One of several mansions that have become part of Chatham University, this tasteful Tudor house is comparatively modest against its neighbors the Mellons and the Reas.
Addendum: We find from the June 1911 issue of The Builder that this was built as the President’s Home for the Pennsylvania College for Women. The architect was Thomas Hannah. Here are two pictures from the magazine:
A pair of Romanesque houses, mostly brick but with a splendid stone front. The decorations are extraordinarily fine, and Father Pitt suspects that they were by the extraordinary Achille Giammartini, who lived a few blocks away and was responsible for much of the ornamental stonecarving on the North Side.
Map.
Another of the millionaires’ mansions that have become part of Chatham University. Built in 1911 or 1912 for steel executive James C. Rea, the Julia and James Rea House is now a student dormitory. Students tell us the rooms are “quirky” in a good way, with high ceilings and odd protrusions, because the house was divided with minimal disruption to the original architecture.
A very short video on the Chatham Undergraduate Housing page shows us some of the interior.
Addendum: The architects were MacClure & Spahr.
This Renaissance house in Shadyside is now a residence for first-year students at Carnegie Mellon. The round dormer is unusual, but there was a brief fad for them around the turn of the twentieth century: see also the J. J. Matthews House.
Addendum: The architect was Frederick Osterling. This is the sole survivor of a row of three houses Osterling designed; this one was for James H. Hammond. See Works of F. J. Osterling by J. Franklin Nelson, 1904.
South 18th Street, which used to be the Brownsville Plank Road before it was taken into the city of Pittsburgh, snakes up through the South Side Slopes, following an ancient track that probably predates European settlement. It makes a long loop around a lumpy eminence known locally as Billy Buck Hill, where typical tall and narrow Slopes houses crowd on absurdly precipitous lots. These houses in the foreground are lined up along St. Paul Street. In the background, across the Mon, we see Oakland, which is as usual full of cranes.
The usual story of the etymology of Billy Buck Hill has to do with goats having been kept there, and that seems plausible. But old Pa Pitt is not willing to swear to it, because it has the look of one of those ex-post-facto etymologies suggested speculatively as the probable reason for the name, and then picked up as the only possible explanation and presented as fact.
Built in the 1880s, this fine Queen Anne house shows up in 1890 as belonging to Mrs. Geo. A. Macbeth. The variety of masses and textures is handled with remarkably good taste.
Two varieties of Tudor house. They have very similar center-hall plans, but the one above emphasizes extravagant and almost cartoonish woodwork, whereas the one below is much more restrained. Old Pa Pitt would have guessed that the second one was later, but the Pittsburgh Historic Maps site tells us that both were built at about the same time, not long before 1910 (between the “1903–1906” layer and the “1910” layer). It would be interesting to know the name of the somewhat eccentric architect who designed the one above.
This house is under sentence of condemnation. There is nothing really special about it, except that it is probably about 150 years old and a good representative of the Gothic I-house. The I-house is a vernacular style of house common in Pennsylvania and much of the Midwest, with a center hall and two rooms on either side. When the simple plan is complicated by a peaked central gable, as in this house, it is it is described as a Gothic I-house. Often the I-house is extended by additions that give it an L shape—and sometimes more than one addition accumulates over the years, as we see with this one, where the smaller addition in the foreground was probably added around the 1920s, to judge by the 3-over-1 window on the second floor.
Note the pointed vernacular-Gothic windows in the attic.
A big house or small mansion in a particularly lush Tudor style. The woodwork is decorated with unusual care.
This house on Amberson Avenue at Pembroke Place was built in the 1880s; it appears on the map in 1890 as belonging to Mrs. C. H. Spencer. The “stick style” is fairly unusual in Pittsburgh, but this is a magnificent example.
