Father Pitt

Tag: Forbes Avenue

  • Lanterns on the City-County Building

    Lanterns on the City-County Building

    The Forbes Avenue side of the City-County Building, with bronze lanterns that few pedestrians stop to appreciate.

    Lantern
    Nikon COOLPIX P100.

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  • Prothonotary

    Prothonotary

    When Harry Truman was campaigning in Pittsburgh in 1948, he was introduced to the prothonotary. He replied with the question that was always on everyone’s mind on similar occasions, but that was seldom expressed as straightforwardly as Truman could express it: “What the hell is a prothonotary?”

    We never figured out a good answer to that question, so we no longer have a prothonotary. But you can still see the title over this Forbes Avenue side entrance to the City-County Building; and if you go in through that door and explain to the first person you see what a prothonotary was, perhaps you will win a prize. But be aware that an alarm will sound.

    Prothonotary entrance
    Nikon COOLPIX P100.

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  • Skinny Building Open for Business

    Skinny Building and Roberts Building

    The Skinny Building, possibly the world’s narrowest commercial building, has returned to its roots as a lunch counter.

    Skinny Building from the Forbes Avenue side
    Skinny Building
    Kodak EasyShare Max Z990; Samsung Galaxy A15 5G with ultra-wide camera

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  • McGinley Hall, Duquesne University

    McGinley Hall
    Fujifilm FinePix HS20EXR.

    A massive new apartment tower for Duquesne University students, and a big improvement in the Uptown cityscape (it replaced a parking lot). The architects were Indovina Associates, who designed the building in a subdued version of the currently popular patchwork-quilt style, with materials that harmonize well with the other buildings along the Uptown corridor.


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  • S. S. Kresge Building

    S. S. Kresge Building

    S. S. Kresge was never the presence in Pittsburgh that Murphy’s was, but all the five-and-dime stores had outlets downtown. Murphy’s, Kresge’s, McCrory’s, Woolworth’s—they were all similar operations, and all the founders knew each other. G. C. Murphy, in fact, had worked for S. S. Kresge and John G. McCrory before setting out on his own.

    The S. S. Kresge Company is better known to younger people (meaning under the age of seventy or so) as the parent corporation of Kmart.

    Inscription: “S. S. Kresge Co.”

    The whole front of the building is done in terra cotta, including this inscription.

    Pediment with lion’s head
    Fujifilm FinePix HS20EXR.

    The pediment, though it seems undersized for the building, is filled with rich decoration.


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  • Terra Cotta on the Kaufmann’s Building

    Ornamental head

    The giant Kaufmann’s department store grew in stages over decades. This part of it was designed by Charles Bickel, who decorated it with exceptionally fine terra-cotta ornaments.

    Arch with “Kaufmann’s” inscription
    Lion’s head
    Arch and ornaments
    Capital with cherub
    Fujifilm FinePix HS20EXR.

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  • County Office Building

    County Office Building

    Stanley Roush, the county’s official architect, designed this building to hold the offices that were spilling out of the Courthouse and the City-County Building as Pittsburgh and its neighbors grew rapidly. It was built in 1929–1931, and it is an interesting stylistic bridge between eras. Roush’s taste was very much in the modernistic Art Deco line, but the Romanesque Allegheny County Courthouse, designed by the sainted Henry Hobson Richardson, was a looming presence that still dictated what Allegheny County thought of its own architectural style. Roush’s compromise is almost unique: Art Deco Romanesque. We have many buildings where classical details are given a Deco spin—a style that, when applied to public buildings, old Pa Pitt likes to call American Fascist. But here the details are streamlined versions of medieval Romanesque, right down to gargoyles on the corners. Above, the Ross Street side of the building; below, the Forbes Avenue side.

    Forbes Avenue side of the County Office Building
    Entrance

    One of the entrances on Forbes Avenue.

