
Beech Avenue may be old Pa Pitt’s favorite residential street in the city. It is an eclectic mix of Victorian styles lined up on brick sidewalks, and something about it makes first-time visitors think, “I want to stay here forever.”
(more…)
Beech Avenue may be old Pa Pitt’s favorite residential street in the city. It is an eclectic mix of Victorian styles lined up on brick sidewalks, and something about it makes first-time visitors think, “I want to stay here forever.”
(more…)
This row of stone-fronted houses is a good example of late-Victorian eclecticism. The heavy rustic stone and elaborate foliage decorations say “Romanesque,” but the porch columns have “modern Ionic” capitals typical of the Renaissance. And it all works together just fine, though it might give an architectural pedant hives.


The stonecarving was probably done by Achille Giammartini, who lived a few blocks away on Page Street.

Hiding in the shadows is a whimsical grotesque face that may remind us of somebody we know.



Note the old address, 185, carved in stone beside the door to what is now 1305 Liverpool Street. The addresses in Manchester changed at about the time Allegheny was taken into Pittsburgh.


The southern side of Rocklynn Place (originally Rockwood Avenue) was part of the St. Clair Terrace plan. The northern side was sold off as individual lots a little bit later in the 1920s, and some splendid houses went up, some of which we see here. The pictures were taken with two different cameras, one of which was set to monochrome just because it makes one think of the picture differently to know that color will not be a factor.








Seven rooms and two baths: this house (obviously photographed a few weeks ago) is at the more modest end of Hoodridge Drive, but it is in good taste and almost completely unaltered since it was built in 1935. We know that because, when it was “just completed,” it was pictured in a Press real-estate feature. Although the microfilm reproduction is very poor, we can still see enough to tell that nothing material has changed.


“Gertrude Stein was born in Allegheny, Pennsylvania,” says Alice in The Autobiography of Alice B. Toklas. “As I am an ardent californian and as she spent her youth there I have often begged her to be born in California but she has always remained firmly born in Allegheny, Pennsylvania. She left it when she was six months old and has never seen it again and now it no longer exists being all of it Pittsburgh. She used however to delight in being born in Allegheny, Pennsylvania when during the war, in connection with war work, we used to have papers made out and they always immediately wanted to know one’s birth-place. She used to say if she had been really born in California as I wanted her to have been she would never have had the pleasure of seeing the various french officials try to write, Allegheny, Pennsylvania.”

This house has a more detailed history at the Manchester Historic Society’s site (PDF), so old Pa Pitt will only mention the highlights. It was built for Clarence and Mary Dravo Pettit in 1891 from a design by Thomas Scott, whose public buildings would mostly be done in a Beaux Arts classical style; here, however, he has jumped on the Richardsonian Romanesque bandwagon, since the style became practically a mania in Pittsburgh after the county courthouse was built in the 1880s.


It is likely that the decorative stonecarving was done by Achille Giammartini, whose own house was a short stroll from this one.


If your turret has a decorative foliage frieze, you might as well gild it. And don’t forget the finial at the peak.


What old Pa Pitt calls the Fairy-Tale Style was very popular in the 1920s and 1930s. The mark of the style is an exaggerated historicism in which the historical elements are rendered less as accurate reproductions of historical styles and more as if they were illustrations in a children’s book. This house in the St. Clair Terrace plan in Mount Lebanon is a perfect representative of the style.




Edward Weber was best known for his school designs—notably Central Catholic High School and St. Mark’s School in the McKees Rocks Bottoms. The sense of fairy-tale whimsy he showed in those designs was on full display in this house, which Weber designed for Louis Brown in 1913. It shows the same Jugendstil influence that we identified in the Lilian Henius house in Highland Park, which was designed by our noted early modernists Kiehnel & Elliott; this one is on a grander scale, but if we did not know the architect we would be forgiven for speculating that the two houses were drawn with the same pencil.




The Byers-Lyons house was built in 1898. It was designed by Alden & Harlow, Andrew Carnegie’s favorite architects, and it has fortunately been preserved by being turned to academic uses—it is now Byers Hall of the Community College of Allegheny County. It looked warm and inviting last night at sunset, so Father Pitt took quite a few pictures.
















