Designed by Albert F. Link, the original part of St. Philip’s School was built in 1914–19151 to look like a fairy-tale castle. The steep hillside site was probably an inspiration: anything built here would look a bit like a medieval fortress, so why not go all the way?

    Tower
    Tower
    Statue
    St. Philip’s School
    St. Philip’s School
    Sony Alpha 3000; Canon PowerShot SX150 IS.
    1. Source: The Construction Record, December 19, 1914. “Architect A. F. Link, N. Craig street, has plans for the superstructure of a two-story brick parochial school building for St. Phillips [sic] Roman Catholic Congregation to be built at a cost of $60,000. Foundation work has been completed.” ↩︎
  • St. Mark’s School, McKees Rocks Bottoms

    St. Mark’s School

    This is a Catholic school with more than the usual touch of whimsy. Old Pa Pitt does not yet know the architect, but whoever it was decided to make a school that would strike its pupils as something out of a fairy tale. [Update: We have found that the architects were the well-known Link, Weber & Bowers, “Link” being A. F. Link and “Weber” being Edward Weber.1] It is sadly vacant and decaying right now, although at least the grounds are kept. The cornerstone tells us that the building was begun in 1928:

    Cornerstone

    Since old Pa Pitt considers this school endangered, he has many pictures to show you, so the rest will be behind a “read more” link to avoid cluttering the front page for a week.

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  • St. Rosalia School, Greenfield

    St. Rosalia School

    A. F. Link designed this Romanesque school in 1912, a little more than a decade before he designed the magnificent church beside it. This design already shows Link’s trademark habit of abstracting and modernizing historic forms: here he combines a hint of Romanesque with some very Jugendstil abstract patterns in the brickwork.

    Fortunately the building has been sold to Yeshiva Schools, so it will not be abandoned to rot the way so many Catholic schools have been.

    Front of the school
  • St. Matthew’s Convent, South Side

    St. Matthew’s Convent

    St. Matthew’s was a Slovak congregation; you can read the whole history of the parish up to 1955 in its golden-jubilee book at the Historic Pittsburgh site. The church closed some time ago and was converted to apartments; the convent is also secular now, but the front is beautifully maintained. It was built in 1926, and the architect was Albert F. Link. It’s a good example of Link’s style: he streamlines and modernizes a historical style—Jacobean here—and creates something that harmonizes well with the older church next door but still definitely belongs to our modern age of the 1920s.

    Front Door
    St. Matthew’s Convent
  • St. Rosalia Church, Greenfield

    St. Rosalia Church

    Designed by A. F. Link, this Romanesque church was begun in 1923 and opened in 1925. The style is transitional: it uses traditional Romanesque elements, but it is already veering toward the Art Deco modernist interpretation of those elements that would become common in the 1930s through the 1950s.

    Cross

    The cross at the top of the (liturgical) west front sets the modernist tone for the decorations.

    West Front of St. Rosalia
    Entrance
    Capital

    These abstract capitals continue the streamlined modernist theme, as do the three lunettes (Mary, Jesus, Joseph) on the west front:

    Lunette with Mary
    Lunette with Jesus
    Lunette with Joseph
    Rose window

    Though it is a complex design, the rose window echoes the streamlining of the capitals and other details.

    Oblique view of the church

    In contrast to the Deco streamlining of the front, the side of the church, with its crenellations and complex brickwork, could almost pass for a middle-1800s church by Charles F. Bartberger. Yet the styles fit together; there is no dissonance between the different views of the church.

    For those who are interested, here is a Pittsburgh Catholic article published March 27, 1924, that identifies many of the contractors and artists who worked on the church.

    Imposing New Church of Saint Rosalia Is a Token of Parish Progress and Triumph of Architects and Builders