    Entrance
    Doors
    Reliefs and inscription: “County Office Building”
    Ten Commandments medallion

    Moses with the tablets of the Law. His beard obscures the Tenth Commandment, so go ahead and covet anything you like, except—if you are Lutheran—your neighbor’s house, or—if you are Catholic—your neighbor’s wife or house. Counting up to ten is harder than it looks when it comes to Commandments, and you may need to refer to Wikipedia’s handy chart to find how the numbering works in your religious tradition.

    Bridge medallion

    The bridge in this medallion looks a lot like the Tenth Street Bridge, which by pure coincidence was designed by Stanley Roush.

    Grate with AC monogram

    Decorative grate with an Allegheny County monogram.

    Columns
    Fujifilm FinePix HS10.

    Some very expensive columns, smooth and classically proportioned but with elaborate Deco Romanesque capitals.

    We have more pictures of the decorations on the County Office Building, including those gargoyles we mentioned.


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  • Waverly Presbyterian Church, Park Place

    Waverly Presbyterian Church

    A magnificent building that takes full advantage of a magnificent site, right at the busy corner of Forbes and Braddock Avenues. It was dedicated in 1930; the architects were Ingham & Boyd, who abstracted the Gothic style into a cool and elegant modernism that does not look dated at all almost a century later.

    Entrance

    When the cornerstone was laid on November 17, 1928, the Press described the planned facilities:

    The new church will be of early English gothic style of architecture. The contract for the erection of the church has been awarded to Edward A. Wehr, noted builder of a number of famous churches in Pittsburgh and other cities. The seating capacity of the new edifice will be slightly in excess of 600. The exterior walls will be of Indiana limestone. The roof will be an “open timber” roof, with wood trusses exposed. In the vestibule, oak paneling will be used to the top of the doors, with plaster above and an oak beam ceiling. The floor of the vestibule will be tile. Paneled and carved woodwork will be used at the front of the auditorium, the pulpit, reading desk, choir gallery and organ screen being designed as a unit to create a focal point in the design at this location. Temporary windows will be of leaded glass of good quality, in the hope that from time to time these temporary windows may be replaced with memorial windows of stained glass, of high quality in design and workmanship.

    That the assembly room on the ground floor may be used as a social room as well as for Sunday school purposes, a temporary kitchen has been arranged for, adjoining. At the opposite end of the assembly room, shower baths and locker rooms have been provided in accordance with the original intention of using this room for recreational purposes also.

    “Sunday Service to Mark Start on New Church,” Pittsburgh Press, November 17, 1928, p. 5.

    West front
    Pittsburgh Press, May 18, 1930, p. 23.
    Waverly Presbyterian Church
    Olympus E-20N; Fujifilm FinePix HS10.

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  • Frick Annex

    Frick Annex, later the Allegheny Building, Pittsburgh
    Fujifilm FinePix HS10.

    Built in 1906, this skyscraper was designed by Daniel Burnham, architect of the neighboring Frick Building, as the second part of Henry Frick’s architectural tantrum that cut off the light and air from the Carnegie Building. The Carnegie Building was demolished to make way for the nearly windowless Kaufmann’s Annex; this building, which gets plenty of light, is now luxury apartments.

  • Peoples-Pittsburgh Trust Co., Squirrel Hill

    Peoples-Pittsburgh Trust Co.

    You could count on architect Press C. Dowler for the bankiest-looking banks. The correct Ionic front of this one looks almost exactly the way he drew it, as we can see from the architect’s rendering that was published in the Press on February 8, 1931.

    Press C. Dowler’s rendering of the Peoples-Pittsburgh Trust Co.

    It seems to old Pa Pitt that the mark of a Dowler bank is correct classical detail combined with a lack of fussiness. There is never too much detail. But he takes the details seriously. In other buildings he was already adopting Art Deco and modernist styles, but a bank needed to look traditional and timeless—especially in the Depression. For other Dowler bank designs, see the Coraopolis Savings and Trust Company and the Braddock National Bank.


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