
The distinctive dome of St. Josaphat Church, designed by John T. Comès, as seen from the Flats below.
The distinctive dome of St. Josaphat Church, designed by John T. Comès, as seen from the Flats below.
If old Pa Pitt were more ambitious, he would remove those utility cables from the photograph, or from the street if he were more ambitious than that.
Resurrection Church was built in 1939 in an interesting modernist Gothic style, anticipating the streamlined modernist Gothic that would have a brief vogue after the Second World War. This design managed to give the congregation a sumptuous Gothic interior while keeping the exterior outlines starkly simple. The main entrance, for example, is recessed far into the building, so that only by standing right in front of it can we see the elaborate Gothic tracery and inscription.
An update: The 1939 church was designed by William P. Hutchins, who gave us many distinguished late-Gothic churches and schools, including St. Mary of Mercy downtown.
One of the side entrances.
“Light of the World” relief over the side entrance.
Before 1939, Resurrection Parish worshiped in the school next door, which was built in 1909. As usual, the Brookline Connection site has a thorough history of Resurrection Parish. From it we learn that the school was built in stages: the first two floors of the front were built first, with the rear and top floor added later. (Addendum: We have found that the architect of the second-floor addition was John T. Comès.1 This strongly suggests that Comès was the architect of the original building.) We are also told that the sanctuary was on the “ground floor,” but as we see from this picture, “ground floor” can be a slippery concept in Pittsburgh.
The school closed some time ago, and it is now a retirement home. Resurrection Church is now a worship site of St. Teresa of Kolkata parish, which also includes St. Pius X church in Brookline and St. Catherine of Siena in Beechview.
Two attempts at arty photography with the old Samsung Digimax V4 set on monochrome mode. We also have more ordinary color pictures of St. Josaphat’s.
John T. Comès, one of our best ecclesiastical architects, accepted the challenge of an almost impossible site and came up with this distinctive design for a Polish parish. It was built between 1909 and 1916.
According to the South Side Slopes site, “The church closed permanently after a section of ceiling collapsed about the casket of the last caretaker during his funeral mass.” This is the sort of detail a novelist would invent and then throw out as too implausible for a sophisticated audience.
Built in 1907 (or 1911, depending on our source), this central section has not changed much except for the new windows too small for the openings. The architect was John T. Comès, famous for Romanesque churches like St. Augustine’s in Lawrenceville and St. Leo’s in Marshall-Shadeland. Here he gave the Sisters of St. Joseph a kind of Mediterranean Romanesque tower with a billboard on top. It was later encrusted with featureless modern buildings all around it, and the whole complex is now retirement apartments under the name “Carson Towers.”
This PDF has a picture of the original building. The caption that says “The sculpture over the front door is the only part of the original facade still visible on the building that is now Carson Towers” is obviously wrong; as even a quick glance will show us, almost nothing except the windows and the cornice (cornices often go missing, and somewhere there must be a huge cornice graveyard) has changed about this façade.
If he had known that the church would be demolished the next year, Father Pitt would have been more careful to document it. As it is, he happened to be passing in 2001 with one of his many odd old cameras, and he decided to take this quick picture before rolling on. The architect was Frederick Sauer; the church was built in 1906.1
The church had been vacant for several years when the Sisters of Divine Providence demolished it and built a new Family Support Center. The front of that building bears a mural with a picture of St. Leo’s in it.
Originally St. Anthony’s, a German Catholic church; it became Holy Spirit in the 1990s parish reorganizations, when St. Anthony was merged with St. Anne. The building was put up in 1914, with substantial alterations after a fire in 1936.
One of the surreal things about living in a movie-friendly place like Pittsburgh is that one sometimes finds oneself dropped into a fictional dimension. When Father Pitt stopped to take a picture of this church, he found that the building adjacent was not the parish school, but rather the Crockett County Sheriff’s Department; and there was a sign on the wall that connects the church with the school welcoming him to “Blackburg, Kentucky, The Portal to Shay Mountain, where coal mining is our heritage and Wild Boar & Buck legends live on.” So when, in a year or two, you happen to see a movie that takes place in Blackburg, the seat of Crockett County in Kentucky, you will know that the place is actually Millvale, and the illusion will be spoiled. Sorry about that.
Addendum: The architect was John T. Comès, possibly Pittsburgh’s most prolific architect of Catholic churches.