Seven rooms and two baths: this house (obviously photographed a few weeks ago) is at the more modest end of Hoodridge Drive, but it is in good taste and almost completely unaltered since it was built in 1935. We know that because, when it was “just completed,” it was pictured in a Press real-estate feature. Although the microfilm reproduction is very poor, we can still see enough to tell that nothing material has changed.
“Gertrude Stein was born in Allegheny, Pennsylvania,” says Alice in The Autobiography of Alice B. Toklas. “As I am an ardent californian and as she spent her youth there I have often begged her to be born in California but she has always remained firmly born in Allegheny, Pennsylvania. She left it when she was six months old and has never seen it again and now it no longer exists being all of it Pittsburgh. She used however to delight in being born in Allegheny, Pennsylvania when during the war, in connection with war work, we used to have papers made out and they always immediately wanted to know one’s birth-place. She used to say if she had been really born in California as I wanted her to have been she would never have had the pleasure of seeing the various french officials try to write, Allegheny, Pennsylvania.”
This house has a more detailed history at the Manchester Historic Society’s site (PDF), so old Pa Pitt will only mention the highlights. It was built for Clarence and Mary Dravo Pettit in 1891 from a design by Thomas Scott, whose public buildings would mostly be done in a Beaux Arts classical style; here, however, he has jumped on the Richardsonian Romanesque bandwagon, since the style became practically a mania in Pittsburgh after the county courthouse was built in the 1880s.
It is likely that the decorative stonecarving was done by Achille Giammartini, whose own house was a short stroll from this one.
If your turret has a decorative foliage frieze, you might as well gild it. And don’t forget the finial at the peak.
What old Pa Pitt calls the Fairy-Tale Style was very popular in the 1920s and 1930s. The mark of the style is an exaggerated historicism in which the historical elements are rendered less as accurate reproductions of historical styles and more as if they were illustrations in a children’s book. This house in the St. Clair Terrace plan in Mount Lebanon is a perfect representative of the style.
Edward Weber was best known for his school designs—notably Central Catholic High School and St. Mark’s School in the McKees Rocks Bottoms. The sense of fairy-tale whimsy he showed in those designs was on full display in this house, which Weber designed for Louis Brown in 1913. It shows the same Jugendstil influence that we identified in the Lilian Henius house in Highland Park, which was designed by our noted early modernists Kiehnel & Elliott; this one is on a grander scale, but if we did not know the architect we would be forgiven for speculating that the two houses were drawn with the same pencil.
The Byers-Lyons house was built in 1898. It was designed by Alden & Harlow, Andrew Carnegie’s favorite architects, and it has fortunately been preserved by being turned to academic uses—it is now Byers Hall of the Community College of Allegheny County. It looked warm and inviting last night at sunset, so Father Pitt took quite a few pictures.
This house is not quite like anything else: it’s a little bit Tudor, a little bit Arts and Crafts, and a little bit Renaissance. Thomas Pringle, an architect whose most famous works are churches and religious institutions, designed it for himself against an improbable hillside in Schenley Farms.
This bronze medallion of Mercury sits over the front door.
We’ve already seen two of the houses on Cordova Road: the Lillian Henius house and the Mother Goose cottage designed by Theodore Eichholz. The whole neighborhood of Highland Park is a historic district, and Cordova Road, short as it is, gives us a good sampling of a wide variety of architecture. This charming cottage is modest but unique.
Here is a double house with Craftsman-style porch pillars decorated with a bit of Art Nouveau trim.
A sophisticated little Craftsman-style cottage.
This house stands somewhere near the intersection of Colonial, Renaissance, and modern.
Bailey Avenue, right on the crest of Mount Washington, has an eclectic mix of grand Victorian houses, somewhat more modest houses from later eras, double houses, duplexes, and small apartment buildings. Here is a representative sampling of some of the single-family houses.
Built in 1918, this very artistic house was designed for an artist by Kiehnel & Elliott, who applied everything Richard Kiehnel had learned from the German Jugendstil masters and made a kind of modernist Bavarian peasant cottage. Kiehnel & Elliott were among our most interesting early modernists; they would go on to make architectural history by introducing Art Deco to Miami.
