A small church that still belongs to Lutherans, now as Holy Cross Evangelical Lutheran Chapel (a Missouri Synod congregation). It is an exception to the general rule that Lutherans did not build corner-tower auditorium churches; the shape of the tiny lot dictated the shape of the church. The slope dictated that the sanctuary would be on the second floor if you enter from the front, but the ground floor if you enter from the back.
John L. Beatty, who designed a number of good Gothic churches in our area, was the architect of this grand church for the First United Presbyterian congregation of Crafton.1
The dates of the foundation of the congregation (1908) and the building of the current church (1927).
The congregation had money for two huge windows in the 1960s or 1970s.
H. Childs Hodgens was the architect of this church, which was built in 1911.1 It has not been M. P. for a good while; currently it is shared by the House of Prayer for All Slavic Christian Church and the Congregation Yeshua Ben David.
A good example of the kind of arts-and-crafts Gothic that was popular for churches in the first quarter of the twentieth century, usually defined by broad Perpendicular Gothic windows, corner towers, and simple but elegantly crafted woodwork. The architect was S. A. Hamel, about whom old Pa Pitt knows little so far other than that he designed some churches south of the rivers and lived on Giffin Avenue, just two blocks away from this church. Mr. Hamel was associated with a real-estate broker named James A. Griffith, who sold this lot to the church and probably recommended the architect. It seems the congregation was not disappointed: the same congregation still owns the building, and a picture published when the church was dedicated in early 1919, though the scan is poor, is clear enough to show us that almost nothing has been altered.
The congregation was originally German Baptist. The earlier home of the congregation, when it was known as the First German Baptist Church, is also still standing on the South Side; it now belongs to the Holy Assumption of St. Mary Orthodox congregation.
When ground was broken for this building, an article in the Press related the history of the congregation.
Ground Broken for New Temple Baptist Church
Ground has been broken for the new Temple Baptist church, to be erected at Brownsville rd. and Onyx st., Mt. Oliver, at a cost of $50,000. The plans, drawn by Architect S. A. Hamel, call for a handsome structure of rough brick of odd coloring, creating a beautiful effect, and the congregation, which now is holding services at Birmingham and Hays aves., Carrick, anticipates being in its new home before the end of the year.
The Temple Baptist congregation is the oldest German Baptist congregation in Pittsburg and vicinity, and formerly was known as the First German Baptist, the word German now having been dropped from its title.
Formerly services were held in the old church at South Nineteenth st. and Carey ay., where, for 60 years the congregation worshiped, but recently the property was sold to the Greek Orthodox congregation. A chapel that had been maintained by the Baptist congregation at Hays and Phillips aves., Carrick, also has been disposed of and now is being used by the Carrick Red Cross. Since Rev. A. P. Mihm, the pastor, assumed charge three years ago, the membership has enjoyed a steady and substantial growth.
“Ground Broken for New Temple Baptist Church,” Press, April 28, 1918, Financial Section p. 3.
In honor of Reformation Day, here is a Lutheran church. O. M. Topp, for a generation the favorite choice of Lutherans, designed this neat Gothic church, which was built in 1929, as we see from the cornerstone.1 But, oddly, the cornerstone says that the church is the Sunday school.
That’s because things didn’t go exactly as planned. This was meant to become the Sunday-school wing, temporarily serving as the sanctuary until the much larger church was built. But then the Depression came, and then the war, and the big church was never built. Instead, when the congregation was finally ready to expand in 1960, it was decided to keep this building as the sanctuary, and a large modern Sunday-school wing was built beside it.
The architect’s drawing shows us that nothing on the outside has changed except for the encrustation of newer building to the left.
The Sunday-school wing is in a very different style, but tall Gothic arches are meant to tie it to the earlier building.
Wilkinsburg’s own Milligan & Miller designed this rambling Gothic church, which is still in use by its original congregation, now South Avenue United Methodist. “One of the most important additions to the structural beauty of the place,” said a 1907 Pittsburg Press feature on Wilkinsburg,1 “will be the new South Avenue Methodist Episcopal Church, which is to replace the old burned down last February. It is to cost $125,000 and will be one of the finest church buildings in the community. The construction is under the charge of Architects Milligan & Miller, who designed the plans.”
Impressive stone lanterns flank the front steps.
An arcaded porch after the manner of a medieval cloister runs along the side.
Urban legend says that these structures are chapels where the privileged can repent of their sins, but in fact they house the elevator mechanics and other rooftop necessities.
This fine corner-tower church, whose cornerstone was laid in 1911, was designed by O. M. Topp and Charles M. Hutchison.1 The plan was probably made in 1906, when a small chapel was put up with the intention of building the larger church when there was enough money. This is one of the very rare cases, incidentally, where the Pittsburgh History and Landmarks Foundation is wrong. The PHLF plaque has the church designed by F. Hoffman & Co.; but F. Hoffman & Co., was a Wilkinsburg contractor (probably the one that got the contract for the building), not an architectural firm.
The congregation is gone, but some attempt is being made to restore the building as a Center for Civic Arts. Old Pa Pitt wishes the Center good fortune, because this fine building deserves to have a future, and Wilkinsburg deserves art. As we can see from this old postcard from the Presbyterian Historical Society collection, the building has hardly been altered at all:
The congregation prospered, and in 1928 a large educational wing was built—now abandoned and in bad shape. The architect was Lawrence Wolfe, with O. M. Topp—by then one of the grand old men of Pittsburgh architecture—listed as “associate architect.”2
A church in a typical Pittsburgh interpretation of Perpendicular Gothic. The stubby battlemented towers make it look like a chapel built into the wall of a castle; we would guess that the larger one was meant to hold up a spire. The white Kittanning brick gives some of the effect of stone without the expense of stone.
Addendum: The architect was John A. Long; the church was built in about 1911.1
